Loosely based on Homer's "Odyssey," the movie deals with the picaresque adventures of Ulysses Everett McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everett's home to recover the buried loot of a bank heist they are confronted by a series of strange characters--among them sirens, a cyclops, bank robber George "Baby Face" Nelson (very annoyed by that nickname), a campaigning governor and his opponent, a KKK lynch mob, and a blind prophet who warns the trio that "the treasure you seek shall not be the treasure you find." Written by
Armin Ortmann <firstname.lastname@example.org>
The character Pappy O'Daniel was a direct reference to Wilbert Lee "Pappy" O'Daniel, who was sales manager for Burrus Flour Mills in Ft. Worth, TX, around 1925. He hired The Light Crust Doughboys as the band to advertise Burrus' Light Crust Flour on a radio show for which he was the announcer, and he ultimately hired Bob Wills to front the band. O'Daniel started W. Lee O'Daniel's Hillbilly Brand Flour in 1935. Wills took the majority of The Light Crust Doughboys with him when he and Pappy parted ways, bitterly, to form Bob Wills and His Texas Playboys. The replacement band was known as W. Lee O'Daniel and his Hillbilly Boys and he used his power to buy advertising to promote Western Swing music, religion, his flour and himself. He used his notoriety as a radio host to successfully run for governor of Texas, twice. He also served as Senator from Texas for two terms, beating Lyndon B. Johnson, then a congressman, in 1941. See more »
When Pappy O'Daniel and his staffer, who refers to him as "Daddy" are talking about the 'reform candidate,' the staff members left hand changes locations on his face between shots of him front and back. See more »
Ulysses Everett McGill:
Say, any of you boys smithies? Or, if not smithies per se, were you otherwise trained in the metallurgic arts before straitened circumstances forced you into a life of aimless wanderin'?
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Title Design and Other Cool Stuff Balsmeyer & Everett, Inc. See more »
We lived through the depression and related to some of the conditions portrayed. We have watched it perhaps a dozen times. Each time we see it we pick up on something we had missed because we were still laughing at, or discussing, an earlier scene or line. The entire film was a collection of photographically great faces. We are still asking ourselves whether the entire cast were professionals or whether some were individuals found on location. The film was rich with subtle tie-ins like the children tied together with twine, as the prisoners were connected by chains. We still think the cow may have been hit unintentionally. Fords of that era had mechanical brakes. The driver of the car may not have been accustomed the longer stopping distances required. The many allusions to Ulysses Odyssey inspired us to do an inter-net search. We found a modern text version and discovered more sly references. We appreciate blue grass and country music as originally American and found it thoroughly enjoyable, along with the authentic "Go To Sleep Little Baby" and "Down from the Mountain." We were emotionally touched by this film because of our age, and find it totally entertaining every time we view it. We are still amazed that someone not of our generation could have captured the essence of that period of United States history.
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