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A sequel to The Land That Time Forgot. Major Ben McBride organises a mission to the Antarctic wastes to search for his friend (Doug McClure) who has been missing in the region for several ... See full summary »
Shirley's a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in ... See full summary »
This film starts out like the Love Boat on acid, as a cast of varied characters, with various issues, take Captain Eric Porter's leaky cargo ship to escape their troubles. When a violent ... See full summary »
A psychiatrist living in Vienna enters a torrid relationship with a married woman. When she ends up in the hospital from an overdose, an inspector becomes set on discovering the demise of their affair.
When a spaceship lands on the moon, it is hailed as a new accomplishment, before it becomes clear that a Victorian party completed the journey in 1899, leading investigators to that mission's last survivor.
During World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they ... See full summary »
Exploitation film documentary on 'Swinging London' as it actually happened. Arnold Louis Miller, the director of 'Nudist Memories', interviews mods, rockers and beatniks. Wife Swapping, an ... See full summary »
The distinguishing feature of this film (1966), historically unseen, is that it opened The Windill Theatre as a cinema after its famous and legendary history as a live entertainment house. A modest film was required but 'wit da quality' as best as it could be decided upon to be made. To this end a classy little piece of ass was found in the cast of "Passion Flower Hotel" a musical at the Prince of Wales Theatre and the entire enterprise was set upon. While 'ísnt this terrible....!' may very well be the subtext partout it is not to deride director Arnold Miller's charming barrow boy's patriotic effort. The atmosphere created by Arnold in the theatrical sense is precisely that found by Jacques Rivette in the pocket theatre scenes in "Celine et Julie Vont en Bateau" (1974) and , indeed, can he have scrupulously avoided making recognition of a debt to Jean-Luc in the opening sequence of two young people, 'morts', in the front seat of their crashed sports car? ("Le Mépris" 1963). Mystery and marbles!
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