While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals ... See full summary »
Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet ... See full summary »
Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British public school. After nearly 20 years of service, he is being forced to retire on the pretext of ... See full summary »
Two affairs, a generation apart. Nick, a professor of architecture in upstate New York, comes to an Illinois town to be with his birth mother in the final days of her illness; he was ... See full summary »
Miss Julie has power over Jean because she's an aristocrat but he has power over her because he's a man. On Midsummer Eve this power battle turns to love which is consummated. But as each ... See full summary »
Sara De Mezzo
Midsummer night, 1894, in northern Sweden. The complex strictures of class bind a man and a woman. Miss Julie, the inexperienced but imperious daughter of the manor, deigns to dance at the servant's party. She's also drawn to Jean, a footman who has traveled, speaks well, and doesn't kowtow. He is engaged to Christine, a servant, and while she sleeps, Jean and Miss Julie talk through the night in the kitchen. For part of the night it's a power struggle, for part it's the bearing of souls, and by dawn, they want to break the chains of class and leave Sweden together. When Christine wakes and goes off to church, Jean and Miss Julie have their own decisions to make. Written by
Mike Figgis originally planned to make this with Nicolas Cage and Juliette Binoche. However, when he made _Leaving Las Vegas_ with Cage, the actor's salary was a manageable $200,000. Following his Oscar win, Cage's price shot up to $20 million. See more »
This movie is worthwhile to see due to the powerful performances of Saffron Burrows and Peter Mullan. Mike Figgis once again displays a knack for digging in deep into a story and opening a pandora's box of human emotions; leaving the viewer to make their own conclusions of the politics of a sexist, class conscious society and how it wrecks havoc on the souls of two vastly different people.
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