| Photos (See all 27 | slideshow) |
| Brenda Blethyn | ... | Grace Trevethyn | |
| Craig Ferguson | ... | Matthew Stewart | |
| Martin Clunes | ... | Dr. Martin Bamford | |
| Tchéky Karyo | ... | Jacques Chevalier (as Tcheky Karyo) | |
| Jamie Foreman | ... | China MacFarlane | |
| Bill Bailey | ... | Vince | |
| Valerie Edmond | ... | Nicky | |
| Tristan Sturrock | ... | Harvey | |
| Clive Merrison | ... | Quentin Rhodes | |
| Leslie Phillips | ... | Rev. Gerald Percy | |
| Diana Quick | ... | Honey Chambers | |
| Phyllida Law | ... | Margaret Sutton | |
| Linda Kerr Scott | ... | Diana Skinner | |
| Denise Coffey | ... | Mrs. Hopkins | |
| Paul Brooke | ... | Charlie | |
| Ken Campbell | ... | Sgt. Alfred Mabely | |
| John Fortune | ... | Melvyn | |
| Philip Wright | ... | Nigel Plimpton | |
| Darren Southworth | ... | Terry | |
| Magnus Lindgren | ... | Tony | |
| Dean Lennox Kelly | ... | Bob | |
| Johnny Bamford | ... | Removal Boss | |
| Bill Hallet | ... | Postman | |
| Alison Dillon | ... | Secretary | |
| Bill Weston | ... | John Trevethyn | |
| Jonathan Kydd | ... | Presenter #1 | |
| Mark Crowdy | ... | Presenter #2 | |
| Jay Benedict | ... | Master of Ceremonies | |
| Ben Cole | ... | Man at Checkout | |
| rest of cast listed alphabetically: | |||
| Gary Greenberg | ... | Inmate (as Gary Edwins) | |
| Peter Evans | ... | Alex (uncredited) | |
| Alexander Jovy | ... | Man in Taxi (uncredited) | |
| Trevor White | ... | Wally (uncredited) | |
Directed by | |||
| Nigel Cole | |||
Writing credits | ||
| Mark Crowdy | (story) | |
| Craig Ferguson | (screenplay) and | |
| Mark Crowdy | (screenplay) | |
Produced by | |||
| Steve Clark-Hall | .... | line producer | |
| Mark Crowdy | .... | producer | |
| Craig Ferguson | .... | co-producer | |
| Sara Giles | .... | associate producer: Freewheel International | |
| Torsten Leschly | .... | co-producer (as Torsten Leschley) | |
| Xavier Marchand | .... | executive producer | |
| Cat Villiers | .... | executive producer | |
| Keith Evans | .... | executive producer (uncredited) | |
Original Music by | |||
| Mark Russell | |||
Cinematography by | |||
| John de Borman | (director of photography) | ||
Film Editing by | |||
| Alan Strachan | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Tom Read | |||
Costume Design by | |||
| Annie Symons | |||
Makeup Department | |||
| Shelley Manser-Cossey | .... | second makeup artist: second unit (as Shelly Manser-Cossey) | |
| Claire Pritchard | .... | first makeup artist: second unit | |
| Gill Rees | .... | makeup artist | |
| Gill Rees | .... | makeup designer: second unit | |
| Roseann Samuel | .... | hair designer | |
| Roseann Samuel | .... | makeup designer | |
| Alyn Waterman | .... | makeup assistant | |
Second Unit Director or Assistant Director | |||
| Russell Channon | .... | first assistant director: second unit | |
| Russell Channon | .... | second assistant director | |
| Peter Evans | .... | third assistant director | |
| Mark Griffiths | .... | first assistant director | |
| Lance Roehrig | .... | third assistant director: second unit | |
| Tom Rye | .... | additional third assistant director: second unit | |
| Candy Marlowe | .... | crowd second assistant director (uncredited) | |
Art Department | |||
| Tony Charalambous | .... | props storeman | |
| David Cheesman | .... | dressing props (as Dave Cheesman) | |
| Andrew Forrest | .... | set dresser | |
| Karen George | .... | stand-by painter | |
| Douglas Glen | .... | stand-by props | |
| Andrew Grant | .... | stand-by carpenter | |
| Peter Grant | .... | stand-by props | |
| Katy Harvey | .... | trainee: FT2 (as Katy Pain) | |
| Al Libby | .... | art department assistant | |
| Jo Littlejohn | .... | set dresser | |
| Lisa Lloyd | .... | dressing props | |
| Adam McCreight | .... | dressing props | |
| Richard Mills | .... | property master | |
| Tom Overton | .... | construction manager | |
| Sheba Phombeah | .... | assistant art director | |
| Dom Sharp | .... | art department assistant | |
| Michael Standish | .... | production buyer | |
| Ricky Stone | .... | stand-by rigger | |
| Sophie Tyler | .... | props buyer: second unit | |
| Marko Waschke | .... | props maker (as Marko 'Skunk' Waschke) | |
| Clive Wilson | .... | stand-by props: second unit | |
| Warren Lever | .... | carpenter (uncredited) | |
Sound Department | |||
| John Bateman | .... | foley mixer | |
| Kasper Val Bjerregård Larsen | .... | sound re-recording mixer (as Søren Bjerregaard-Ryan) | |
| Petter Fladeby | .... | sound re-recording mixer | |
| Pauline Griffiths | .... | foley artist | |
| John Midgley | .... | sound mixer | |
| Jeff Milner | .... | sound maintenance: second unit (as Jeffrey H. Milner) | |
| Alan Paley | .... | sound editor | |
| Stephen Phillips | .... | sound mixer: second unit | |
| Simon Price | .... | dialogue editor | |
| June Prinz | .... | boom operator | |
| Ruth Sullivan | .... | foley artist | |
| Andy Thompson | .... | adr mixer | |
| Ken Dufva | .... | foley artist (uncredited) | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Visual Effects by | |||
| Robin Beard | .... | digital compositor: The Film Factory | |
| Zoe Cain | .... | digital film scanning: The Film Factory | |
| Alan Church | .... | digital effects producer: The Film Factory | |
| Sally Clayton | .... | digital compositor: The Film Factory | |
| Diane Kingston | .... | digital effects production assistant: The Film Factory (as Diane Kelly) | |
| Trevor Young | .... | digital compositor: The Film Factory | |
| Dave Sewell | .... | digital artist (uncredited) | |
Casting Department | |||
| William Davies | .... | casting assistant (as Will Davies) | |
| Maureen Duff | .... | casting associate | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Jemima Cotter | .... | assistant costume designer | |
| Elaine Curtis | .... | dress supplier: second unit | |
| Eliza Hunter | .... | wardrobe assistant | |
| Marco Scotti | .... | wardrobe supervisor | |
| Jessica Snell | .... | wardrobe: second unit | |
| Ciara Sweeney | .... | dress supplier: second unit | |
Editorial Department | |||
| Torben Ager Andersen | .... | digital video conformation | |
| Rupert Hall | .... | post-production coordinator | |
| Katura Jensen | .... | post-production coordinator | |
| Khalid Mohammed | .... | assistant film editor | |
| Katja Mordaunt | .... | post-production coordinator (as Katja Leschly) | |
| Julie Strachan | .... | assistant film editor | |
| Jackie Vance | .... | post-production coordinator | |
Music Department | |||
| Matt Dunkley | .... | additional orchestrator | |
| Gerry O'Riordan | .... | music mixer | |
| Greg Rogers | .... | executive music producer | |
| Ray Williams | .... | executive music producer | |
Transportation Department | |||
| Trevor Atkin | .... | unit driver | |
| Mick Atkins | .... | driver | |
| Terry Atkins | .... | driver | |
| Alan Barker | .... | driver | |
| John Butcher | .... | driver | |
| Joe Drinkeld | .... | transportation captain | |
| Tony Elwell | .... | driver: camera car | |
| Colin Giffin | .... | unit driver | |
| Edward Leach | .... | driver | |
| Roger Lupton | .... | driver | |
| Derek McPhail | .... | rushes driver | |
| Peter Moss | .... | driver | |
| Robert Reeve | .... | driver | |
| Glenn Reynolds | .... | driver: props | |
| Laurie Winter | .... | driver | |
Thanks | |||
| Moira Bellas | .... | special thanks | |
| Julie Henry Black | .... | thanks: Crap Props | |
| Martin Brooke | .... | thanks (as Dr. Martin Brooke) | |
| Sherena Dugani | .... | special thanks | |
| Keith Evans | .... | thanks | |
| Matt Lawrence | .... | special thanks | |
| Rob Maberly | .... | thanks: Hycliffe Cottages | |
| Tony McGuinness | .... | special thanks | |
| Greg Mills | .... | thanks | |
| Kristi Prenn | .... | thanks | |
| Neil Westbrook | .... | thanks (as Sir Neil Westbrook) | |
| Andy Wright | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Charming doesn't even begin to describe "Saving Grace;" it's absolutely irresistible! Anyone who ventures into this movie will leave with their spirits soaring high (haha).
Grace Trevethyn (Brenda Blethyn) has just lost her husband, but her problems are about to get a whole lot worse. Her dearly departed has left her with no money and outstanding debts. Faced with losing everything, she has to find out a way to get a lot of cash...fast! She gets an idea when her gardener, Matthew (Craig Ferguson) asks the town-famous horticulturist to give him advice on a plant he is secretly growing. Grace immediately realizes that his plant is marijuana, so they decide to use her gardening skills to grow a lot of top-quality weed, and then sell it to pay off her outstanding debts.
The most notable quality about "Saving Grace" is its likability. Every character is extremely sympathetic, and, save for the first 20 or so minutes, the film is non-stop good cheer. Everyone wants a happy ending for everyone, even if it means turning a blind eye to some rather illegal activities.
The acting is top-notch. Brenda Blethyn is one of Britain's finest actresses, and here is why. She turns what could have been a caricature into a fully living and breathing individual. She's a nice lady, but she's not stupid. Craig Ferguson is equally amiable as Matthew. He's a deadbeat loser, but he's so likable that it doesn't matter. The rest of the ensemble cast fits in this category as well, but special mention has to go to Tcheky Karyo. The French actor always has a aura of menace about him, and that suits him well, but he also has great comedy skills.
Nigel Cole finds the perfect tone for "Saving Grace." It's all about the charm. One of the problems I have with British humor is that all the energy seems to be drained out of the film. Not so here. The film is thoroughly likable and always amusing. That's not to say that "Saving Grace" is just a likable movie that will leave you with a grin and a good feeling. While this movie is not an out and out comedy, it does boast two or three scenes that are nothing short of hysterical.
If there's any problem with the film, it's that the climax is a little confusing. The questions are answered though, and the ending boasts an unexpected twist.
See "Saving Grace," especially when you're having a bad day.