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A sports photographer in rural Canada sends a picture of a high school athlete, Tina Menzhal, to a Montréal fashion agency. This starts Tina on a career taking her from Canada to Paris to Montréal again, to Manhattan, to the world, and then home, through two boyfriends, two husbands, and innumerable TV interviews, either with nasty smiling scandalmongers or with gushing witless twits. In nearly every case, Tina never gets to finish a sentence. She has a suave agent, paparazzi are everywhere ("What the celebs forget, there's always a camera," says one), and a documentary filmmaker is on hand as well. What is it that Tina thinks, feels, and wants: will we ever find out? Written by
Virtually every shot of Jessica Pare is a broadcast or reflected image: she is seen in video clips, on the monitor of cameras, reflected in mirrors, glimpsed through glass, or in still photos, but never directly. See more »
When Tina leaves the hospital, her left arm is in a sling. In subsequent scenes, her right arm is in the sling. See more »
[old guy enthralled by his young lover, obviously doomed relationship]
Look at her.
[beautiful Tina's, in fact, being chatted up on the beach by young stud]
Can you see her?
She's so fucking beautiful.
[smiles proudly, stressed out, takes a sip from drink]
You don't know how beautiful she is. She slides in bed with you naked, you wanna die. It just fucking kills you.
[close-up of her angelic face]
You walk into a room with her, every man, every woman wants her. President of the United States...
[...] See more »
A portrait of an idiotic society which finds and discards superficial heroes
Really an excellent little film, it reads like an update of DARLING in that it details the vacuous inner life of a young woman whose physical appearance is her only quality but one which take her around the world as a successful model and to the very pinnacle of her profession. However it is something of a cautionary tale as her inner vacuousness means she can never appreciate what she has or analyze how she got it. Because of her looks and success and fame no one ever stops to ask her. She is a moral imbecile but that too goes unremarked upon because everybody else in her world is one too and the only thing that is noticed about a human personality is material success i.e. either you're a winner or a loser.
The ending is perfect as it plays far more realistically than the comeuppance of Darling where the heroine has achieved the status of a princess but yet she is deathly bored. The heroine of STARDOM doesn't even have that ability to self reflect. While STARDOM plays less bitterly than DARLING because it is less a poison portrait of a manipulating bitch than social criticism, a presentation of an idiotic society which finds and discards superficial heroes, the more blank the better, as a matter of course. If the heroine of STARDOM actually had an intellect, or a central nervous system, she might be regarded as a victim but she seems to have less self awareness than the replicantes of BLADE RUNNER. The ending is chilling for the more sentient audience members, others will be puzzled by what the big deal is at an apparent happy ending.
These are the people who are indirectly being criticized in STARDOM.
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