In this cable show, muckraking director Michael Moore continues his war against all the wrongs committed by greedy businesses, the callous wealthy and opportunistic politicians that exploit the little person in society. To that end, we have his standard protest pranks, investigative reports and satiric games with the audience. Written by
Kenneth Chisholm <firstname.lastname@example.org>
When I was about 15 years old or so, I happened to come across a show on television called "TV Nation." I was completely enthralled by every episode I saw before my local station decided not to continue carrying the show, no doubt in favor of such quality shows as "Friends" or "Touched By An Angel." I thought that "TV Nation" was the best thing to ever happen to television, and I went out and watched as much Michael Moore as I possibly could.
So when the complete first season of "The Awful Truth" came out on video, I knew I had to watch every episode, probably more than twice. I was completely confident that Moore would once again delight and inform me as he did eight years ago.
I quite enjoyed the first episode, how to run a Witch Hunt and the invitation to the funeral. I think my favorite episode so far is the Beat The Rich/Soddomobile one-two knockout. Moore has always been brilliant at staging stunts to shock and embarrass.
But the more I watched the show, the more I noticed: that's all he does. He doesn't really try to change anything, bring any new information to light, or challenge anyone's viewpoints. His documentaries seem to serve as either efforts to upset industrial and capitalist giants or slaps on the back to people of like mindset. "Oh, I'm so glad we're middle class/Liberal/gay-positive, because upper class/Republican/fundamentalist people are so dumb!"
Being a middle class gay-positive liberal, I enjoyed every single episode of "The Awful Truth"s first season. I just wish it had a little more bite and merit as opposed to being a series of mostly impotent guerilla attacks on people and ideas that deserve more focused attention.
Many of the segments are difficult to watch, such as the voice-box choir or Moore's awkward conversation with Lucianne Goldberg, and that gives the show merit. If it was a comfortable show to watch all the time, it'd be a Liberal "60 Minutes." Moore gets to focus our attention on the bad points in America, and hints at the possibilities behind our cold impersonal modernity. At this he succeeds: the shock value of correspondents such as Crackers The Crime Fighting Chicken force eyes to focus on problems that everyone knows about but ignores whenever possible. I congratulate the man on a mostly successful effort and hope that he continues his crusade proudly and does not become a caricature of himself in later years. Rating: 8/10.
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