A rag-tag group, led by the eagle-eyed Steve, take to Montreal's chilly rooftops under cover of night. They're on the prowl for the perfect peep desperate to glimpse a "hottie hookup," a "... See full summary »
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A sports photographer in rural Canada sends a picture of a high school athlete, Tina Menzhal, to a Montréal fashion agency. This starts Tina on a career taking her from Canada to Paris to Montréal again, to Manhattan, to the world, and then home, through two boyfriends, two husbands, and innumerable TV interviews, either with nasty smiling scandalmongers or with gushing witless twits. In nearly every case, Tina never gets to finish a sentence. She has a suave agent, paparazzi are everywhere ("What the celebs forget, there's always a camera," says one), and a documentary filmmaker is on hand as well. What is it that Tina thinks, feels, and wants: will we ever find out? Written by
Virtually every shot of Jessica Pare is a broadcast or reflected image: she is seen in video clips, on the monitor of cameras, reflected in mirrors, glimpsed through glass, or in still photos, but never directly. See more »
When Tina leaves the hospital, her left arm is in a sling. In subsequent scenes, her right arm is in the sling. See more »
In the vein of "This is Spinal Tap" and the other mocumentary films out there, "Stardom" manages to take shots at almost every aspect of celebrity, Canadian-ness, high-fashion and a lot more. I found this one while looking for something to watch on a slow Friday night, "Third Watch" having gone on summer hiatus. I have always liked Akroyd and the plot looked like fun. Of course, had I seen a picture of Jessica Paré, I wouldn't have needed anything more. She looks very much like Liv Tyler, minus the famous and luscious Tyler lips. Paré's character, Tina Menzhal, is the epitome of a beautiful tomboy -- yeah, as one viewer said she looks too pretty to be a trade-school hockey player; she has all her teeth -- but anomalies do exist.
There are some slow moments, but the movie mostly moves along well, blending the footage shot by the obsessive film maker, (played so well by Robert Lepage) -- mostly in B&W -- with stuff from other points of view. It isn't a deep character study -- although we do get to see a bit of what goes into some of the main characters -- but it is a very funny movie. I won't spoil it, but Frank Langella has one scene which represents what a lot of people might want to say, and I bet he enjoyed it. He, Akroyd, Gibson and the other supporting actors do great work. In fact it is some of the best work I've seen Akroyd do since the high days of SNL.
I've never seen Denys Arcand's work before -- and understand this is atypical -- but don't think he has anything to be ashamed of. This is a well made, biting but very funny satire of fame, the media and life in our modern world. Highly recommended at 7.5 out of 10. Really.
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