Bruno, a sadistic criminal, wants clever con man Leo out of the way. Leo and his equally clever wife, Lily, are up to something. So too is Julius: he hires Leo to kill Gloria, Julius's wife... See full summary »
When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. ... See full summary »
In June, 1983, in Dutchess County, New York, Sebastian Cole joins his mother, step-father, and sister for dinner. Hank, Sebastian's step-father, drops a bomb: he announces he's changing ... See full summary »
Sam Dietz is back and must find and stop another serial killer before he kills again. Detective work for Dietz is tough having to juggle two gorgeous women - one his partner, and the other his shrink, who holds the key to the case.
Bruno, a sadistic criminal, wants clever con man Leo out of the way. Leo and his equally clever wife, Lily, are up to something. So too is Julius: he hires Leo to kill Gloria, Julius's wife. Leo does it, but then Julius shows up with the murder on tape, saying Gloria isn't his wife - it's blackmail. Leo's bookie, Troy, is also closing in, wanting to be paid. Bruno and Lily as well as Bruno and Julius have their own scams running, and Leo is their target. Maybe Leo can get Troy off his back, avoid Moose (Bruno's huge enforcer), send Gloria's corpse out of England, turn the tables on Bruno's murderous brother Caspar, and outfox Lily. Or is Lily his fox? It's a three-ring circus. Written by
Nuh, nuh, nuh. Another one bites the dust! Duh-nuh nuh, nuh, nuh. Another one bites the dust! And another one down, another one down- another one bites the dust! Ooh. I'm gunna git you boy, another one bites the dust, DUH-nuh.
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If you've seen any other sort of halfway decent crime movie, your patience might be put to the test by "Circus". If you are more than halfway sober or awake, its little derivative winks of 'intelligence' might actually appear half-assed and grating. I'm a fan of both John Hannah and Eddie Izzard, but neither actor can rescue this made-for-TV-grade formulaic crap-pile. And the 'intelligent' bit of that formula is the one that most grates on me: when the films throws out references to Tarantino, musical theatre, The Sweet Smell of Success, etc.(naming a character Elmo Somerset? Good lord), it's insulting. And when the twists are revealed, I hardly feel that the makers of Circus are knowing masterminds. They blindly stumbled through this movie, hoping that they could pull this foolish scam of a movie off.
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