Writer Harry Mason finds that the sleepy seaside resort town he is trapped in is literally hell on Earth.

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1 win. See more awards »
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Cast

Cast overview:
Michael G. ...
Harry (voice) (as Michael G)
...
Cybil (voice)
Thessaly Lerner ...
Lisa (voice)
...
Dr. Kaufmann (voice)
Sandra Wane ...
Alessa / Cheryl (voice)
Liz Mamorsky ...
Dahlia (voice)
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Storyline

Writer Harry Mason is taking his daughter Cheryl to the seaside resort town of Silent Hill for a vacation. However, as he is nearing the town he swerves to avoid a figure standing in the middle of the road and crashes his car. Awaking, he finds that his daughter is missing and heads towards the town to find her. There he finds that hell and Earth are becoming one in Silent Hill. Written by Rich Magrath

Plot Summary | Add Synopsis

Taglines:

The fear of blood tends to create a fear for the flesh... See more »


Certificate:

M | See all certifications »

Parents Guide:

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Details

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Release Date:

2 February 1999 (USA)  »

Box Office

Budget:

$5,000,000 (estimated)
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Company Credits

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Technical Specs

Sound Mix:

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Did You Know?

Trivia

On bloch street a mail box can be found with a newspaper headline reading "bill skins fifth" a refrence to the 1991 classic Silents Of The Lambs. Also the words "redrum" are written in blood on near by wall next to that same mailbox. Yet another movie refrence, this time being from the 1980 horror film The Shining. See more »

Goofs

Both Dahlia and Kauffmann disappear completely during the final boss fight. See more »

Quotes

Dr. Kaufmann: Did you see those monsters? Have you ever seen such aberrations? Ever even heard of such things? You and I both know creatures like that don't exist.
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Connections

References Twin Peaks (1990) See more »

Soundtracks

Esperándote (¿Qué quieres de mí?)
Performed by Vanesa Quiroz
Written by Rika Muranaka & Daniel Monteverdo & Omar Valente
Published by Konami Records (Japan)
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Frequently Asked Questions

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User Reviews

Astonishing
20 September 2005 | by (United States) – See all my reviews

The only reason I finished this game the first time is that my girlfriend kept insisting that I play it to entertain her; even with company it was too freaky for me to play for more than about an hour, and alone? Don't even think about it. The creepiness factor of this game is unbelievable: the soundtrack has only moments of music; mostly it's dominated by industrial machinery or natural wind. The monsters are seriously nightmare-based, ranging from tiny knife-wielding mutant children to nurses with parasites clinging to their backs to these horrific gorilla-like things that jump and make a guttural "Unnh" sound. I mean, it's unbelievable.

There's graphic fog all over this game, but it really adds to the atmosphere, and in all fairness, for a six-year-old PSone game it has remarkable rendering and lighting effects, and some good cutscenes. Of course, the reason to play this game is the sheer psychological terror. Somewhere in Japan, somebody said, "Let's make a video game where everything might or might not be real, where the player probably doesn't have the resources to kill all of the enemies, and where the few interactions with other characters are unnerving and leave you feeling even more lonely than before." By the time you reach the "Nowhere" section at the end of the game, I swear you will be going insane.

Suffice to say that the endings are unsatisfying, but nothing could really sum up a game like this. After playing it once or twice for real, do yourself a favor and get the procedure for the "UFO Ending"; it'll help calm your nerves and keep the whole thing in perspective.

Truly a unique game.


15 of 15 people found this review helpful.  Was this review helpful to you?

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