Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith) (1933) is the first propaganda film directed by Leni Riefenstahl. Her film recounts the ... See full summary »
Filming of the performance show the Deutsche Wehrmacht (German Army) made during the Reichsparteitag of the NSDAP in Nurnberg 1935. Showing the readiness and the will of the newly build ... See full summary »
Adolf Hitler, born in Braunau, one man who will change the history of the world forever. It follows his childhood to the death of his mother and his broken ambition to become an artist, ... See full summary »
The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish ... See full summary »
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drowned. That same ... See full summary »
In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by ... See full summary »
This is the only film known to be made by the Nazis inside an operating concentration camp. Germany's Ministry of Propaganda produced this 1944 film about Theresienstadt, the "model" ghetto established by the Nazis in 1941 in Terezin, a town in the former Czechoslovakia. Joseph Goebbels intended to use the film to prove to the International Red Cross and the world that Jews were being well-treated in the camps. The film, however, is an elaborately staged hoax presenting a completely false picture of camp life. Upon completion, the director and most of the cast of prisoners were shipped to Auschwitz. Only a few survived to attest to the falsity of the film. Includes study guide. Written by
National Center for Jewish Film
Unlike other German WWII propaganda films, this so-called 'documentary' was never intended for release in Nazi Germany, because its 'humane' representation of Jews was too different. The plan was to show it to foreign leaders, deceive them, and then distribute it outside of Nazi Germany, but this didn't happen anymore. See more »
The holocaust was real, but the prisoners' paradise a myth
The holocaust was not a myth, as some Neo-Nazis claim. The Third Reich's documents and the films of concentration camps made by the Nazis themselves serve as historical records, as do the reports of the survivors and the allied forces who rescued them.
But this film made by the Nazis themselves in 1944 called "Theresienstadt the Fuhrer gives a City to the Jews" is pure myth, made for propaganda purposes. The city, now located in the Czech Republic, was then actually an overcrowded transit camp for prisoners en route to the gas chambers of Auschwitz.
Goebbels hired the Jewish actor/director Kurt Gerron, who had appeared in Marlene Dietrich's first famous movie, "Blue Angel" in 1930. He shot the film as instructed, depicting the place as a model Jewish settlement, or city of paradise. The overcrowding was temporarily curtailed by sending extra shipments of prisoners off to the gas chambers while the filming took place. It was made to look like a holiday village, a paradise for the Jews and foreigners. There were apparently ideal living conditions, play schools and gyms for the children, theatrical productions, arts and crafts, and as a climax to the film, there was a fine performance by a massed choir of Verdi's Requiem Mass. Even the Red Cross came and saw the town, and was impressed (and deceived by) the apparent excellent living conditions. As soon as the film was in the can, all the participants were shipped quietly away to be gassed at Auschwitz, including Kurt Gerron and his wife. A sad story that turns the stomach, that such inhumanity could be inflicted on millions of innocent people, not only Jews, but just as many others, Germans, foreigners and political dissidents alike.
What remains of the movie is a tragic and ironic record of the Nazis' malevolence, and the circumstances of its making should never be forgotten.
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