Alex, a hit man, tries to get out of the family business, but his father won't let him do so. While seeking the help of a therapist, he meets a sexually charged 23-year-old woman with whom he falls in love.
While trying to fix his Mustang on the road, Jimmy McGee gets a lift in the Cadillac of a sweet lady, Missy Lofton. Missy invites Jimmy to stay at her house in Lost Junction, a very small ... See full summary »
A self-obsessed man runs through one woman after another in this screwball comedy. One of his rejected former lovers decides to take it upon herself to see to it that he never develops ... See full summary »
A film critic accidentally kills his lover during a spat in which she falls and hits her head. In panic, he immediately covers up his involvement and leaves the apartment. A private ... See full summary »
William H. Macy,
In the waning months of World War II, a man and his wife are mistakenly identified as Jews by their anti-Semitic Brooklyn neighbors. Suddenly the victims of religious and racial persecution... See full summary »
FAA system analyzer named Neil McCabe is the only person who seems to have this different hunch towards a group of international terrorists after a horrific plane incident occured. He ... See full summary »
'Every day is another day closer to the day I'll never have to do this again.' Five women, one restaurant, one night, one birthday, one breakdown. Then the phone rings. A famous actor is ... See full summary »
Alexandra Maria Lara
Alex, a sad-eyed mournful man, goes into psychotherapy: he discloses he's a hit man. He also tells the doctor, after a few sessions, that he's attracted to a young woman he's met in the waiting room. She's Sarah, 23, quick, edgy, and perhaps attracted to him as well. But he's married, the dutiful father of a young precocious boy, so Sarah brushes him off. In flashbacks we see him get his start as a killer, at his father's prompting: it's the family business. Dad gives Alex his next assignment: to kill the therapist. Alex keeps returning to Sarah, calling her, stopping by her apartment, as he decides what to do about the hit, his father, his marriage, and his malaise. Written by
Was a feature film for HBO before hitting the big screens. See more »
[Alex has shown up at her doorstep]
What do you want?
And then?... Then? After you have me, what then?
I don't know.
You don't know much, do ya'?
No, I guess not.
So your plan is, you have me, you ravish me, you bury your pathetic middle-aged pain in me, and then you say thanks... or maybe you don't... and you leave, and I never see you again? Or, I see you again and again, because I make you feel better, and you can't stand not feeling better. Either way, you finally get your shit together...
[...] See more »
A brilliant movie about family, guilt, sacrifice, betrayal, and love. Macy is such a great actor. It was almost a shame to see him in the same scenes with Campbell, who looks the part of a neurotic sex object but doesn't have the chops to work with him on the level the script called for. But he's such a good actor that he played down to her level to make the scenes work. I highly applaud the casting of Tracey Ullman as the neglected wife. Who knew? Sutherland is also very good. The way he moves makes his character look taller (and even younger in some scenes). Almost everyone knew what they were doing.
Macy's portrayal of the only situation in which his character is not able to be careful is nothing short of complete mastery.
21 of 25 people found this review helpful.
Was this review helpful to you?