| Photos (See all 10 | slideshow) |
| Fred A. Leuchter Jr. | ... | Himself (as Fred Leuchter) | |
| Robert Jan Van Pelt | ... | Himself | |
| David Irving | ... | Himself | |
| Caroline Leuchter | ... | Herself (voice) | |
| James Roth | ... | Himself - Analytical Chemist | |
| Shelly Shapiro | ... | Herself | |
| Suzanne Tabasky | ... | Herself | |
| Ernst Zündel | ... | Himself | |
| David Collins | ... | Re-enactment cast | |
| Daniel Polsby | ... | Re-enactment cast | |
| Jeff Brown | ... | Re-enactment cast | |
| Robert Duerr | ... | Re-enactment cast | |
| rest of cast listed alphabetically: | |||
| Adolf Hitler | ... | Himself - Leaves Plane (archive footage) (uncredited) | |
| Errol Morris | ... | Himself - Interviewer (voice) (uncredited) | |
Directed by | |||
| Errol Morris | |||
Produced by | |||
| Dorothy Aufiero | .... | producer | |
| David Collins | .... | producer | |
| Errol Morris | .... | producer | |
| David Schisgall | .... | associate producer: Tennessee/Malden | |
| Jonathan Sehring | .... | executive producer | |
| John Sloss | .... | executive producer | |
| Kathy Trustman | .... | producer: Tennessee/Malden | |
| Michael Williams | .... | producer | |
| Caroline Kaplan | .... | executive producer (uncredited) | |
Original Music by | |||
| Caleb Sampson | |||
Cinematography by | |||
| Peter Donahue | |||
Film Editing by | |||
| Karen Schmeer | |||
Production Design by | |||
| Ted Bafaloukos | |||
Art Direction by | |||
| Steven McNulty | |||
Production Management | |||
| Katarzyna Fukacz-Cebula | .... | production manager: Poland (as Katarzyna Fukacz) | |
| Mark Hankey | .... | unit production manager: Tennessee/Malden | |
Second Unit Director or Assistant Director | |||
| Marek Cydorowicz | .... | assistant director: Poland | |
| David Vos | .... | first assistant director | |
Art Department | |||
| Artur Bartos | .... | props: Poland | |
| Inka Bodyl | .... | props: Poland | |
| Michael Cataldo | .... | prop master | |
| Jay Heyman | .... | props assistant | |
| Alasdair McLellan | .... | art department assistant | |
| Kenji Messenger | .... | carpenter | |
| Heidi Pribell | .... | shopper | |
| Adie Russell | .... | graphic artist | |
| Peter Ryan | .... | art department assistant | |
| Lisa Sawlit | .... | graphic artist | |
Sound Department | |||
| Coll Anderson | .... | supervising sound editor | |
| Stephen Bores | .... | sound mixer (as Steve Bores) | |
| Stephen Bores | .... | sound: Tennessee/Malden (as Steve Bores) | |
| Brian Bowles | .... | dialogue editor | |
| Andrew Bracken | .... | sound effects recordist (as Drew Bracken) | |
| Fred Burnham | .... | additional sound | |
| Mario Cardenas | .... | additional sound (as Mario Cardenes) | |
| Maria Chilarecka | .... | sound mixer: Poland | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby | |
| Patrick Dundas | .... | sound effects editor | |
| Frank Morrone | .... | sound re-recording mixer (as Frank Morroni) | |
| Bob Olari | .... | sound recordist | |
| Pam Yates | .... | sound: Tennessee/Malden | |
Visual Effects by | |||
| Philip Azenzer | .... | video effects (as Phil Azenzer) | |
Costume and Wardrobe Department | |||
| Janet Generalli | .... | wardrobe | |
Editorial Department | |||
| Anshul Amar | .... | contributing editor | |
| Schuyler Cayton | .... | assistant editor | |
| Don Ciana | .... | color timer | |
| Brad Fuller | .... | consulting editor | |
| Jane Gray | .... | assistant editor | |
| Paula Heredia | .... | consulting editor | |
| Molly O'Brien | .... | contributing editor | |
| Ann Petrone | .... | assistant editor | |
| Joe Violante | .... | laboratory advisor | |
Music Department | |||
| Huck Bennert | .... | music recording engineer | |
| Donald Berman | .... | musician: piano on "Sublime" | |
| Greg Devore | .... | music recording supervisor | |
| Terry Donahue | .... | musician: accordion and percussion | |
| Hawthorne Quartet | .... | musician: strings | |
| John Kusiak | .... | composer: additional music | |
| John Kusiak | .... | music producer | |
| John Kusiak | .... | musician: synthesizer | |
| Billy Novick | .... | musician: clarinet | |
| Caleb Sampson | .... | musician: synthesizer | |
| Ken Winokur | .... | musician: percussion | |
|
|
|
|
|
| Paragraph 175 | Mother Night | Anne Frank Remembered | Terror's Advocate | Fateless |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
The smartest thing for Fred Leuchter to do when confronted with the notion of providing proof as to the reality of the Holocaust would've been to simply say no. But since he was clearly unwilling to do so, the next best thing would be to would be to approach the situation objectively and scientifically. In the film he says several times that he was looking for evidence to prove the existence of gas chambers in Auschwitz, and was unable to find any. He also states that the sites were exactly the same as they were back in the 1940s, although he offers no evidence to back-up this assumption. He has absolutely no way of knowing what has happened to the chambers over the course of 40-50 years. A scientist would've realized this and come to the conclusion that the evidence he was gathering could potentially be flawed. Instead he approaches his task with the assumption that any information he gathers is 100% correct and that no tampering is possible, which is a fatal mistake. The fact of the matter is that Fred Leuchter has absolutely no idea what he's talking about, the way in which he gathered evidence and conducted his investigation was fundimentally flawed. He should've understood this and testified to that effect. For whatever reason he decided to jump to the conclusion that he was correct under any circumstance and propagated lies because of it. For this reason he is deserving of any repricussions that resulted from his actions. I have no sympathy for a man that is blinded by his own ego, or whatever it was that caused him to close his mind to many legitimate possibilities.