When Will Stoneman's father dies, he is left alone to take care of his mother and their land. Needing money to maintain it, he decides to join a cross country dogsled race. This race will ... See full summary »
David Ogden Stiers
On the last evening of a convention two seen-it-all industrial lubricant salesmen and a youngster from the research department gather in the hotel's hospitality suite to host a delegates party. The main aim is to get the business of one particular big fish. When it becomes apparent that it is the lad who has developed a direct line to the guy, his strong religious beliefs bring him into sharp conflict with his older and more cynical colleagues. Written by
Jeremy Perkins <email@example.com>
Everybody's Free (to Wear Sunscreen) Mix
By Baz Luhrmann
Written by Tim Cox, Nigel Swanston
Performed by Quindon Tarver
Licensed courtesy of Twentieth Century Fox Film Corp.
"Advice, like youth, probably just wasted on the young"
Written by Mary Schmich
Spoken by Lee Perry
Licensed courtesy of the Chicago Tribune
Mix conceived and directed by Baz Luhrmann (as Blam)
Courtesy of Capitol Records
Under license from EMI-Capitol Special Markets See more »
'The Big Kahuna' is actually just a big conversation, a three-way encounter between a trio of industry representatives hoping to entice an important client. And the combination of a lively script and a heavyweight cast delivers the goods, Danny de Vito is strong and (in the most interesting role) Kevin Spacey is excellent; Peter Facinelli is OK, but his part offers less scope to the actor. But for all the quality, it's a bit hard to see the focal point of the drama is supposed to be about. Spacey plays a pushy, egotistical salesman whose frustration with the self-righteous Facinelli suddenly boils over; the extension from the everyday to the existential is well-handled but never opens the heart of the character to us, de Vito vouches for him but it's not quite enough. The use of Baz Luhrman's feel-good but platitudinous 'Everybody's Free to Wear Sunscreen' over the closing credits feels like a glib opt out of forcing the drama to stand on its own feet. An interesting film nonetheless.
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