The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
A group of five led by Julie set up their filming equipment in the hotel of the derelict town of Goldfield, hoping to capture footage of the ghost of Elisabeth Walker, a maid tortured and ... See full summary »
Urban Legends: The Final Cut follows Amy Mayfield (Morrison), a student at Alpine University who struggles to complete her thesis film on urban legends - only to have her crew members fall prey to fatal 'accidents.' Suspicious, Amy investigates and discovers a much more sinister hand at work. Now she must unmask the killer before she, too, becomes an urban legend. Written by
The role of Vanessa was originally much smaller in the initial script, but John Ottman liked the character so much that he expanded her role. See more »
When Amy is chased down to the lake outside the college, a crew member is clearly visible (wearing a puffy blue vest and jeans) trying to step behind the boat dock shed as the killer walks onto the dock. See more »
I know a good story. It's about a campus serial killer who murders eight people...
Yeah, I heard that one. It supposedly happened at Pendleton. It's just an urban legend.
See more »
As the end credits roll, Professor Solomon is being pushed in a wheelchair by a nurse who happens to be the killer from the first movie! See more »
Several film students at an isolated university campus are targeted by a serial killer who patterns his/her crimes after various urban legends.
John Ottman's unnecessary sequel is a disastrous jumble of humor and horror which isn't nearly as funny or frightening as the filmmakers might have hoped, and the visual references to various classic movies (most notably the VERTIGO-inspired climax) seem entirely superfluous. Most of the murders are routine, except for a grisly decapitation inspired by a similar sequence in Dario Argento's INFERNO (1980), but the rest of the movie adheres strictly to formula, as a masked killer strives to frame weak-willed heroine Jennifer Morrison for a series of brutal crimes. Only two of the characters from the original URBAN LEGEND (1998) have been retained: Loretta Devine as the campus security guard whose aspirations toward COFFY-style bravery are finally realized during a climactic confrontation with the killer, when he/she makes the mistake of trying to punch her out (Devine retaliates with the best line of dialogue in the entire movie!), and Rebecca Gayheart in an unbilled cameo which should raise a smile amongst devotees of the original film.
The supporting cast is handsome but interchangeable, including Matthew Davis (TIGERLAND) as Morrison's potential love interest, Jessica Cauffiel (VALENTINE) as a dizzy would-be actress whose final sequence resembles one of the more famous set-pieces from PEEPING TOM (1959), Eva Mendes (ONCE UPON A TIME IN Mexico) as a statuesque lesbian beauty whose fondness for Morrison lands her in a whole heap of trouble, and Hart Bochner (APARTMENT ZERO, SUPERGIRL) as an unlikely college professor. Production values are polished, but the movie amounts to little more than an uninspired rehash, and represents an inauspicious debut for former composer/editor Ottman (THE USUAL SUSPECTS). Also starring Joseph Lawrence, Anson Mount and Marco Hofschneider.
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