When a new student comes to Flatpoint High and the entire school is against him because he is a new student, everyone except Jerri who begins developing feelings for him, but if she wants to keep her...
Agents Adair, Antoine, Colby and Trotter both monitor and create chaos across the universe. The sketches you see throughout most of the show are different subjects being monitored. At the ... See full summary »
Satirist news caster Stephen Colbert provides humorous commentary on the big issues going on in the United States and the rest of the world, with his larger then life ego and overly patriotic spirit along with him every step of the way.
Each episode contains 30 minutes of extremely bizarre and funny sketch comedy performed by THE STATE, an 11 member sketch comedy troupe who wrote and starred in various sketches seen throughout the program.
Michael Ian Black,
Robert Ben Garant
Jerri Blank is a 46-year-old "boozer, user and a loser" who tries to put her life back together again. The reformed runaway and addict returns to high school as a freshman, where she tries to fit in and act hip with girls 1/3 her age. Unfortunately, she hasn't quite shed her immoral background or acquired any ethics, and her bizarre family and frustrated schoolmates have trouble interacting with her. Written by
>Michael "Rabbit" Hutchison <firstname.lastname@example.org>
Did you by any chance wipe your ass on our bathroom towels?
Before I dignify that with an answer, let me get this straight. You're asking me if I wiped my ass on the towels?
You have the huevos mas grandes trying to make me look like some filthy animal in front of my super-cool friend Fran.
Did you do it?
Yes... I was in a hurry.
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At the end of every episode while the credits are rolling you see the cast in that episode dancing. See more »
"Hobo camp," a term 46-year-old Jerri Blank uses after spelling V-I-C-T-O-R-Y during a cheerleader try-out, revealing her lifelong illiteracy and causing Coach Wolf to postpone the rest of the try-outs until "we can all recover from Jerri's shame."
It took me about three months to actually muster the energy to watch Strangers With Candy in late 1999, and I did it only because it was advertised so heavily on Comedy Central, right alongside the Upright Citizens' Brigade. Once I saw it, though, I was hooked. It took only one episode.
I got friends into the show, and we'd throw out the oddest of lines to each other just on the off-chance that we'd all "get it." We'd say things with no relevance like "massage each other's ... clitorises" or "but I want to be a cheerleader" or "Greeks are just Jews without the money." It was hard not to find a line we didn't like or want to repeat after seeing this show.
That's not to mention all the minorities who were skewered by obviously unfeeling and unthinking characters. No one was spared the branding iron here.
From David Sedaris' sometimes crazy little sister Amy and a cast of Second City alums emerged a truly unique and gut-busting but, at the same time, subtly humorous opus to the After-School Special. From racism and classicism to bisexuality and class bullying, Strangers With Candy made the case for smart writing in an irreverent setting. Every line could make you think or laugh, but the timing was so quick that all one could do was chuckle and move on. It was hard not to pay attention to every minute of this show.
Of course it's a shame that Comedy Central canceled the show after only two seasons, but at least the show went out with a bang (literally Flatpoint High was blown up).
What made the show most memorable for me was that, no matter how well-written and acted each of the offbeat characters was, none could add up to the unbelievably insane Jerri Blank. Everyone made a point to chastise, take advantage of, and downright abuse Jerri, but somehow she could pick herself up and move on and still come out with the best lines in the entire show. Sometimes, when a show takes off, although an ensemble is most important, you find that incidental and auxiliary characters become the mainstay of the show's success (like Kramer and Costanza surrounding Jerry on Seinfeld). In this case, Sedaris held her own with a kind of aplomb that only a seasoned professional can do.
Whether she was being threatened by her brother Derick ("dick lick"), overlooked by her step-mother (the brilliant Deborah Rush), pleaded with for restraint by her hapless pal Orlando, happily ignored by her art teacher Mr. Jellineck (longtime co-conspirator Paul Dinello), forced into community service by the Hitlerish Principal Onyx Blackman, or harassed unnecessarily by the ultimately selfish and tight-fisted Mr. Noblet (writing the word "me" on the board when instructing his students to "tell me..."), Jerri somehow survived countless challenges and came out learning the absolute wrong thing.
My favorite lesson: "The poor are a filthy, thieving people." You have to see the episode to understand it.
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