Alex, a hit man, tries to get out of the family business, but his father won't let him do so. While seeking the help of a therapist, he meets a sexually charged 23-year-old woman with whom he falls in love.
While trying to fix his Mustang on the road, Jimmy McGee gets a lift in the Cadillac of a sweet lady, Missy Lofton. Missy invites Jimmy to stay at her house in Lost Junction, a very small ... See full summary »
FAA system analyzer named Neil McCabe is the only person who seems to have this different hunch towards a group of international terrorists after a horrific plane incident occured. He ... See full summary »
A self-obsessed man runs through one woman after another in this screwball comedy. One of his rejected former lovers decides to take it upon herself to see to it that he never develops ... See full summary »
'Every day is another day closer to the day I'll never have to do this again.' Five women, one restaurant, one night, one birthday, one breakdown. Then the phone rings. A famous actor is ... See full summary »
Alexandra Maria Lara
In this irreverent parody, the British court and war government consist mainly of idiots and/or traitors. Hitler moves into Buckingham palace and plans to marry into the Windsors. A US Army... See full summary »
A film critic accidentally kills his lover during a spat in which she falls and hits her head. In panic, he immediately covers up his involvement and leaves the apartment. A private ... See full summary »
William H. Macy,
Frank loses his memory after being shot in small desert town in Texas. As he tries to retrace his steps and figure out his true identity, Frank believes he may be part of a plot to ... See full summary »
Alex, a sad-eyed mournful man, goes into psychotherapy: he discloses he's a hit man. He also tells the doctor, after a few sessions, that he's attracted to a young woman he's met in the waiting room. She's Sarah, 23, quick, edgy, and perhaps attracted to him as well. But he's married, the dutiful father of a young precocious boy, so Sarah brushes him off. In flashbacks we see him get his start as a killer, at his father's prompting: it's the family business. Dad gives Alex his next assignment: to kill the therapist. Alex keeps returning to Sarah, calling her, stopping by her apartment, as he decides what to do about the hit, his father, his marriage, and his malaise. Written by
Was a feature film for HBO before hitting the big screens. See more »
You shouldn't have done that with Sammy, dad.
What are you talking about?
Making him feel bad like that, about spilling the glue.
The kid's a retard.
He's very smart.
Okay. I'm sorry. I get aggravated. Tell Martha I'm sorry. Is she pissed at me?
Did she make you come talk to me? Are you the messenger boy?
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Panic is a sneaky little gem of a film - you think you have it figured out by the first half hour only to realize, with great pleasure, that Henry Bromell is a much better writer/director than that.
The film builds slowly, with one quietly devastating scene after another, all enacted perfectly by William H. Macy, Donald Sutherland, Neve Campbell, Tracey Ullman, John Ritter, and the most remarkable child actor I've seen in a long time, David Dorfman, as Macy's son, who delivers his lines as if they're completely unscripted thoughts being created in his mind. Rich and rewarding, this film will stay with you long after the credits have rolled.
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