| Photos (See all 86 | slideshow) |
| Bruce Willis | ... | Jimmy 'The Tulip' Tudeski | |
| Matthew Perry | ... | Nicholas 'Oz' Oseransky | |
| Rosanna Arquette | ... | Sophie Oseransky | |
| Michael Clarke Duncan | ... | Franklin 'Frankie Figs' Figueroa | |
| Natasha Henstridge | ... | Cynthia Tudeski | |
| Amanda Peet | ... | Jill St. Claire | |
| Kevin Pollak | ... | Janni Pytor Gogolak | |
| Harland Williams | ... | Special Agent Steve Hanson | |
| Carmen Ferland | ... | Sophie's Mom (as Carmen Ferlan) | |
| Serge Christianssens | ... | Mr. Boulez | |
| Renee Madeline Le Guerrier | ... | Waitress (as Renée Madelaine Le Guerrier) | |
| Jean-Guy Bouchard | ... | Mover | |
| Howard Bilerman | ... | Dave Martin | |
| Johnny Goar | ... | Hungarian Hood | |
| Deano Clavet | ... | Polish Pug | |
| Stephanie Biddle | ... | Jazz Singer | |
| Charles Biddle Sr. | ... | Bass Player (as Charles Biddle) | |
| Geoff Lapp | ... | Pianist | |
| Gary Gold | ... | Drummer | |
| Robert Burns | ... | Mr. Tourette | |
| France Arbour | ... | Mrs. Boulez | |
| Sean Devine | ... | Sergeant Buchanan | |
| Richard Jutras | ... | Officer Morrissey | |
| Mark Camacho | ... | Interrogator #1 | |
| Joanna Noyes | ... | Interrogator #2 | |
| John Sanford Moore | ... | Bank Manager (as John Moore) | |
| rest of cast listed alphabetically: | |||
| Kent McQuaid | ... | Clerk (uncredited) | |
| Mike Tsar | ... | Oyster Chef (uncredited) | |
| Rumer Willis | ... | Girl Running Between Jimmy and Oz (uncredited) | |
Directed by | |||
| Jonathan Lynn | |||
Writing credits(WGA) | ||
| Mitchell Kapner | (written by) | |
Produced by | |||
| Don Carmody | .... | co-producer | |
| Mike Drake | .... | line producer | |
| Stephen J. Eads | .... | associate producer (as Stephen Eads) | |
| James A. Holt | .... | co-producer | |
| Allan Kaufman | .... | producer | |
| Elie Samaha | .... | executive producer | |
| Tracee Stanley | .... | co-producer | |
| Andrew Stevens | .... | executive producer | |
| David Willis | .... | producer | |
Original Music by | |||
| Randy Edelman | |||
| Gary Gold | |||
Cinematography by | |||
| David Franco | |||
Film Editing by | |||
| Tom Lewis | |||
Casting by | |||
| Nancy Nayor | |||
Production Design by | |||
| David L. Snyder | |||
Art Direction by | |||
| André Chamberland | |||
Set Decoration by | |||
| Mary Lynn Deachman | |||
Costume Design by | |||
| Edi Giguere | |||
Makeup Department | |||
| Clair Blondel | .... | key makeup artist (as Clair Van Der Elst) | |
| Larysa Chernienko | .... | assistant makeup artist | |
| Nathalie Garon | .... | hairdresser | |
| Johanne Hansen | .... | hairdresser | |
| Catherine Lavoie | .... | makeup artist | |
| Gerald Quist | .... | makeup artist: Bruce Willis | |
| Peggy Semtob | .... | hair stylist | |
| Lorraine Craig | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Eric Bergman | .... | post-production supervisor | |
| Stéphane Falardeau | .... | unit manager | |
| Micheline Garant | .... | unit production manager | |
| Michel Leroux | .... | assistant unit manager | |
Special Effects by | |||
| Ryal Cosgrove | .... | special effects coordinator | |
Stunts | |||
| Mitchell Dean | .... | stunt performer | |
| Minor Mustain | .... | stunt coordinator | |
| Alvin Powell | .... | stunts | |
Casting Department | |||
| Sheryl Bettencourt | .... | casting assistant | |
| Sandy Holt | .... | adr voice casting | |
| Jennifer Ricchiazzi | .... | casting assistant | |
| Linda Rona | .... | extras casting | |
| Nadia Rona | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Richard Brunet | .... | dresser | |
| Avery Gibbard | .... | assistant costume designer | |
| Marie-Hélène Ménard | .... | dresser | |
| Madeleine Perras | .... | key dresser | |
| Art Reasonover | .... | wardrobe master | |
| Frederique Sarrazin | .... | dresser | |
Editorial Department | |||
| Karina Baccanale | .... | assistant editor (as Carina Baccanale) | |
| Christopher S. Baird | .... | assistant editor (as Chris Baird) | |
| Kenny Becker | .... | color timer | |
| Jacqueline Carmody | .... | assistant editor | |
| Jeff Etcher | .... | assistant editor | |
| Vince Filippone | .... | assistant editor: avid | |
| Mo Henry | .... | negative cutter | |
| Lorraine Samuel | .... | assistant editor | |
| Paul M. Wagner | .... | first assistant editor | |
Music Department | |||
| Elton Ahi | .... | score mixer | |
| Elton Ahi | .... | score recordist | |
| Spring Aspers | .... | music supervisor | |
| Bronwen Boyan | .... | music coordinator | |
| Gary Gold | .... | music consultant | |
| Gary Gold | .... | music coordinator | |
| E. Gedney Webb | .... | music editor | |
Transportation Department | |||
| Eric Brais | .... | picture vehicle assistant | |
| Aleck Duncan | .... | driver: cast | |
| Réal Hamel | .... | picture car coordinator | |
| Neil Montgomerie | .... | transportation coordinator | |
| James Sanchez | .... | head driver | |
| Joe Sanchez | .... | transportation coordinator (as Joseph Sanchez) | |
| Jerome Wheeler | .... | driver production assistant | |
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| The Departed | The Professional: Golgo 13 | The Memory of a Killer | Children of Men | Casino |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
THE WHOLE NINE YARDS (2000) ** Matthew Perry, Bruce Willis, Natasha Henstridge, Amanda Peet, Michael Clarke Duncan, Rosanna Arquette, Kevin Pollak, Harlan Williams.
Matthew Perry is one of my favorite comedic actors in that he's kind of a throwback to the light comedy fare of Jack Lemmon and Tom Hanks: handsome, charming and an utter neurotic mess with a sharp self-deprecating wit with his nonchalant sarcastic jibing that is all play and totally harmless, with a twist of slapstick. Here all of that is on display with a finely tuned tailor made character not unlike his tv alter ego, Chandler Bing (love that name!) from `Friends'.
Oz Oseransky is a mild-mannered affable dentist whose life is in flux when his trampy French accented wife Sophie (Arquette in full blown voluptuosness) decides she wants to end their marriage. But not by the usual traditional method of divorce or anulment; instead she takes out a contract on his life Enter newly arrived next-door-neighbor Jimmy `The Tulip' Tudeski (Willis in barely restrained comic form) a hitman keeping it low since there's a contract on him by a really ticked off Russian thug (Pollak oozing Eurotrash unctuousness). But when Oz's wife approaches him he is hard-pressed to do what comes natural since Oz turns out to be the good neighbor he never had and an unlikely ally as things progress in the plotline that eventually involves Jimmy's estranged, va-va-va voom wife Cynthia (Henstridge, best known as the sexy alien in the `Species' sci-fi flicks) who wants a divorce but knows that it's more likely a hit would be necessary.
Meanwhile Oz is struck by love at first sight when he meets Mrs. Jimmy and winds up bedding her (in spite of the fact he knows who Jimmy is after some hilarious reaction shots as the story moves on with each new trickle of information on his new `friend'), which only complicates things when Jimmy announces he is going to `whack' her and Janni, the mad Russian.
Perry is a marvelous reactionary actor and plays very well off a unique ensemble including the babelicious Peet as Jill, his receptionist- turned - assassin - wannabe , who has a knack for displaying her natural assets to dissuade any potential violent threat and Duncan (recently nominated for a Best Supporting Actor as the gentle giant in `The Green Mile') has a sweet low-key turn as the hulking pal of Willis who provides some funny sight gags (including his first meeting with Perry who literally bounces off this wall of a man).
Yet no matter how game the cast is - including off the wall comic Harland Williams as another seedy character who doesn't appear to be who he claims to be - and the fast pace of the storyline, there aren't that many memorable lines of dialogue or full grasp that a lethal killer like Jimmy actually has a heart of gold for the likes of a schnook like Oz.
It would be easy to blame the less than compelling story line on screenwriter Mitchell Kapner (who gives an original spin on a plot twist and complex scenario involving dental records and a corpse) or director Jonathan Lynn (`My Cousin Vinny'), but both make the best overall. It just isn't a fresh idea (think of `The In-Laws' which set the high water mark for odd couple/fish-out-of-water hybrid with a criminal element) that seems to hook the attention of a much needed audience. But it is divertingly fun just to see Perry slamming himself silly like a pinball.