Although deeply in love with her boyfriend - and indeed sleeping in the same bed with him - a schoolteacher cannot handle the almost complete lack of intimacy he will allow. Increasingly ...
See full summary »
August, 1963; Alice, 14, an only child, and physically well developed, is home for vacation. She's moody, silent, keeps a diary, and explores tactile sensations with broken eggs, candle wax... See full summary »
A young writer becomes intrigued with a mysterious dark-haired woman who claims to be his long-lost sister and he begin an unusual relationship with her prompting a downward spiral involving his domineering mother and lovely fiancée
In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters.
The Dandy Warhols
A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
Angela an illegal immigrant living in Los Angeles stumbles across Bill, a disgraced banker on the run.Through sex, conversation ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview.
Tinto Brass - The maestro of Italian erotica is back! Lies, subterfuge, betrayal and mischief - FALLO! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.
William De Vito
Three erotic tales: The first film features Marina Pierro as a woman who inspires more than just creativity in the minds and loins of the men of ancient Rome. In the second offering, a ... See full summary »
Although deeply in love with her boyfriend - and indeed sleeping in the same bed with him - a schoolteacher cannot handle the almost complete lack of intimacy he will allow. Increasingly frustrated, she gradually finds her sexual appetites leading her into ever more risky situations, including a developing one with the headmaster. Written by
Jeremy Perkins <email@example.com>
At the end of the movie, Marie feels she'll give birth soon, so she tries to wake up Paul. During this scene she moves in a way which is impossible for a woman in her state of pregnancy. See more »
Beautiful women like to be taken by ugly men. Of course, nobody admits that. There has to be a force of attraction. And that attraction is not between a man and a woman... That would be too simple. That attraction is between beauty and ugliness. Beauty is nourished by disgracefulness, there's a friction between them.
See more »
at best a few curious intellectualized moments and some (appropriately) uncomfortable real sex. the rest...
Someone hit the proverbial nail-on-the-head with Romance. A critic wrote that it's like a "bad update of an Antonioni film", and I think that's about as fair a description as one could ask for. It may also depend on how you feel already about Antonioni and his depiction of the precise lack of love or responsiveness of emotional contact in people - or, perhaps, if you've even actually seen an Antonioni movie. While Catherine Breillat probably (and, I would admit, rightfully) considers herself a thoughtful, passionate filmmaker interested in passionless people and in trying to pick apart the thoughts (or anti-thoughts) of a character like Marie, I have to ask after a while, in a film that doesn't have Antonioni-stature direction or compositions: what's the point? We have seen women like this in other movies, in loveless relationships or going out to spread or fulfill their empty wishes or such with others. Such as, yeah, Antonioni, but others too.
It's frustrating to watch, to say the least, but I wasn't ready at first to hold that against the movie. I wanted to see what it had to say, to see how Breillat would show people just having realistic sex, explicit in depiction (naturally, and believe you me its real sex) and talking like couples (or not-couples) do in such situations. I tried to stick with Marie's self-analyzing, her self-aggrandizing thoughts expressed in the first-person narration. In an odd way Caroline Ducey gives a good performance, or better than I remember at the time watching it, since she is good enough to not really need the narration to fill in the audience. Her face, her lack of expression, her inverted and bored and, perhaps, deep down f***ing scared self, show enough. The telling becomes overkill, even from a psychological stand-point.
Some may not agree with this, and that's fine. Some may watch Romance and just love that it shows real people having problems and having such problems during real sex. For the first half I could stick with the movie even as it had its pretensions because I wanted to see where it headed with Marie's infidelity (with the unnecessary lie about being married). It's when the other guy at the school Marie teaches at, and takes her in and turns things up on the sado-masochist meter that I started to waver on it... and, odder still, got bored. It didn't interest me seeing how perverted this guy could get, or how accepting Marie was of it or how it was shot or scored or edited. I admired that it attempted at depicting such a torrid sexual situation so seriously, but it ultimately just didn't do it for me - not on the kind of level the old-school hardcore-serious-erotic films did (i.e. Last Tango in Paris).
Romance is intelligent, and it does have something to say about women and loveless relationships. But was I moved by any of it or intellectually engaged after a certain point? No. It's a movie in a limbo where it wants to have something important to convey through art no matter what the cost, but the points aren't as interesting as its filmmaker thinks or terribly original. And if you just want to watch it for the sex, you're in for a not-too-good surprise. 5.5/10
8 of 8 people found this review helpful.
Was this review helpful to you?