Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
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Heath Ledger plays the fabled romantic as a man who, after failing to win the affection of a particular Venetian woman, strives to discover the real meaning of love.
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
A man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways.
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Ewan McGregor stars as a cleaning man in L.A. who takes his boss' daughter hostage after being fired and replaced by a robot. Two "angels" who are in charge of human relationships on earth,... See full summary »
Oz is a Montréal dentist, paying off debts so he can divorce his wife: the dislike is mutual. When she learns their new neighbor is hit man Jimmy the Tulip, with a price on his head, she sends Oz to Chicago to earn a finder's fee telling Mob boss Yanni where to find Jimmy. To get his wife off his back, Oz goes, his assistant Jill urging him to get laid while there. One of Yanni's men awaits Oz at the hotel; Oz's now in too deep to avoid telling Yanni what he knows. Meanwhile, Oz's wife rats on Oz to Jimmy, hoping Jimmy will kill Oz and she can cash in on life insurance. Oz meets Jimmy's wife (Yanni's captive), flips for her, and the double-crosses mount. Even Jill isn't whom she seems. Written by
<jhailey@hotmail.com>
Leanna McOemmecon is listed in the credits as the stand in for Rosanna Arquette, when it should read Leanna McLennan. (I worked as a stand in for Rosanna Arquette while filming in Quebec. The correct spelling of my name is Leanna McLennan. Each day, my name would be spelled differently on the call sheet - McLean, etc. Each day, I would correct it. In the end, I am listed in the credits as Leanna McOemmecon, which I find quite amusing.) See more »
"The Whole Nine Yards" is surprisingly effective screwball comedy that reminds me of such classics as "Bringing Up Baby" though with way higher amoral body count.
At first the actors seem to be each in a parallel movie, with Matthew Perry doing physical slapstick comedy, Bruce Willis deadly serious, Rosanna Arquette just nasty, Amanda Peet being her "Jack and Jill" character (one of my TV guilty pleasures) and Natasha being like a super-model.
Then something clicks in and it just gets funny and I couldn't help laughing and laughing.
I hope Michael Clarke Duncan gets to keep those fancy suits, because it must be hard to get ones to fit him; with "Green Mile," this performance impressively shows his range.
(originally written 3/19/2000)
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"The Whole Nine Yards" is surprisingly effective screwball comedy that reminds me of such classics as "Bringing Up Baby" though with way higher amoral body count.
At first the actors seem to be each in a parallel movie, with Matthew Perry doing physical slapstick comedy, Bruce Willis deadly serious, Rosanna Arquette just nasty, Amanda Peet being her "Jack and Jill" character (one of my TV guilty pleasures) and Natasha being like a super-model.
Then something clicks in and it just gets funny and I couldn't help laughing and laughing.
I hope Michael Clarke Duncan gets to keep those fancy suits, because it must be hard to get ones to fit him; with "Green Mile," this performance impressively shows his range.
(originally written 3/19/2000)