The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. ... See full summary »
Eliezer and Uriel Shkolnik are father and son as well as rival professors in Talmudic Studies. When both men learn that Eliezer will be lauded for his work, their complicated relationship reaches a new peak.
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life... See full summary »
Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).
From Israel's most important filmaker, CARMEL is Amos Gitai's (KADOSH, KIPPUR) deeply personal and resonant meditation on Jewish and Israeli identity. Using both fiction and documentary ... See full summary »
The year 2000 approaches in Jerusalem's Orthodox Mea Shearim quarter, where the women work, keep house, and have children so the men can study the Torah and the Talmud. Rivka is happily and passionately married to Meir, but they remain childless. The yeshiva's rabbi, who is Meir's father, wants Meir to divorce Rivka: "a barren woman is no woman." Rivka's sister, Malka, is in love with Yakov, a Jew shunned by the yeshiva as too secular. The rabbi arranges Malka's marriage to Yossef, whose agitation when fulfilling religious duties approaches the grotesque. Can the sisters sort out their hearts' desires within this patriarchal world? If not, have they any other options? Written by
The film is a gross misrepresentation of Orthodox lifestyle and practice. NEVER will a Jewish court enforce a divorce between childless couples. Although the concept exists in Jewish law, the conditions are too numerous for it to actually ever take place. Childless couples do find it difficult to cope with their childlessness in a community where children are a very important part of life, but nowhere are they "rejected" by their community as depicted in the film. They are treated with extreme sensitivity. In fact, many great Rabbis have lived their entire lives without children and never considered divorce.
The depiction of Yosef, a horrible human being, is meant to - perhaps subconsciously - show the behavior of a typical orthodox male. In reality, it is as typical as a violent drunkard rapist is typical of secular society. Both exist in their own worlds and both are despicable.
It is surprising that so many people form their opinions about a society based on a MOVIE (by someone who is personally biased against a community). I have always thought that it is only the Orthodox, because of their narrow-mindedness and insular lifestyle, who judge all secular people based on the violence and immoral conduct they read about in newspapers or see in the movies.
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