|
| Benito Aguilar | .... | gaffer: Mexico |
| Chris Alexander | .... | first assistant camera: additional unit |
| Benny Bach | .... | video playback operator |
| Lorne Bailey | .... | best boy electric: additional unit |
| Dominique Balcaen | .... | best boy grip: second unit |
| François Balcaen | .... | key grip: second unit (as Francois Balcaen) |
| Chris Banting | .... | grip |
| Greg Beaton | .... | first assistant camera: "b" camera |
| Dean Bennett | .... | camera operator: "b" camera, second unit |
| David Bernie | .... | libra head assistant |
| Mark Boiko | .... | camera car operator |
| Gary Bower | .... | best boy grip |
| Donald Bryant | .... | camera operator: "d" camera, second unit, Mexico |
| Tommy Campbell | .... | grip: second unit (as Thomas Campbell) |
| Derek Carrier | .... | best boy electric: additional unit |
| Derek Carrier | .... | best boy grip: additional unit |
| Peter Carty | .... | second assistant camera: additional unit |
| Pablo Castillo | .... | dolly grip: second unit, Mexico |
| Manuel Cordero | .... | grip: Mexico |
| Pablos Cuevas | .... | first assistant camera: "e" camera, second unit, Mexico |
| Dean Cuming | .... | grip: additional unit |
| Roch Daigle | .... | rigging grip |
| Robert DeVitt | .... | second assistant camera |
| Eric Dickeson | .... | video playback assistant: second unit |
| Rob Doak | .... | video playback operator: additional unit |
| Michael Drabot | .... | gaffer: additional unit |
| Tim Dutchak | .... | lamp operator |
| Douglas R. Field | .... | camera operator: "b" camera |
| Gerardo Flores | .... | second assistant camera: "c" camera, Mexico |
| Greg Fullalove | .... | grip: additional unit |
| Larry Geiger | .... | dolly grip: additional unit |
| Larry Geiger | .... | key grip: additional unit |
| Aris Georgiopoulos | .... | second assistant camera: "a" camera |
| Lars German | .... | camera operator: "e" camera, second unit, Mexico |
| Warren Gibson | .... | grip |
| Steve Giroux | .... | grip |
| Jim Gregor | .... | gaffer: second unit (as Jim Greggor) |
| Jose Gutierrez | .... | first assistant camera: "b" camera, Mexico |
| Jason Habicht | .... | video playback assistant |
| Richard Hansen | .... | dolly grip: additional unit |
| Shane Head | .... | grip (as Shane 'Cone' Head) |
| Kieran Humphries | .... | second assistant camera: "b" camera |
| H. Christopher Hunter | .... | dolly grip (as Chris Hunter) |
| Edgar Hurtado | .... | second assistant camera: "b" camera, Mexico |
| Antonio Jara | .... | dolly grip: second unit, Mexico |
| Edna Jerkov | .... | video playback operator: second unit, Mexico |
| Brian Johnson | .... | first assistant camera: additional unit |
| Larry Johnson | .... | best boy electric: second unit |
| Robert Johnson | .... | key grip |
| Larry R.J. Jones | .... | lamp operator |
| Mike Kolafa | .... | generator operator |
| Charles Konowal | .... | camera operator: additional unit |
| Luis Lara | .... | lamp operator: Mexico (as Luis Lara Guerrero) |
| Chris Large | .... | still photographer |
| Paul T. LeBlanc | .... | video playback operator: Mexico (as Paul LeBlanc) |
| Robin Loewen | .... | gaffer (as Robin J. Loewen) |
| Stephen Madden | .... | dolly grip: second unit (as Stephen P. Madden) |
| Gerardo Manjarrez | .... | camera operator: "c" camera, Mexico |
| Paul Marshall | .... | grip: additional unit |
| Ian Matheson | .... | camera operator: additional unit |
| Don McCuaig | .... | director of photography: second unit (as Donald M. McCuaig) |
| Cameron McDonald | .... | director of photography: second unit, Mexico |
| Brian Knox McGugan | .... | video playback operator: second unit (as Brian McGugan) |
| Logan McPherson | .... | grip |
| Andrés Medina | .... | grip: Mexico (as Andres Medina) |
| Héctor Medina | .... | loader: Mexico (as Hector Medina) |
| José Luis Mendez | .... | grip: Mexico (as Jose Luis Mendez) |
| T. Dean Merrells | .... | lamp operator: second unit |
| Randal W. Morton | .... | second assistant camera: "c" camera |
| Ed Moyer | .... | grip: additional unit |
| Noe Muñoz | .... | second assistant camera: "d" camera, second unit, Mexico (as Noe Munoz) |
| Santiago Navarrete | .... | first assistant camera: "c" camera, Mexico (as Santiago Navarette) |
| Cam North | .... | first assistant camera: "a" camera |
| Neal Norton | .... | Steadicam operator |
| Neal Norton | .... | camera operator: "a" camera |
| David Palmieri | .... | grip |
| Cruz Paredes | .... | key grip: second unit, Mexico |
| Sara Pickett | .... | second assistant camera: additional unit |
| Paul Prince | .... | first assistant camera: "c" camera |
| Marc Purdy | .... | best boy grip |
| Victor Manuel Ramirez | .... | lamp operator: Mexico |
| Greg Reim | .... | crane operator: Mexico |
| Ron Renzetti | .... | dolly grip: Mexico (as Ron Rensetti) |
| Juan Carlos Rodríguez | .... | grip: Mexico (as Juan Carlos Rodriguez) |
| Guillermo Rosas | .... | camera operator: "b" camera, Mexico |
| Reyes Santamaría V. | .... | best boy electric: Mexico (as Reyes Santamaria Vilchis) |
| Tim Sauder | .... | dolly grip: additional unit |
| Tim Sauder | .... | key grip: additional unit |
| Peter Schalakowskyj | .... | best boy grip: additional unit |
| John Seale Jr. | .... | first assistant camera |
| John Seale Jr. | .... | first assistant camera: additional unit |
| Salvador 'Apache' Serrano | .... | key grip: Mexico (as Salvador Serrano) |
| Cesar R. Solis | .... | second assistant camera: "a" camera, Mexico (as Cesar Solis) |
| Juan Pablo Somohano | .... | second assistant camera: "e" camera, second unit, Mexico (as Juan Pablo Samohano) |
| Ernest Spiteri | .... | first assistant camera: additional unit |
| Aaron Stewart | .... | lamp operator (as Aaron C. Stewart) |
| Daryl Strilchuk | .... | grip: second unit |
| Rene Tannos | .... | lamp operator: Mexico (as Renee Tanus) |
| Andrew Thom | .... | generator operator: second unit |
| Mauricio Vega | .... | best boy grip: second unit, Mexico |
| Roger Wiebe | .... | grip: second unit |
| James W. Wrenn | .... | director of photography: additional unit |
| Geoffrey Yates | .... | key grip: additional unit (as Geoffrey L. Yates) |
| Rick Youck | .... | best boy electric |
| Lohengrin Zapiain | .... | first assistant camera: "d" camera, second unit, Mexico (as Lohengrind Zapian) |
| Julián Álvarez | .... | generator operator: Mexico (as Julian Alvarez 'Escuelita') |
| |
It's a real shame. "Texas Rangers", Steve Miner's new take on the founding of the famous band of Old West law enforcers, was held back from release for almost a whole year, subjected to numerous re-edits, dumped into theatres without any fanfare, and greeted with apathy and pathetic grosses. And you know what? It's one of the most entertaining films I've seen all year.
The film stars James Van Der Beek as an upright Eastern inventor's son who, on his first trip to the wild west, sees his parents and brothers killed before his eyes by marauding bandits. Desperate for revenge, he enlists with the Rangers, a more-or-less vigilante band led by Leander McNelly (Dylan McDermott), an ex-Confederate soldier with a vendetta of his own. McNelly's band of young gunslingers battle their way across the Texas border country, sniffing out bandits, doling out frontier justice, romancing the women-folk, etc., etc.
In other words, "Texas Rangers" does nothing you can't see in any B-western on Saturday afternoon TV. It's just that it does most of it a lot better than we've seen for quite some time. After the rather too glossy "American Outlaws", it's nice to get a Western with a gritty, authentic look. The towns look appropriately small and weather-beaten, the costumes nice and trail-worn. The only gloss here is on the guns...and I guess some of those young cowpokes are kind of glittery, too.
Miner's direction is curiously hot and cold here. He excels in quiet moments, dialogue and character, but his action scenes sometimes come up short. He seems particularly to have a bad habit of always putting his camera in the wrong place when his quick action payoffs arrive (bullets hitting home, knives landing on target). Still, the picture moves with lots of energy and excitement, and Miner is definitely to thank for that. Also, he scores in the big action climax, where the Rangers storm the desperadoes' Mexican hideout. Here, the camera always finds the right spot, and the result is a fast, pulse-quickening blowout.
A fine cast gives a lot of luster to the material. James Van Der Beek has never been just another WB pretty boy, and he takes to the Western with grace and conviction. Ashton Kutcher is okay as a hayseed gunman, but at times comes off a little too much like he's still on "That '70s Show". Usher Raymond is nicely understated as a former-slave ranger, and while Rachael Leigh Cook's rancher's daughter is really superfluous to the plot, her gorgeous face is absolutely essential. Fine supporting turns dot the picture, with standouts being Randy Travis and Robert Patrick as McNelly's lieutenants and Vincent Spano as a cocky, villainous gunslinger.
Really, though, this is Dylan McDermott's show. I have never been much of a fan of "The Practice", and was stunned by the force and power of McDermott's work here. He carries himself with solid-as-a-rock strength, and handles his quieter emotional moments with consummate restraint. He also looks superbly the part, eyes glowering beneath his black hat, guns blazing away from the back of his horse. Of course, it also helps that Scott Busby and Martin Copeland's screenplay turns McNelly into a complex and fascinating character. Haunted by the memory of his wife and child, (stolen by bandits while he was off in the wars), dogged by a sickness that is bearing down on his soul, always trusting the gun and the noose over the badge and the lawbook, McNelly is a classic western hero, bigger than life and still movingly human. It's a terrific performance, one of the best I've seen this year, and it makes me wish that they'll keep making westerns just so McDermott can keep acting in them.
Of course, they won't keep making them if people won't get off their duffs and go see the good ones when they come along. And trust me, "Texas Rangers" is one of the good ones, a top-class B-picture with an A-list lead performance. Give it a look, if it's still at your local theatre. I guarantee you won't be sorry you did.