Back home, Glauco, an industrial designer, finds his wife in bed with a serious headache. She has left him dinner but it is cold and Glauco decides to prepare himself a gourmet meal. While ... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
Bill Thigpen, writer producer of the No.1 daytime TV drama was so busy watching his career soar that he never noticed his marriage collapse. Now, nine years later, living alone in Hollywood... See full summary »
Francois is a young carpenter married with Therese. They have two little children. All goes well, life is beautiful, the sun shines and the birds sing. One day, Francois meets Emilie, they ... See full summary »
Bamako. Melé is a bar singer, her husband Chaka is out of work and the couple is on the verge of breaking up... In the courtyard of the house they share with other families, a trial court ... See full summary »
The French dispatch a professional assasin to kill one of the richest businessman in Poland who cheated them in business dealings. State apparatus is illegally used by the corrupt ... See full summary »
Peter J. Lucas,
Jean-Michael and Claudine are the "78% normal" couple chosen to be analysed/manipulated through a series of tests in a monitored household for a French national experiment. The couple are only too happy, at first, to comply with the scientists who regularly interrogate them, seeing the whole set-up as little more than the chance to be the star exponents of a new game show. Occasionally (in the film's stronger sequences) a television announcer comments on their goings-on and chairs group discussions with "experts" who argue the meaning and validity of what they're watching.
The couple are at first bemused by the abundance of goods and possessions given to them by the state, but this soon palls as they are increasingly asked to define why they choose to do what they do. When the "Minister of the Future" comes to visit (with Godard and Fassbinder favourite Eddie Constantine in tow), Claudine is more interested in seeing an example of the Minister's ability to bend spoons - Uri Geller style than discerning what his policies or intention behind the whole project might be. Meanwhile, Jean-Michael becomes more argumentative, but no more enlightened, than his wife. Towards the end, their childish rebellion (involving the wanton destruction of their goods) leads to them being taken hostage by child revolutionaries who are just as unfocused as they are.
Expatriate American photographer William Klein's little known film presents a presciently topical subject for our Reality TV/'Big Brother' saturated times. However, as a piece of cinematic art, it falls short of the mark. Displaying little of the flair of his earlier (if strident and still flawed) 'Mr. Freedom', the film suffers from low rent production values and sloppy camera-work. The use of annoyingly cheesy songs (which occasionally comment on the action) and Goodies/Benny Hill style sped-up camera tricks also contribute to weakening its bite.
Although the viewer is privy to the ruminations and manipulations of the two interlocutor scientists (who are a couple themselves) we are never let much further into their motivations, other than an interest in behavioural psychology and a desire to "change" things. Possibly a more concerted interest in contrasting the two couples would have provided a richer experience. The film also lacks any real discernible shape. It's as if Klein had written it piecemeal, filming each new set-up as he devised them. In the hands of someone much more assured, like Jean-Luc Godard (who is a pervasive influence on Klein's film work), this could be a lean and fearsome beast. The end result, while intriguing, remains flabby. Regardless of these shortcomings however, there are still glimmers of elucidation to be found in the quagmire.
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