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Southpaw (1999)
"Southpaw: The Francis Barrett Story" (original title)

6.7
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Ratings: 6.7/10 from 100 users   Metascore: 62/100
Reviews: 2 user | 15 critic | 17 from Metacritic.com

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Title: Southpaw (1999)

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Cast

Cast overview:
Francis Barrett ...
Himself
Chick Gillen ...
Himself
Tom Humphries ...
Himself
Colum Flynn ...
Himself
Nicolas Cruz Hernandez ...
Himself
Gerry Callan ...
Himself
Jim McGee ...
Himself
Luigi Leo ...
Ken Thomas
Eamonn Hunt ...
Narrator (voice)
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Storyline

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Genres:

Documentary | Sport

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Details

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Release Date:

15 January 1999 (Ireland)  »

Also Known As:

Southpaw  »

Box Office

Opening Weekend:

$21,381 (USA) (7 April 2000)

Gross:

$26,822 (USA) (14 April 2000)
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Soundtracks

Tamba
Written by Jorge Ben
Performed by Tamba Trio
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User Reviews

 
Unpretentious account of young boxers fight against prejudice
22 March 1999 | by (Cork, Ireland) – See all my reviews

The first I heard of Francie Barret, the subject of _Southpaw_ was during the 1996 Olymplics, when a Right-Wing Asshole I had the misfortune to live with complained that "we had a knacker flying the flag for us" `Knacker' is a term of derision roughly eqivilant to `nigger' used to describe the intinerent community from which Francie comes, and this comment epitomises some of the prejudices he has to confront in the course of this documentary. He comes across as being a decent, honest young boxer who demonstrates the absurdity of the racial prjudice which stoll exists towards travelling people in Ireland, a prejudice as vitriolic in some cases as the worst that Irish people had to face when disembarking in Britain or the U.S. in the past. Coming from a community who choose to live in a relatively primative way, he never seems fazed by the prescence of the camera, and his trainers and friends seem equally cinegenic. It's a documentary that takes few chances stylistically, and never tries to romanticise his career a la _Rocky_ but isn't any the worse for that. those wishing to learn about Ireland's Travelling community will find this a welcome antidote to the sentimentalisation of _Into the West_ or the paddywhackery of _Trojan Eddie_


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