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Urban Legends: Final Cut (2000)

R  |   |  Horror, Mystery, Thriller  |  22 September 2000 (USA)
4.1
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Ratings: 4.1/10 from 12,489 users   Metascore: 16/100
Reviews: 226 user | 107 critic | 25 from Metacritic.com

Urban legend-style killings begin to occur on a movie set, in this non-sequel sequel to "Urban Legend".

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Cast

Cast overview, first billed only:
...
...
Travis Stark / Trevor Stark
...
Professor Solomon
...
...
Graham Manning
...
Toby
...
...
Sandra
...
Stan
...
Dirk
...
Simon
Derek Aasland ...
P.A. Kevin
...
Lisa
Peter Millard ...
Dr. Fain
Chas Lawther ...
Dean Patterson
Edit

Storyline

Urban Legends: The Final Cut follows Amy Mayfield (Morrison), a student at Alpine University who struggles to complete her thesis film on urban legends - only to have her crew members fall prey to fatal 'accidents.' Suspicious, Amy investigates and discovers a much more sinister hand at work. Now she must unmask the killer before she, too, becomes an urban legend. Written by Mr. Greenshoes

Plot Summary | Plot Synopsis

Taglines:

This Fall, Legends, Never, Die. See more »


Motion Picture Rating (MPAA)

Rated R for violence/gore, language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

22 September 2000 (USA)  »

Also Known As:

Leyendas urbanas: Corte final  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$8,505,513 (USA) (22 September 2000)

Gross:

ESP 447,574,891 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

During the sound-stage sequence where Amy hides under the piano, it was John Ottman's idea to have the killer come in and play some low chords at the piano. See more »

Goofs

When Amy is chased down to the lake outside the college, a crew member is clearly visible (wearing a puffy blue vest and jeans) trying to step behind the boat dock shed as the killer walks onto the dock. See more »

Quotes

[Travis watches Lisa down her second cocktail]
Lisa: Come on. Drink up.
Travis: Don't you have a plane to catch?
Lisa: Wasted is the only way to fly.
See more »

Crazy Credits

As the end credits roll, Professor Solomon is being pushed in a wheelchair by a nurse who happens to be the killer from the first movie! See more »

Connections

References The Brain That Wouldn't Die (1962) See more »

Soundtracks

Over It
Written by Damon Intrabartolo
Performed by Amanda Gonzalez
See more »

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User Reviews

 
Too many scary filmmakers making scary movies that make fun of scary movies.
22 September 2000 | by (Minneapolis, MN) – See all my reviews

As a former film student the setting for the film had some appeal. Film students after the coveted Hitchcock Award strive to make the film that will secure them a spot in Hollywood, just like the honored alumni before them. Unfortunately the power of greed has someone taking out the competition.

It begins with an obvious film-within-a-film cliché to introduce us to all the principal characters/victims of the film. The cast, a slew of nobodies, lacks any true depth and continually stumbles through forced 21st dialogue. The only recognizable face, Joey Lawrence of Blossom fame, has matured in looks but not so much in talent. In fact, the most entertaining parts of the film are when the killer `urbanizes' his victims making the viewer happy to see them go.

The entire story is weak and too many standard horror movie conventions are tossed into the mix. Bumps in the dark, shadows in the background and masked characters that appear out of nowhere are tired repeats of films in our past. As expected, every character is given a reason to be the killer until the very next scene when they are exonerated because another character seems more deserving.

With many veiled references to Alfred Hitchcock's films, the filmmakers may have thought they were honoring the great director but in reality the idea is so poorly done that they only come across as cheap rip-offs. Stair climbing in a tower ala Vertigo and a weak wheelchair scene ala Rear Window are two that come to mind.

The whole scary movie genre was given life by Scream and now it ought to be put out of its misery with one swift swing of the ax.

2 1/2 out of 5


12 of 23 people found this review helpful.  Was this review helpful to you?

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