Loosely based on Homer's "Odyssey," the movie deals with the picaresque adventures of Ulysses Everett McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everett's home to recover the buried loot of a bank heist they are confronted by a series of strange characters--among them sirens, a cyclops, bank robber George "Baby Face" Nelson (very annoyed by that nickname), a campaigning governor and his opponent, a KKK lynch mob, and a blind prophet who warns the trio that "the treasure you seek shall not be the treasure you find." Written by
Armin Ortmann <email@example.com>
One of the notable features of the film is its use of digital colour correction to give the film a sepia-tinted look. Joel Coen stated that this was because the actual set was "greener than Ireland." Cinematographer Roger Deakins stated, "Ethan and Joel favoured a dry, dusty Delta look with golden sunsets. They wanted it to look like an old hand-tinted picture, with the intensity of colours dictated by the scene and natural skin tones that were all shades of the rainbow." Initially the crew tried to perform the color correction using a physical process, however after several tries with various chemical processes proved unsatisfactory, it became necessary to perform the process digitally. See more »
The closing scene shows a modern railroad track structure with welded rail joints that were not in common usage until after the 1960s. See more »
Ulysses Everett McGill:
Say, any of you boys smithies? Or, if not smithies per se, were you otherwise trained in the metallurgic arts before straitened circumstances forced you into a life of aimless wanderin'?
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The credit for Alan J. Schoolcraft, the president of operations for Mike Zoss Productions, is all in Spanish: "El Encargado de Mike Zoss Productions" See more »
The Coen Brothers have truly outdone themselves in this wonderful saga of three escaped convicts. Though it is based on "The Odyssey," the ancient work of Homer, you do not have to have read "The Odyssey" to be able to follow the story. The brothers Coen have woven a tapestry of celluloid and aural delights! The soundtrack is intrinsic to the film, indeed it is as though the soundtrack is the product and the film is wrapping paper. Each character is wonderfully exploited and harkens back to the days of old when films were rich with character actors whose very appearance in the film adds richness, texture and authenticity. George Clooney is magnificent as the grease haired Everett Ulysses McGill, a honest con on the run whose pompous linguistics and vocabulary are comical and endearing. O Brother, Where Art Thou is easily the best Coen film to date as well as Clooney's best effort. Clooney is good enough to warrant a best actor nomination as is Tim Blake Nelson's portrayal of the dimwitted friend Delmar, while the film itself is deserving of a Best film nod.
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