Its All Gone Pete Tong is a comedy following the tragic life of legendary Frankie Wilde. The story takes us through Frankie's life from one of the best DJ's alive, through subsequent battle... See full summary »
Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
Charlie is a London youngster who,with his friends,indulges in streaking and petty crime. However he aspires to better himself though his reckless friend Justin ruins his chances of working... See full summary »
Twin Town opens with wide sweeping shots of seaside Swansea; to be the place of action for the next one and a half hours. The serene setting with miles upon miles of old semi-detached ... See full summary »
The Cardiff club scene in the 90's: five best friends deal with their relationships and their personal demons during a weekend. Jip calls himself a sexual paranoid, afraid he's impotent. Lulu, Jip's mate, doesn't find much to fancy in men. Nina hates her job at a fast food joint, and her man, Koop, who dreams of being a great hip-hop d.j., is prone to fits of un-provoked jealousy. The fifth is Moff, whose family is down on his behavior. Starting Friday afternoon, with preparations for clubbing, we follow the five from Ecstacy-induced fun through a booze-laden come-down early Saturday morning followed by the weekend's aftermath. It's breakthrough time for at least three of them. Written by
When Jip first picks up Koop in his car you here the radio broadcast of BBC's Radio One. The MC is Pete Tong, who is the movie's Music Supervisor. Pete Tong actually does have a weekly radio show on Radio One. See more »
When Jip talks to the manager of the Asylum, Jip asks to use the phone to call his assistant. While he is on the phone, the camera flicks back the manager. In this shot, the phone Jip is supposed to be calling on is clearly visible in the foreground, still on the hook. See more »
Every club is different, but in the Asylum it's the manager. He has a string of homeboys dealing the pucker Es to the party people in the club. He makes the most coin out of this enterprise. His homies will make just a couple of quid on each pucker. His homies are also scoping for other dealers on the block. Where the homies have an illegitimate pucker E dealer in their website they tell the bouncers. The bouncers grip him, nab his stash and kick him out with a physical warning. They give the ...
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Kill the Pain
Written by G. Philippou / A. Philippou / M. Philippou / M. Fiennes
Published by MCA Music Publishing/Warner Chappell Music Ltd.
Performed by Universal
Licensed courtesy of London Records 90 Ltd. See more »
This movies is obviously the most realistic movie about clubbing ever made, but this is true for us in Europe becuase in America, they have a Chopped up version of Human Traffic, Yes, I just sent this movie to my brother who lives in America, he's seen it already the U.S, and this is want he wrote me, after seeing the british tape I send him: "There's basically new stuff throughout the whole movie. Every 2-3 minutes there's something new. Very little things. All the English slang was translated to American like Blagging, Class A's. There's also big scenes like a whole bunch of new Felix scenes, including him talking about the old times and him speeding at the bar. The new version also shows the scene that explains that Muff is a dealer and The crazy dad talks at the hospital. The editing was also different, almost every scene was longer with a couple minutes extra. It was like watching it for the first time again. Nice one bruv, "
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