The story of three women who are involved in adulterous affairs - and Rose, who believes that anyone who sleeps with another's husband is committing a crime against womanhood. Ah, but how ... See full summary »
Jane and Sharpe are married in Spain but he must leave her stricken with the fever that is sweeping the camp to join an invasion force led by inexperienced but arrogant young Colonel ... See full summary »
John Ridd was just a boy when the villainous Carver Doone callously murdered his father. Now a young man, John has two driving passions: his thirst for revenge against the outlaw Doones, ... See full summary »
When Sharpe is ordered to whip the King of Spain's Irish Royal Brigade into shape, he faces dissent from the men who believe the British are slaughtering their relatives in Ireland and a spy from within.
In northern England around 1900, the worker John O'Brien lives near poverty in a small house in the worker's district. He falls in love with Mary, the teacher of his highly intelligent ... See full summary »
A dramatized speculation of what happened in November 1983 when Micky McAvoy and some of his mates planned a heist and were surprised when they discovered they'd stumbled across a large ... See full summary »
One summer's morning an unlikely band of pilgrims and occupy protesters sets out from St Paul's Cathedral bound for Canterbury, passionately wishing to repair the shredded moral fabric of ... See full summary »
The three most popular of the Canterbury Tales are those of the Miller, the Pardoner and the Wife of Bath: perhaps the makers of the series felt that they had been wrong to exclude the Miller's tale from their original two-hander (whose six tales, in various but equally beautiful animation styles, were those of the Nun's Priest, the Knight, the Merchant, the Wife of Bath, the Pardoner and the Franklin, with nods to the three unfinished tales - the Cook's, Chaucer's Tale of Sir Topas, and the Squire's: the Cook, too drunk in the original to complete his story, is here too drunk to begin it; Chaucer's doggerel is cut off by the Host as originally, but much sooner, and is not replaced with the rather boring prose Tale of Melibee; the Squire merely makes a few noises about the kind of tale he wants to hear before the Franklin tells it). So, here are four more tales: the Squire's, with an invented ending; the Canon's Yeoman's; the Miller's, and the Reeve's, told in alternating episodes.
Pluses: the evocation of fourteenth century life in the between-tales segments (and the Canon's Yeoman's Tale, which, like the Pardoner's, uses the same faux-plasticine style of animation as the "real" segments of the story) is as rich as ever; and the watercolourish animation of the Squire's tale is exquisite, possibly the most gorgeous in the series.
Minuses: the Squire's Tale rambles all over the place with no real narrative strength; the rivalry played up in the first two episodes was that between the Summoner and the Friar, not the Miller and the Reeve (indeed, I don't think the Reeve even appeared), so we haven't been prepared for their fighting and interruption; the language in their tales is excessively modern; and, worst of all, the grotesque computerised animation of these last two tales is unimaginative and ugly.
The third episode is still worth seeing, but it cannot bear comparison to the first two.
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