Katarina Andjelic, nicknamed "Cakana", lives with her two children, her brother Bata, and his daughter. She is an sculpture and painting artist, but there are not many people who can see ... See full summary »
This comedy series is all about two mates, Gary and Tony who share a two bedroom home. They are grown men who act like a couple of drunk two year olds, who spend their time either drinking ... See full summary »
The adventures of Surda, a man in his 30's who comes from small town to Belgrade to get rich. However, no job is good for him, so he tries his luck in Germany, but this venture proves to be... See full summary »
Miodrag 'Ckalja' Petrovic,
The adventures of Paja and Jare, the two honest and good-natured truck drivers and partners in business. They meet various people while on the road, which mostly turns out bad for them, but... See full summary »
After many years of marriage, Vera and Mica decide to divorce. But, neither Vera nor Mica want to leave the apartment, and their daughters, Maja and Janja. So, they decide to divorce, but ... See full summary »
Katarina Andjelic, nicknamed "Cakana", lives with her two children, her brother Bata, and his daughter. She is an sculpture and painting artist, but there are not many people who can see her potential. Her ex-husband, Dragoslav, is trying to get her back, because he still loves her. Cakana, who was cheated by him, still loves him, but refuses his love. Written by
Since beginning of Yugoslav television, comedy programs about contemporary society mostly relied on depicting "ordinary man", and trying to make the audience identify with the main characters. Whole bunch of both movies and series have been reaching extreme popularity among Yugoslav audience, a new and optimistic middle class in Tito's self-managed society: titles such as "Lude godine", "Tesna koa", "Pozorite u kući", "Bolji ivot" etc. all revolved around "small man" and his adventures in everyday environment.
On the contrary, "Otvorena vrata" completely threw away this cliché, and built a story (in fact, many stories, as each episode is for itself) around completely made-up and exaggerated characters. Placed in highly urban and intellectual milieu, the show refused to indulge mass audiences, and it is not clear how it got financed and aired under such hard circumstances as Milosevic's dictatorship was.
Fast paced, intellectually challenging, but most of the times really hilarious, the show is gaining the deserved acclaim just recently, after several reruns and with a help of Youtube, which is full of funny clips with memorable quotes.
Also, apart from brilliant screen writing (mostly by prized playwright Biljana Srbljanovic), the cast is what really makes it timeless, with top-of-the-line leads, notably Vesna Trivalic and Bogdan Diklic. The only one spoiling the picture is Bojana Maljevic, but luckily not given any important role.
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