160 user 47 critic

Human Traffic (1999)

R | | Comedy, Music | 5 May 2000 (USA)
Five friends spend one lost weekend in a mix of music, love and club culture.



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9 wins & 7 nominations. See more awards »
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Cast overview, first billed only:
Lorraine Pilkington ...
Dean Davies ...
Peter Albert ...
Lulu's Uncle Eric
Moff's Father
Sarah Blackburn ...
Jip's Ex #2
Anne Bowen ...
Moff's Grandmother
Neil Bowens ...
Asylum Doorman
Peter Bramhill ...
Reality (voice)
Stephanie Brooks ...


The Cardiff club scene in the 90's: five best friends deal with their relationships and their personal demons during a weekend. Jip calls himself a sexual paranoid, afraid he's impotent. Lulu, Jip's mate, doesn't find much to fancy in men. Nina hates her job at a fast food joint, and her man, Koop, who dreams of being a great hip-hop d.j., is prone to fits of un-provoked jealousy. The fifth is Moff, whose family is down on his behavior. Starting Friday afternoon, with preparations for clubbing, we follow the five from Ecstacy-induced fun through a booze-laden come-down early Saturday morning followed by the weekend's aftermath. It's breakthrough time for at least three of them. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


No rules. No limits. And no saying "no"... ever! See more »


Comedy | Music

Motion Picture Rating (MPAA)

Rated R for pervasive drug content and language, and for some strong sexuality | See all certifications »

Parents Guide:



Official Sites:




Release Date:

5 May 2000 (USA)  »

Also Known As:

B oтрыв!  »

Box Office


£2,200,000 (estimated)

Opening Weekend:

£434,261 (UK) (4 June 1999)


$104,257 (USA) (19 May 2000)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


There is another cut of film called Human Traffic Remixed. According to The Guardian there were rumors that Justin Kerrigan wasn't involved with edited version but the producer Allan Niblo was. There are also rumors that they had fallen out during the shoot. It is available on DVD in the UK See more »


When the gang are in the pub and Jip realizes he fancies Lulu, he looks over and she lights her cigarette and has a puff. But then it switches to a wider shot and you can see Lulu lights her cigarette again. See more »


Jip: The weekend has landed. All that exists now is clubs, drugs, pubs and parties. I've got 48 hours off from the world, man. I'm gonna blow steam out my head like a screaming kettle, I'm gonna talk cod shit to strangers all night, I'm gonna lose the plot on the dancefloor. The free radicals inside me are freakin', man! Tonight I'm Jip Travolta, I'm Peter Popper, I'm going to never-never land with my chosen family, man. We're gonna get more spaced out than Neil Armstrong ever did, anything could ...
See more »


References The Shining (1980) See more »


Written by Mark Hadfield (as Hadfield) & Adam Ryan-Carter (as Ryan-Carter)
Published by Sony ATV Music
Performed by Lucid
Licensed courtesy of London Records 90 Ltd.
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User Reviews

Accurate portrayal of club culture, the highs and the lows
4 October 2004 | by (UK) – See all my reviews

Making a film about the 'chemical generation', those who live for the weekend, must have been a very hard enterprise. It would have to accurately reflect the lives and experiences of 'clubbers' and also appeal to a wider audience. Human Traffic just about achieves that.

It is certainly spot on in with it's observations and in it's accuracy. It's obvious the filmmakers have 'been there and done it'. If you are or were once like the people in this film, than there is so much to relate it. It's all there, often depicted humorously but not condescendingly. The fake euphoria of being on 'E'["in the end ,I just want to be happy, yeah ,that's it.....hang on, what the **** was I talking about?"]. The monged conversation at 4 am which seems deep and meaningful but is basically rubbish [ Star Wars being about drugs!]and gets more and more incoherent. Exchanging pleasantries with someone you only see in pubs and clubs and really can't stand. 'Coming up' suddenly at the same time as someone else and mumbling to each other what you're 'on' at the speed of light. Reminiscing how it was better in the 'old days' and is now too commercial and widespread. Doing it all for the first time and going off with a bunch of dodgy geezers who are suddenly your best mates. The thrill of finding the after party. The depressing, inexorable sense of returning to the reality.

The film's attitude to drugs is commendable, drug taking is simply something the characters do, and that's all. Nobody dies or is seriously ill ,and yet there is a sense that it doesn't really lead anywhere. "After all ,we'll not going to be doing this for ever, are we" says one character at the end.

The film falters a little when depicting the lives of it's protagonists. For many scenes, director Justin Kerrigan uses a kind of 'heightened reality', for instance in a scene when a character comments on how the workers in a fast food place are like robots and for a moment they 'become' actual robots. This approach does not always work, and it's a shame since the characters are all the sort you could expect to run into on a Friday night. We do care a bit about their respective lives and problems, but we don't really get to know the female characters properly, and what is really the main thrust of the plot, the blossoming romance between two of the main protagonists, is dwelled on too much and is somehow unconvincing,if sometimes quite sweet. The acting is generally OK if not great.

Human Traffic is not as important a film as, say, Trainspotting, which despite being about heroin addicts seemed to speak to a generation. Nonetheless, it's a truthful depiction of an element of society which films and TV either ignore or condescend to. Incidentally ,there are two versions, the director's edit and the later producer's edit. The latter, which cuts some footage, changes some music and adds some silly CGI, is inferior to the former.

45 of 52 people found this review helpful.  Was this review helpful to you?

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