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Urban Legends: Final Cut (2000)

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Ratings: 4.0/10 from 12,004 users   Metascore: 16/100
Reviews: 226 user | 110 critic | 25 from Metacritic.com

Urban legend-style killings begin to occur on a movie set, in this non-sequel sequel to "Urban Legend".

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Cast

Cast overview, first billed only:
...
...
Travis Stark / Trevor Stark
...
Professor Solomon
...
...
Graham Manning
...
Toby
...
...
Sandra
...
Stan
...
Dirk
...
Simon
Derek Aasland ...
P.A. Kevin
...
Lisa
Peter Millard ...
Dr. Fain
Chas Lawther ...
Dean Patterson
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Storyline

Urban Legends: The Final Cut follows Amy Mayfield (Morrison), a student at Alpine University who struggles to complete her thesis film on urban legends - only to have her crew members fall prey to fatal 'accidents.' Suspicious, Amy investigates and discovers a much more sinister hand at work. Now she must unmask the killer before she, too, becomes an urban legend. Written by Mr. Greenshoes

Plot Summary | Plot Synopsis

Taglines:

It was an urban legend that started it all. Now it continues on the Alpine University campus... See more »


Motion Picture Rating (MPAA)

Rated R for violence/gore, language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

22 September 2000 (USA)  »

Also Known As:

Leyendas urbanas: Corte final  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

£265,282 (UK) (1 December 2000)

Gross:

ESP 447,574,891 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Originally set to film on the campus of the University of Western Ontario, was turned down by the administration because of its violent nature. See more »

Goofs

When Stan is attacked in the terror train ride, the miner's light on his head is knocked off. When the shot next cuts to him it is back on his head, then off, then back on again. See more »

Quotes

Killer Flight Attendant: Young man, that woman's acting would be wretched in a porno film!
See more »

Crazy Credits

As the end credits roll, Professor Solomon is being pushed in a wheelchair by a nurse who happens to be the killer from the first movie! See more »

Connections

References Alfred Hitchcock Presents (1955) See more »

Soundtracks

Just Can't Wait
Written by Scott Nickoley & Jamie Dunlap
Performed by Melody Patron
Courtesy of Marc Ferrari/MasterSource
See more »

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User Reviews

 
A cut above the first.
6 March 2009 | by (Maine) – See all my reviews

"Urban Legends: Final Cut" is about as good or as bad as you'd expect it to be. A sequel to 1998's teen-slasher flick, "Urban Legend," your enjoyment of this film is hinged solely on how you view the original. Personally, I felt the first movie was kind of flat and dull. Some interesting elements, but overall, not the best of the late 90's slasher craze. Enter "Final Cut." This film, on the other hand, is a solid little slasher with a similar mindset to that of the 80's slasher era. It hardly has the smarmy, self-referential winks to the camera that it's peers in "Scream" and "I Know What You Did Last Summer" had and despite some flaws, is a fun way to burn a couple of hours.

Directed by John Ottman – who is primarily known for his work as a composer – and featuring a surprisingly extensive cast that includes Hart Bochner, Eva Mendes, Anthony Anderson and Joseph "Whoa!" Lawrence, this legend revolves around a film school where students are competing for a prestigious award. The Hitchcock award, to be exact. When innocent Amy Mayfield (Jennifer Morrison) decides to make a movie loosely based on the events of the first film, her crew finds themselves slowly being picked off one by one by a killer sporting perhaps some of the most ridiculous garbs yet: a fencing mask and a black rubber slicker. As in the first, he uses a few classic urban legends to accommodate his dirty deeds, but like most villains in sequels, he gets lazy and some of his kills are just straight-forward and messy.

Surprisingly grisly and gory (especially in the case of the first victim, who had no relevance to the rest of the film to begin with), "Final Cut" is more cheap fun than anything. Although Ottman puts on a good show, his references to Hitchcock himself hardly mean that there is any genuine suspense to be found here. Instead, like the movies it subtly pays homage to – such as "Friday The 13th" and "My Bloody Valentine" – this little sequel is simply a fun, down and dirty little romp that forgets it's a sequel and goes for the gusto. It's not an amazing film by any stretch of the imagination, but far less pretentious than other films of it's era, and certainly a mind-numbing good time for genre fans who aren't afraid to slum it a little bit with fare such as this. Fun to sit down with a beer and a pizza, nothing worth taking too seriously, and certainly better than the first flick.


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