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The Whole Nine Yards (2000)

6.7
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Ratings: 6.7/10 from 78,600 users   Metascore: 47/100
Reviews: 314 user | 131 critic | 32 from Metacritic.com

Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.

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Cast

Cast overview, first billed only:
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Special Agent Steve Hanson
Carmen Ferland ...
Sophie's Mom (as Carmen Ferlan)
Serge Christianssens ...
Mr. Boulez
Renee Madeline Le Guerrier ...
Waitress (as Renée Madelaine Le Guerrier)
Jean-Guy Bouchard ...
Mover
Howard Bilerman ...
Dave Martin
Johnny Goar ...
Hungarian Hood
Deano Clavet ...
Polish Pug
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Storyline

Oz is a Montréal dentist, paying off debts so he can divorce his wife: the dislike is mutual. When she learns their new neighbor is hit man Jimmy the Tulip, with a price on his head, she sends Oz to Chicago to earn a finder's fee telling Mob boss Yanni where to find Jimmy. To get his wife off his back, Oz goes, his assistant Jill urging him to get laid while there. One of Yanni's men awaits Oz at the hotel; Oz's now in too deep to avoid telling Yanni what he knows. Meanwhile, Oz's wife rats on Oz to Jimmy, hoping Jimmy will kill Oz and she can cash in on life insurance. Oz meets Jimmy's wife (Yanni's captive), flips for her, and the double-crosses mount. Even Jill isn't whom she seems. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

tulip | dentist | neighbor | hitman | canada | See more »

Taglines:

In the heart of suburbia, a hit man with heart has just moved in. See more »

Genres:

Comedy | Crime

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| |

Release Date:

18 February 2000 (USA)  »

Also Known As:

Bérgyilkos a szomszédom  »

Box Office

Budget:

$24,000,000 (estimated)

Opening Weekend:

£667,508 (UK) (19 May 2000)

Gross:

£2,564,228 (UK) (16 June 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

At the start of the hit scene, an insert shot shows correct lock picking technique. Two tools are required: the pick for setting the locking pins to their unlocked shear line, and the torque wrench to hold the picked pins in place while turning the cylinder. See more »

Goofs

When Oz is freaking out in his dental office and knocks over his coat rack, the coat changes positions between shots. First it is on a small hook, then it is on another hook and then it is draped over the whole coat rack. See more »

Quotes

Oz: Damn it, Jimmy. What the hell did you have to go and move in next door to me?
Jimmy: Oz, do you know what kind of soil they have in this back yard? I've been here two days and I've got little tomato plants...
Oz: Oh my God.
See more »

Crazy Credits

Leanna McOemmecon is listed in the credits as the stand in for Rosanna Arquette, when it should read Leanna McLennan. (I worked as a stand in for Rosanna Arquette while filming in Quebec. The correct spelling of my name is Leanna McLennan. Each day, my name would be spelled differently on the call sheet - McLean, etc. Each day, I would correct it. In the end, I am listed in the credits as Leanna McOemmecon, which I find quite amusing.) See more »

Connections

Features Key Largo (1948) See more »

Soundtracks

Autumn Leaves (Les Feuillies Mortes)
Written by Joseph Kosma, Jacques Prévert, and Johnny Mercer
Performed by The Charlie Biddle Trio, featuring Stephanie Biddle
See more »

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User Reviews

 
Fun, light entertainment
5 February 2005 | by (Montreal, Canada) – See all my reviews

I watched this one on the dish the other day, eager to see Montreal in a movie actually playing Montreal, as opposed to masquerading as New York or Chicago or some other city. Other than that, I really didn't know what to expect.

I was pleasantly surprised in a few ways. Matthew Perry was playing his usual goofy character, as a result of total lack of any acting ability whatsoever. But Bruce Willis is always good, Amanda Peet stole the screen in almost every scene she was in, and the plot line was just quirky enough to be entertaining. Innovative and fresh, I found this film to be more creative than most of what's currently out in the theatres. It didn't have that formula imprint of so many Hollywood films (i.e. take the comedy formula off the shelf and cast it by Friday). I actually laughed out loud at a few moments.

The movie did go wrong in a couple of places. Being a Montrealer, I noticed a few things that most viewers might have missed. For instance that their obsession with Mayonnaise on hamburgers, which is integral to the plot, isn't based on any reality that I know of as I have yet to find a Montreal restaurant that puts mayonnaise on burgers. Rosanna Arquette's French accent is even worse than mine, even though it's supposedly her character's first language. Matthew Perry's love scenes with Natasha Henstridge are so ridiculously unrealistic, even the non-cynical will yawn. And the director seemed to have an obsession with pointing out Montreal landmarks, even if they had nothing to do with the plot.

Those are small things in the grand context of the movie, though. If you liked movies such as The Big Hit, this is very similar. It's not meant to be taken very seriously, so the plot turns are more for absurdity's sake than for any kind of buildup of suspense. Still, if you're looking for some lighter entertainment, it's a good choice.


23 of 34 people found this review helpful.  Was this review helpful to you?

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