A sports photographer in rural Canada sends a picture of a high school athlete, Tina Menzhal, to a Montréal fashion agency. This starts Tina on a career taking her from Canada to Paris to Montréal again, to Manhattan, to the world, and then home, through two boyfriends, two husbands, and innumerable TV interviews, either with nasty smiling scandalmongers or with gushing witless twits. In nearly every case, Tina never gets to finish a sentence. She has a suave agent, paparazzi are everywhere ("What the celebs forget, there's always a camera," says one), and a documentary filmmaker is on hand as well. What is it that Tina thinks, feels, and wants: will we ever find out? Written by
Virtually every shot of Jessica Pare is a broadcast or reflected image: she is seen in video clips, on the monitor of cameras, reflected in mirrors, glimpsed through glass, or in still photos, but never directly. See more »
When Tina leaves the hospital, her left arm is in a sling. In subsequent scenes, her right arm is in the sling. See more »
A film less about superficiality than about absence.
STARDOM is a film that has been thoroughly misunderstood.
Seen as a film about the superficiality of the modeling industry and the trivia of all media commentary, it is actually a film about the absence of a fully determining, existential self. On reflection--something most viewers have not had the patience to do--STARDOM is about the loss of moral centre in a world devoted to celebrity celebration and instant gratification. Have a look at it. Think about it. There is more to STARDOM than meets the eye!
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