A North Carolina sheriff investigates the near-fatal drug overdose of an underachieving college girl, and uncovers many sordid details of her life before and during her descent into drugs and debauchery.
This takes place several years before Cruel Intentions (1999), back to when Kathryn first meets Sebastian, their sexual attraction to each other and their enjoyment in destroying the lives of their peers.
Keri Lynn Pratt
The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of ... See full summary »
At fancy, private Colby University, in the North Carolina hills, a drug overdose puts a senior near death. The school administration calls in the acting sheriff to conduct "a delicate and discrete investigation" - a whitewash. The more he digs, the more evidence he finds that the overdose may have been attempted murder. In flashbacks that parallel his investigation, we see Alicia, a scholarship girl worried about her grades, gradually pulled into the social life of three rich and amoral young women, led by the blond Hadley, a femme fatale. Before the investigation ends, we've met boyfriends, a drug dealer, Alicia's mom, Hadley's dad, nurses, doctors, and an orderly. Written by
While sometimes tedious to decipher, still mildly entertaining.
One could certainly make the statement 'why should we care' about this film, and perhaps one should have posed that question to the director. Very little attention was paid, it seems, to anything which might endear any of this film's characters to the viewer. While the four female leads are intended to flutter between victim and villain as the story progresses, the performances ring hollow, contrived, and ultimately fall short of what I would hope started as a grand study of human sociology. Indeed this idea is suggested by their forced cooperation on a senior year project. Again, one is left with the feeling of too many tongs in the fire, and not enough hands to mind them.
While great pains are taken to show the villainy of Alicia Campbell (Mia Kirschner), the final upshot of all her ill deeds struck me as not only rediculous, but totally unfeasable, unattainable, and illogical. The broad strokes used to bring conclusion to the film failed to deflty weave together the many loose threads, instead preferring to shelack them to the table in an effort to prevent their fluttering away. It was nice to see the sidekick from "The Craft" continuing to make a name for herself as an out of control socialite.
Thankfully this film was not terribly long, although the music was surprisingly good. I'm still not sure why the director felt it was necessary to pepper the film with gratuitous breast shots, increasing in frequency as the film progress. My only thought is they began to suspect the film was failing as a concept piece, and chose the lowest common denominator for salvation.
Whatever your take on it, this film is still moderately entertaining, even if the ideology behind it has been beaten like a narc at a biker rally.
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