After having sex with his girlfriend Lucie in a bathroom, Arthur discovers that a ceiling panel is a time portal to Paris in the future, although it appears more like a sun-baked desert city by that point.

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Cast

Cast overview, first billed only:
...
Ako
...
Arthur
...
Lucie
Ann'So ...
La fée Cyber Techno
...
Le père réveillon
Marc Berman ...
Docteur Zak
Bernard Bolzinger ...
Le voisin
Olivia Del Rio ...
La fille nue noire et blanche
...
Nathalie
Lorànt Deutsch ...
Prince Fur
...
Juliette
Bass Dhem ...
Achille
...
Clotilde
Vincent Elbaz ...
Philippe
Hélène Fillières ...
Rosemonde
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Storyline

After having sex on new years eve with his girlfriend Lucie in a bathroom, Arthur discovers that a ceiling panel is a time portal to the Paris in the future. He finds himself transported into the future, facing an old man who argues that he is his son. This son of seventy years shows him his home, his family and his life. Arthur discovers what Paris has become in the year 2070. Written by Ulf Kjell Gür

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Sci-Fi

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Details

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Language:

Release Date:

10 November 1999 (France)  »

Also Known As:

Além do Meu Futuro  »

Filming Locations:

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Box Office

Budget:

FRF 75,000,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Connections

References Pierrot le Fou (1965) See more »

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User Reviews

Entertaining, spectacular cinematography but overall quite disappointing.
25 January 2006 | by (United Kingdom) – See all my reviews

Arthur is not yet sure that he wants to become a father, but his girlfriend, Lucie, is desperately wants a child. On New Years Eve 1999, Arthur is forced to experience his future and see what the consequences will be like if he does not have children now. He meets his son, Ako who reveals the situation and what he must do. Transported to the year 2070 we expect to find the typical mise-en-scène for a sci-fi film, however, to our great surprise it appears that human life has taken several steps backward and Paris is now completely 'ensablé' - covered sand. There is no time-capsule either; a simple loft-hatch is the portal to a very different Paris. Images of Hausmann style rooftops just sticking above ground level and the Eiffel Tower behind sand dunes is very thought provoking. The costumes are more medieval than 21st century. Thus this film not deals with the issues of relationships and the fate of individuals it gives a shocking reminder of the possible effects of man's mishandling of the environment. It also makes us think of the personal decisions we make and how that can affect the lives of others. In terms of cinematography this film is also impressive with the use of various camera angles and shots and the special effects necessary to create such surreal scenes.

The beginning of the film is well contrived to trick the viewer for a few moments. Nevertheless, the plot remains quite uneventful after the first ten minutes and the ending is very predictable. The film tries to show too many scenes and characters and does not allow the main three characters to be developed fully. We struggle to see whether the film is mainly a thought-provoking sci-fi, comedy or romantic film. Apart from Arthur the degree to which he characters are not surprised by the events is absurd. Any romance between Arhur and Lucie is also marred by the interruptions of feeble sexual humour. The sound track in the film, however, is actually well constructed and employed to provide links between present and future times. The abrupt stops in music provide suspense for the viewer and the tracks are taken from both contemporary French and English language music.

Overall you will be disappointed by this film if you were expecting more than a light drama but it is still reasonably entertaining and a very original piece of cinema.


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