Luke McNamara, a college senior from a working class background joins a secret elitist college fraternity organization called "The Skulls", in hope of gaining acceptance into Harvard Law ...
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Luke McNamara, a college senior from a working class background joins a secret elitist college fraternity organization called "The Skulls", in hope of gaining acceptance into Harvard Law School. At first seduced by the club's trapping of power and wealth, a series of disturbing incidents, such as his best friends suicide, leads Luke to investigate the true nature of the organization and the truth behind his friends supposed suicide. He starts realizing that his future and possibly his life is in danger. Written by
Yale is never mentioned by name during the film, but there are plenty of references: - At the boat race, every team is mentioned by its school name, except for "The Bulldogs." (They're the Yale team.) - The characters wear Ys on their sports uniforms. - The Skulls are said to have "322 alumni worldwide." The Yale secret society Skull & Bones uses the number 322 as an identifier on many of its symbols. - The characters are seen celebrating at a pizza parlor they refer to as "Mory's," drinking from a big golden cup. Mory's is an actual place, and the tradition with the song and the big golden cup is accurate; however, it's a formal restaurant, not a pizza parlor, and actual Mory's cups are traditionally silver. - The new Skulls are sent to raid "Snake & Skeleton." There is a Yale secret society called "Book & Snake." - Some campus shots seem to purposefully mimic Yale buildings. There's a tower that looks a lot like Harkness Tower, and the dining hall looks like the one in Saybrook College. See more »
The Skulls are famous for tapping fifteen students a year. However the night after Luke is tapped Will asks him when Caleb Mandrake and his seven new friends walk in if he will introduce them. The seven men plus Caleb and Luke equals Nine. Six short of fifteen. See more »
They said that it was at the building which doesn't necessarily mean that its
[together with Caleb]
in the building. "A snake without with out skin shows its veins"... of course.
[He looks up]
A weather vane.
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The Skulls is a thinly veiled allusion to one of the purportedly most secret of all secret societies, Skull and Bones, the Yale group to which George Bush (the former president) belonged. You know all about those secret societies; they breed smart, rich young men who will put other smart, rich young men in power, and then those men will put other smart, rich young men in power, and so forth and yadda yadda yadda. You can find out all sorts of things about Skull and Bones online, and I suppose there's a chance some of those things are actually true. But for the purposes of this movie - and this review - suffice to say that The Skulls is a small group mostly made up of rich white kids who get paid scholarships, free cars, free women, the whole works. And what does this secret society ask for in return? Unbound loyalty, of course. Unquestioning and absolute loyalty, kind of like the Mob, really, only the Mob is more overtly criminal.
The story focuses on Luke, a townie at Yale University. Luke wants to go to law school, but the tuition's a little high. He's parentless and low on funds, so of course he's prime pickings for The Skulls. Will he join them? Darn tootin' he will, despite the protests of his best friend and this hot young blonde he likes. They try to reason with him, believing their friendship is stronger than his need to be a lawyer, but they're wrong. If they were right, we'd have no movie.
So he joins, and wouldn't you know it, all kinds of bad things happen to poor Luke. There's murder, there's corruption, and gosh and golly, our boy just doesn't know who to trust. More twists than a Poe novel; the only problem is, they're not believable twists. If you're cynical about this kind of movie (as I am), you'll laugh out loud many times, both at the acting and the dialogue. The worst offense is in the timing, quite frankly. At no point are we led to believe that this society could be a GOOD thing. We know immediately it's bad. See, I think to be truly sinister you need to wear a mask of credibility. If I already know how bad you are, I won't be as afraid of you or as startled when you actually do something despicable.
This is a real chucklefest, in the same vein as Final Destination, Urban Legends, I Know What You Did Last Summer (both movies), and even the Scream movies, which I didn't care for (but I know many of you did, so whatcha gonna do). You have an attractive cast spouting incredible lines in unbelievable situations. The old moviegoer in us wonders what Jimmy Stewart or Gregory Peck would have done in this movie when they were younger (and, in Stewart's case, alive), but that's probably a philosophical debate best left to denizens of the old critics' home. As for me, I'd say pass on The Skulls - it's as hollow as its name might imply.
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