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*** This review may contain spoilers ***
When you hear the name Gerry Anderson most people will think of classic
animated fantasy serials such as Thunderbirds and Captain Scarlet but
in the 1970s he also directed live action dramas including Space 1999
and The Protectors. However this neat crime drama proves that he was
already doing so as early as 1960 although it appears to be his only
foray into this field at the time.
The film stars Anthony Oliver as Police officer Don Ross who discovers a ruthless group of hijackers are using a transport café and petrol station as a base. He ends up investigating alone, taking bribes from gang leader Diamond (George Murcell) to make them think he is on their side and eventually works with them on a robbery to steal a load of nickel. It all ends with a shoot out at the gangs HQ with gang member Johnny turning out to be another undercover policeman who helps Ross put a stop to the gang's activities.
The film boasts an impressive cast with Ferdy Mayne as gang boss Miles (one of a long line of creepy screen villains), George Murcell as gang leader Diamond, David Graham (and Gerry Anderson stalwart) as Johnny and ever-reliable Harry Towb and Victor Maddern as lorry drivers. Less impressive are Miriam Karlin as chain-smoking cafe owner Connie who can't seem to recall from scene-to-scene whose side her character is supposed to be on, and Arthur Rigby as the Police Sergeant whose eye-rolling antics and mugging to camera do not pass as acting in my book.
There are one or two unintentionally comical moments, most notably the early scene where Ross witnesses Diamond and his henchmen roughing up Connie before bundling her into a car. Ross quickly runs up to help her, ending up clinging on to the side of the car while it accelerates along the road. This goes on for some time and, while dramatic, is rather badly done in long shot with the uniformed figure rather obviously being a cheap dummy adhered to the car door. Also the score by Barry Gray, whilst very nicely done, falls some way short of being apt for a serious crime drama and is perhaps more suitable for a kids animation show.
The opening titles reveal this to be part of the long running Merton Park Edgar Wallace Mystery Theatre series. However while produced by Anglo-Amalgamated it was not made at Merton Park but at Anderson's APF studios in Maidenhead. It was not based on a book by Edgar Wallace but from an original story. It was seemingly later added to the Edgar Wallace roster. Interestingly Barry Gray has written a nice, gentler arrangement of Michael Carr's classic Edgar Wallace opening title theme, with woodwind, strings and accordion replacing the usual guitar. Curiously the bust of Edgar Wallace looks a bit like Mr Anderson!
The film was made on location in Slough and Maidenhead (and partly at the Halliford Studios in Shepperton). Connie's cafe is actually The Barton Cafe which was located opposite Anderson's APF Studios in Maidenhead.
"Crossroads to Crime" refers to a roadside cafe and gas station where
trucks stop. The legit front part is owned by a feisty character played
by Miriam Karlin. The back part is run by a gang of hi-jackers whose
boss is Ferdy Mayne. His chief lieutenant is played by George Murcell.
Enter local cop Anthony Oliver who gets involved when Murcell is
hustling the suspicious Karlin into a car to take her to see Mayne.
The plot is not bad. The music adds atmosphere. Some of the photography is suitably dark, and there's enough action. Where the movie flags is that the dialog interplay is often too rough and so is the editing. One gets the impression that it needed more rehearsal so that the actors could smooth down and provide realistic scenes. Better directing might have made more out of it. There really should have been more tension and more conflict brought out, other than the rough talk of Murcell and Mayne. They provide most of the interest. The story has a good twist at the end.
As such short British crime movies go, this one is at best average. Perhaps because it involves crime from start to finish, it will be classified as a Brit noir. If so, don't expect much. I place it in the c-noir category.
Despite these drawbacks, there is something attractive about these little movies that makes them watchable.
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