Whilst attending a party, three high school friends gain superpowers after making an incredible discovery underground. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides.
Michael B. Jordan
During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
The plot is based on a true story that happened in the late 40's in a small village in Uruguay. The film focuses on Laura, who, second by second, intends to leave a house which hides an ... See full summary »
When the patriarch of the family passes away, the teenage children must take responsibility for the family chores: the preparation of the rituals, the hunting and putting the all-important ... See full summary »
Jorge Michel Grau
Shadow of the Vampire is a film about the making of a German all time classic silent horror-movie from 1922 called Nosferatu-Eine Symphonie des Grauens (Nosferatu-a Symphony of Horror). The production of Nosferatu had to deal with a lot of strange things (some crew members disappeared, some died). This movie focuses on the difficult relationship between Murnau, the director, and Schreck, the lead actor. Written by
Based in part upon a legend that Max Schreck was in reality a vampire which is why he played the role of Orlock/Dracula so well. Some variations of the legend suggest that Nosferatu was the only film Schreck made, though in reality he was already a stage and screen veteran by the time Nosferatu was shot, and would appear in many non-Vampiric roles before his death in 1936. See more »
While Orlock doesn't cast a reflection in the mirror he can be filmed on the camera. See more »
Back in 1924, the silent movie Nosferatu was released. At the time (as now) it was the definitive expression of the timeless story of Count Dracula. There have been, of course, endless renditions of the 1896 Bram Stoker tale; however, Nosferatu was unique in that the medium of cinema was extremely new in 1924, and the maker had to deal with prejudices against this newfangled form of entertainment, which had to compete with the written word. Now, of course, a new Dracula film need not compete with the original story; it only needs to compete with earlier versions on film. This movie explains the story of how Nosferatu was produced. The director, F. W. Murnau (John Malkovich), is filming his masterpiece in Germany (the widow of the story's author refused to sign the rights to the story, so they couldn't film in Transylvania or use any of the names in the book). His choice to play the part of the vampire Nosferatu is Max Schreck (Willem Dafoe), a beastly, hideous man who will appear to the cast and crew only in character (an early example of Method acting, to be sure). Shreck will not travel or bunk with the company; he will live only in the cave dwelling that the film's protagonist, Count Orlac, calls his home. With a leading man that eccentric, it's no wonder trouble appears on the set. People get sick, others appear listless and not quite into their work. Still, the tenacious Murnau pushes on. He must get his shot! His film must be completed! And as it progresses, he slips a little further into his own world, and Schrek - who, it has been said, played perhaps the ugliest vampire in film history - assumes more and more control over the direction of the movie (although not literally). Dafoe is unrecognizable in makeup, but the sinister creepiness he brings to most of his roles is evident here. It's an accomplished actor who can play a part in full makeup and still make the role distinguishable from... well, from some chump in a lot of makeup. Dafoe's excellent here, and his interplay with Malkovich is galvanizing. Their scenes together are like an actor's class on How To Emote and Project. There are times when each actor appears to ham it up slightly (or, in the case of Malkovich, more than slightly), but the two of them together constitute a casting coup. This is a wonderful little film, yet another that didn't quite get the acclaim it deserved. The atmosphere is both rich and compelling, both essential qualities for a film that's all about vampires from long ago. This is not a movie that's high on special effects, either; don't expect to see a lot of flash and fancy. It's also a homage to silent movies and to old-time horror films in general. It's a minimalist film in terms of set itself, but much is done with so little.
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