| David Soul | ... | Quill | |
| Grace De Capitani | ... | Marie | |
| Jean-François Blanchard | ... | Pascal | |
| Danielle Schneider | ... | Françoise | |
| André Champagne | ... | Carlo | |
| Carl Marotte | ... | Jake | |
| Vlasta Vrana | ... | Harry | |
| Martin Watier | ... | Ollie | |
| Jean Pierre Bergeron | ... | Diego | |
| Daniel Pilon | ... | Lieutenant Forrester | |
| Lynne Adams | ... | Rosie (as Lynn Adams) | |
| Robert Higden | ... | Norbert | |
| David Rigby | ... | Drug Dealer #1 (as Dave Rigby) | |
| Hisham Zayed | ... | Drug Dealer #2 | |
| Johnny Goar | ... | Drug Dealer #3 | |
| Stéphane Lefebvre | ... | Drug Cop #1 | |
| Marc Désourdy | ... | Drug Cop #2 (as Marc Desourdy) | |
| Dave McKean | ... | Drug Cop #3 | |
| Gilbert Larose Jr. | ... | Drug Cop #4 (as Gilbert LaRose) | |
| Michael Scherer | ... | Bebe | |
| Richard Zeman | ... | Yankee | |
| Jason Cavalier | ... | Tiger | |
| Yves Langlois | ... | B.J. | |
| Larry Cohen | ... | Man with Headset | |
| Andrew Campbell | ... | Dodger | |
| Stéphane Falardeau | ... | Fishman | |
| John Walsh | ... | Guy on Speedboat | |
| Peter Cox | ... | Seacat | |
| James Rae | ... | Roadblock Cop #1 | |
| Paul Stewart | ... | Maritime Cop #1 | |
| Tim Post | ... | Maritime Cop #2 |
Directed by | |||
| Allan A. Goldstein | |||
Writing credits(in alphabetical order) | ||
| Robert Geoffrion | ||
| Nancy Heikin-Pepin | ||
| Thomas Parkinson | uncredited | |
Original Music by | |||
| Roger Bellon | |||
Casting by | |||
| Jo-Ann Gregory | |||
Production Design by | |||
| Richard Tassé | |||
Costume Design by | |||
| Isabelle Élie | |||
Makeup Department | |||
| Clair Blondel | .... | head makeup artist (as Claire Blondel-Vanderelst) | |
| Francine Gagnon | .... | makeup artist | |
| Daniel Pérez | .... | hair stylist (as Daniel Perez) | |
Production Management | |||
| Luc Campeau | .... | production manager | |
| Bruce Dawson | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Shandi Mitchell | .... | second assistant director | |
| Blair Roth | .... | first assistant director | |
Art Department | |||
| Anthony Bourgouin | .... | swing gang (as Anthony Bourgoin) | |
| Eric Brunet | .... | swing gang (as Gabriel Éric Brunet) | |
| Yves Castonguay | .... | assistant set props | |
| Anne Grandbois | .... | assistant set props | |
| Daniel Huysmans | .... | set props | |
| Claude Jacques | .... | assistant set decorator | |
| Geneviève Legault | .... | art department coordinator | |
| Jill Morton | .... | property buyer | |
Sound Department | |||
| André-Gilles Gagné | .... | first sound mixer | |
| Serge Godier | .... | foley artist | |
| Steven Gurman | .... | dialogue editor | |
| Claude Hazanavicius | .... | sound | |
| Éric Ladouceur | .... | second sound mixer | |
| Serge F. Lafortune | .... | sound editor | |
| Arun Majumdar | .... | supervising sound editor | |
| Thierry Morlaas-Lurbe | .... | boom operator (as Thierry Marlaas-Lurbe) | |
| Michael Willis | .... | assistant sound editor (as Mike Willis) | |
Special Effects by | |||
| Ryal Cosgrove | .... | special effects | |
Stunts | |||
| Jean Frenette | .... | stunts | |
| Yves Langlois | .... | stunt double: Forrester | |
| Yves Langlois | .... | stunt double: Harry | |
| David Rigby | .... | stunts | |
| Mireille Samson | .... | stunt double: Marie | |
| John Walsh | .... | stunt coordinator | |
| John Walsh | .... | stunt double: Quill | |
Camera and Electrical Department | |||
| Alain Brouillette | .... | additional camera operator | |
| Alain Brouillette | .... | key grip | |
| Jean Demers | .... | still photographer | |
| Claude Fortier | .... | gaffer | |
| Claude Fortin | .... | grip | |
| Daniel Guy | .... | first assistant camera: "b" camera | |
| Maarten Kroonenburg | .... | focus puller | |
| Frédéric Lefebvre | .... | electrician | |
| Yves Lemieux | .... | best boy electric | |
| Eric Moynier | .... | camera operator: "b" camera | |
| Christian Navennec | .... | second assistant camera | |
| André Tisseur | .... | additional camera operator | |
| André Tisseur | .... | best boy grip | |
Casting Department | |||
| Myriam Vézina | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sophie Chouinard | .... | assistant dresser | |
| Christine Gribbin | .... | wardrobe mistress | |
| Corinne Verzier | .... | assistant wardrobe | |
Editorial Department | |||
| Patrizia Pino | .... | assistant film editor (as Patricia Pino) | |
| Philippe Ralet | .... | additional editor | |
Transportation Department | |||
| Stéphane Brault | .... | driver | |
| Aleck Duncan | .... | driver | |
Other crew | |||
| Jean-Paul Bériault | .... | location assistant | |
| Andrew Campbell | .... | armorer | |
| Grier Clarke | .... | creative consultant | |
| Louise Cloutier | .... | production coordinator | |
| Marcel Cloutier | .... | location manager | |
| Anne Laure Debay | .... | craft service | |
| Danielle Desrochers | .... | production secretary (as Danielle Desroches) | |
| Paul Dupont | .... | production assistant | |
| Maurice Forget | .... | production assistant | |
| André Gaumond | .... | continuity | |
| Guylaine Lapolice | .... | craft service | |
| Hélène Leclerc | .... | production administrator | |
| Ludmilla Loucheur | .... | caterer | |
| Véronique Marchat | .... | public relations | |
| Stéphane Massé | .... | production assistant | |
| Elisabeth Melançon | .... | titles | |
| Bruce Miller | .... | assistant accountant | |
| Lili Partheniou | .... | production accountant | |
| Benoît Pinard | .... | location assistant | |
| Louis Plante | .... | location scout | |
| Antoine Ricard | .... | production assistant | |
| Isabelle Thibeault | .... | secretary to producer | |
| Monique Villeneuve | .... | production secretary | |
| Ian Whitehead | .... | dialogue coach | |
| Full cast and crew | Company credits | External reviews |
| IMDb Canada section |
I tuned in wanting to see how Mr Soul was doing these days and found myself hypnotized by the film by its sheer awfulness! Stilted performances by the actors with huge and laughable lapses in plot sensibility. Occasional glimpses of good dialog are presented for the lead but these are too few and far between. The action scenes are a bad imitation of '70's TV action series where everyone is shot and dies/fall in slow motion (remember the A Team?). Watch for the lead's attempt at soldierly machismo when shooting at the bad guys with an obvious overbite (knowingly overacted by Mr Soul?). The comically awful scenes are the shoot-outs - especially the opening scenes - where supposedly trained police are unable to hit the bad guys. These signal the quality of the rest of the movie. Definitely for the connoisseur of the awful.