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A Man of Principle (1984)
"Cóndores no entierran todos los días" (original title)

7.2
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Ratings: 7.2/10 from 126 users  
Reviews: 3 user

In Colombia, from the second half of the nineteenth century, two political parties; The traditional liberal and conservative ¸ fought a series of civil wars for almost one hundred years of ... See full summary »

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Title: A Man of Principle (1984)

A Man of Principle (1984) on IMDb 7.2/10

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Cast

Credited cast:
Frank Ramírez ...
Leon Maria Lozano
Isabela Corona ...
Dona Gertrudis Potes
Víctor Morant ...
Padre Amaya
Santiago García ...
Rosendo Zapata
Luis Chiape ...
Gustavo Gardeazabal
Juan Gentile ...
Andres Santacoloma
Vicky Hernández ...
Agripina
Antonio Aparicio ...
Lamparilla
Carlos Parada ...
Atehortua
Rest of cast listed alphabetically:
Rafael Bohórquez ...
Alvarado
Jairo Soto
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Storyline

In Colombia, from the second half of the nineteenth century, two political parties; The traditional liberal and conservative ¸ fought a series of civil wars for almost one hundred years of bloodshed in the country. The last of these To know as "La Violencia" ¸ began following the assassination of popular leader Jorge Eliecer Gaitan ¸ The April 9, 1948. That day began a dark period that lasted a decade in which met the key role hired murderers ¸ called "Pajaros" ¸ such as Leon Maria Lozano ¸ The most notorious of all. "The Condor." Written by Diego Alvarez

Plot Summary | Plot Synopsis

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based on novel

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Release Date:

12 November 1987 (Hungary)  »

Also Known As:

Cóndores no entierran todos los días  »

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User Reviews

 
Greatness in true form
5 April 2003 | by (Manizales, Colombia) – See all my reviews

The greatest colombian movie ever made, "Cóndores" is a shining portrait of one of the most violent eras in latinamerican history, brilliantly directed, with class and measure, by Francisco Norden. Frank Ramírez gives an unforgettable performance as León María Lozano, a simple man whose faith to the party and his misconceived principles lead him on a savage killing spree and turn him into the one of the biggest assassins of a violent time. We can sense through him the confusion, the anger and the need for redemption that led to a war that bled and still bleeds Colombia to death. Adapted from a great Colombian novel, this film surpasses its source material and becomes chilling, moving and compelling cinema, an example of what Colombian and Latinamerican cinema can be at its noblest form.


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