Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999)

User Rating:

7.4/10   

Director:

Errol Morris

Release Date:

14 January 2000 (USA)

Genre:

Documentary | Biography

Plot:

A cinematic portrait of the life and career of the infamous American execution device designer and holocaust denier.

Plot Keywords:

Execution | Auschwitz | Gas Chamber | Holocaust Denier | Revisionist

Awards:

1 win & 3 nominations

Cast

Fred A. Leuchter Jr.	...	Himself (as Fred Leuchter)
Robert Jan Van Pelt	...	Himself
David Irving	...	Himself
Caroline Leuchter	...	Herself (voice)
James Roth	...	Himself (analytical chemist)
Shelly Shapiro	...	Herself
Suzanne Tabasky	...	Herself
Ernst Zündel	...	Himself
David Collins	...	Re-enactment cast
Daniel Polsby	...	Re-enactment cast
Jeff Brown	...	Re-enactment cast
Robert Duerr	...	Re-enactment cast

Also Known As:

Mr. Death (USA) (short title)

MPAA:

Rated PG-13 for thematic elements.

Runtime:

91 min

Country:

UK | USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Australia:M | France:U | USA:PG-13

Filming Locations:

Auschwitz, Poland

Company:

Channel Four Films

Trivia:

All of the states which bought one of Leuchter's lethal injection machines have subsequently stopped using them because they were too difficult to operate and maintain.

Quotes:

Fred A. Leuchter Jr.: The human body is not easy to destroy and it's not east to take a life humanely and painlessly without doing a great deal of damage to the individual's body.

Movie Connections:

Features Triumph des Willens (1935)

Disturbing and Often Funny

I saw a rough cut of this documentary last year presented by Errol Morris. At this point, I had never seen an Errol Morris documentary, but I have to say I loved it. It's the story of the man who reinvented the modern electric chair and other devices to carry out capital punishment.

The first half of the film is darkly funny. The juxtaposition of images with Leuchter's descriptions makes for hilarious irony. The shots are in and of themselves wholly serious, but Leuchter himself is very comedic (whether he knows it or not).

The second half of the film evokes anger more than humor. Leuchter becomes an advocate for Holocaust denial through his scientific (?) research for a Canadian Neo-Nazi. The cut that I saw didn't have an explanation as to why Leuchter got the results that he did until a little later in the film. I though Errol Morris should have had this description as soon as the results of the tests were determined. Maybe he changed it, and maybe he didn't.

At the film's heart is, like a Greek tragedy, the story of a man whose rise to prominence is cut short by his hybris - his inability to accept that he could be wrong. As a result, a man who was once in demand by state after state is left to rot in his own misery and mistake.