| Index | 6 reviews in total |
5 out of 5 people found the following review useful:
Wonderful performances in a charming film, 23 September 2007
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Author:
jeanmaru from Massachusetts
This film addresses serious issues without being heavy-handed or pedantic. The characters are complex individuals, the setting is authentic, the dialog is realistic, often tinged with humor. Some of the film's most charming moments are silent, with only a child's face filling the screen. The humor comes from the characters' personalities, not from contrived situations. There is not a single false note of melodrama or farce in this film. Luis Tosar gives such an understated performance that he disappears into his character. Lissete Mejia and Marilyn Torres anchor the film with nuanced, memorable performances. They are the reason to watch this film.
8 out of 11 people found the following review useful:
Good, 3 February 2003
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Author:
Gordon-11 from Hong Kong
This is a film about women from third world countries hoping to get a
better
life by marrying to a developed country. These women from South America
married Spanish men in a singles party, and they thought that they would
become rich and happy. However, things are not what they hoped to be. They
had to live in rural villages, their husbands were middle aged
farmers.
The film concentrated on two couples. One couple were truly in love, they
got along well but the woman got kicked away by the husband because she
lied
that she already got a divorce from her ex-husband. Another couple were
not
in love, the woman had another boyfriend in Italy and she constantly
wanted
to leave her husband to go to her boyfriend. In the end she left her
husband
by fleeing away to Italy without any notice.
This is an interesting film. I never thought that this problem was a
worldwide problem before. I know that there are a lot of women from
Mainland
China who wants to get rich this way by marrying a Hong Kong men, but I
did
not know this phenomenon occurs in other countries too. When I watched
this
film, it made me think about this phenomenon. Why are there so many women
who want to do this, when there are so many failure stories already?
Marriages like these often do not result in happiness. The women have
unrealistic expectations and dreams, that they would become disappointed
after finding out the truth.
The pace of the film was quite fast. Although the story seemed simple,
there
were a lot going on in the film that the viewers are kept busy with
different events continuously. I liked the leading actress, the woman who
loved her husband but got kicked out. Her acting was good, because she
showed her emotions without being too exaggerated. Another actor who
played
well was the apprentice of the carpenter. He tried to have a relationship
with the woman who did not love her husband. When he approached her, he
was
nervous and shy. I think he played his role well.
Another aspect of this film that is worthy of comment is that, when the
woman who left her husband first appeared, she was wearing a pair of
tights
with the pattern of the American flag. I think that this symbolises the
fact
that she wants to be rich and happy, like the American Dream. We can tell
from the start that she married only for money, and she would leave and
marry another man if she could not become satisfied.
I would recommend people to watch this film, not just for enjoyment, but
for
educational purposes too.
4 out of 4 people found the following review useful:
If you want to be universal, describe what goes on in your village., 28 August 1999
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Author:
Angel Yazán from Seville, Spain
Three couples on the making in a remote Castilian village. The physical horizons are as vast as the mental horizons are narrow. The three men are local, the three women come from distant places (the "Flowers from another world" of the title). While telling three short stories, the film makes perceptive observations on what makes relationships start and hold on, cultural shock and wear, coexistence of the poor and the less poor, antagonism between cities and countryside. The actors are natural, the script, intelligent and with a point of humor.
4 out of 5 people found the following review useful:
From "El Sur" to another world: it has been a long wait., 17 February 2002
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Author:
Keith F. Hatcher from La Rioja, Spain
There are films for holding sticky hands in the back row, looking into each
other's eyes; there are films for getting all excited with tons of special
effects to bedazzle eyes and minds of onlookers; there are films for filling
up the useless hours of television when only insomniacs are available; there
are films hyped up to smash shattering box-office record sales with all
those glorious glamorous Hollywood stars; there are films to put on at
Christmas and Easter every year, supposedly to remind us what the heck we
are celebrating; there are films for just dozing off; there are films for
Saturday afternoon so that the kids won't go out.
And then there are cinematographic works of art that remain in your memory
forever, that reach down into your soul, that quietly leave a tremendous
feeling of immeasurable satisfaction. There are not many and as a rule they
do not get to Hollywood and do not get any Oscars, though they may make
their mark in Cannes, Berlin, Venice, San Sebastián
.
`El Sur'(1982)(qv) directed by Víctor Érice is one such exquisite gem; and
in this film we have playing the part of Estrella, aged 15, Icíar Bollaín.
Because of this I await anything she might now be doing, twenty years later.
At last I have my reward: it has been worth waiting. Srta. Icíar has matured
and is indeed herself a `flower from another world'. In this film we have
proof of this. Ms. Bollaín, in common with a few other European directors,
has chosen to make films of socialogical import, and this is well achieved
in `Flores de Otro Mundo'.
The script was co-written by herself and Julio Llamazares. This writer is
well-known in Spain through hundreds of newspaper articles, letters, several
books and so on. He is an ardent defender of rural Spanish life, which, over
the last 30-40 years, has been declining, and indeed he lives in or spends
large parts of his time in such places as the mountainous `Ancares' in the
province of León, north-western Spain, or in the pre-Pyrenean areas of
Huesca in the north of Aragón. Ms. Bollaín could hardly have found a better
person for helping her with this film in the greatly depopulated central
province of Guadalajara, north-east of Madrid.
In the 30s, 40s and 50s Spain emigrated to Argentina, Chile, Mexico, France,
etc. However, today the boats are turned literally and the country is
now a receiver of immigrants. Indeed, rural areas of Spain have even been
advertising for people to go to their villages with children so as to keep
their schools open, or just simply advertising for women to be future wives
for the unmarried men who remain working the land. Against this sociological
background, Icíar Bollaín sets her film `Flores de Otro Mundo' in this
case Cuban and Dominican women who arrive at a village lost in the sierras
of Guadalajara. The film narrates the experiences of a group of these women,
as all concerned, villagers and new-arrivals alike, suffer problems in
differences in culture, opposing mentalities and concepts of life,
especially over the issue of rural and urban life.
Well-conceived and well-acted, the film is an excellent vehicle for
conveying real human issues. The leading actors such as the well-known
Chete Lera and the Cuban actress Marylin Torres are ably supported by the
whole cast, as well as the real local people in the village of Cantalojas
baptized Santa Eulalia for the film in the extreme north-west of the
province, and where the film was given its first public showing! Some
intensely dramatic moments are carefully combined with warmer human issues,
such that the film achieves an endearing credibility. Take note of the
scenes with `Janay' for example.
Recommended film, though people learning Spanish might find some of the
accents a little difficult at times. Well, the worst you have to do is bear
with the subtitles; it's well worth your while.
2 out of 2 people found the following review useful:
This brilliant Spanish film shows some desperate women as flowers from a different world., 2 September 2009
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Author:
Lalit Rao (cpowerccc@yahoo.com) from Paris, France
If aging population and decline in birth rate are any indication of a troublesome European identity which will continue to haunt all Europe by year 2020,European subcontinent is in desperate need of a poetic film which talks about issues related to population.It is really a wonder that "Flores De Otro Mundo" has not been criticized by feminists.This is primarily because Spanish actress turned director Iciar Bollain has ensured that the female protagonists of her film "Flowers from another world" are not treated as mere objects as the title of her film makes allusion to the word "flowers"."Flores De Otro Mundo" is a supreme example of a work of entertaining art with a serious message which one can take home and share with family members. It is amazing to experience how there is plenty of dignified humor in scenes of match making exercises involving lonely,middle aged Spanish men from farming community and desperate Latino women.By watching this film one can have a first hand idea of why there is dearth of brides in some communities.This is something which is not related to Spain only. This phenomenon can be felt in many countries all over the world.
Touching Film in Full Bloom, 7 September 2001
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Author:
Rainsford55 from Melbourne, Australia
Beautifully executed drama that rouses the soul. Excellently potrayed film of lonely men in a small village in Spain. I congratulate Luis Tossar for his acting and the rest of the cast are excellent also. The echoing silent atmosphere touched my soul of the loneliness and desperation of these characters. A film I could watch and watch again.
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