Wintertime in Lyons. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of ... See full summary »
Another milestone in film history - this may well have been the very first film to have been developed and shown to its subjects (the members of the Congress of Photographic Societies) on ... See full summary »
A baby is seated at a table between its cheerful parents, Auguste and Marguerite Lumière. While the father is feeding the baby with a spoon, the mother is pouring coffee into her cup. The ... See full summary »
Mrs. Auguste Lumiere,
A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to... See full summary »
A man sleeps fitfully then dreams that a lovely woman is sitting at the foot of his bed. He reaches to embrace her and she becomes a minstrel, then Pierrot. The clown gestures to the moon ... See full summary »
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the... See full summary »
Sherlock Holmes enters his drawing room to find it being burgled, but on confronting the villain is surprised when the latter disappears. Holmes initially attempts to ignore the event by ... See full summary »
Robert Paul is a largely forgotten name today, but he was a major pioneer of British cinema, and was quick to grasp the commercial potential of cinema in ways that better known pioneers such as William Friese-Greene were not. He was more of a mechanic than a filmmaker making, with Birt Acres, his own camera on which to shoot films in 1895, and also Britain's first projector, the Animatograph, with which to screen them in 1896. Early in the 20th century he had a custom-made studio built in Muswell Hill.
Footpads is a very short film boasting one of cinema's earliest if not its' first drama. It was made for the Kinetoscope rather than the screen, and was the last film Paul made with Birt Acres (the two would quickly become bitter enemies when their short partnership prematurely disintegrated). The film has a surprisingly realistic city backdrop against which we see a street mugging foiled by the police.
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