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| Nicole Kidman | ... | Sophia, alias Nadia | |
| Ben Chaplin | ... | John | |
| Vincent Cassel | ... | Alexei | |
| Mathieu Kassovitz | ... | Yuri | |
| Kate Lynn Evans | ... | Clare (as Kate Evans) | |
| Stephen Mangan | ... | Bank Manager | |
| Alexander Armstrong | ... | Robert Moseley (as Xander Armstrong) | |
| Sally Phillips | ... | Karen | |
| Jo McInnes | ... | Waitress | |
| Ben Miller | ... | Concierge | |
| Jonathan Aris | ... | D.I. O'Fetiger | |
| Katya Barton-Chapple | ... | Young Sophia | |
| Rebecca Clarke | ... | Bank Colleague | |
| Mark Gatiss | ... | Porter | |
| Raj Ghatak | ... | Bank Colleague | |
| David Mark | ... | Bank Colleague | |
| Steve Pemberton | ... | Duty Sergeant | |
| Jack Pierce | ... | Bank Colleague | |
| Reece Shearsmith | ... | Porter | |
| Alan Stocks | ... | Passport Official | |
| J.J. Toba | ... | Policeman | |
| rest of cast listed alphabetically: | |||
| Jason Canning | ... | Airport Security Gaurd (uncredited) | |
Directed by | |||
| Jez Butterworth | |||
Writing credits | ||
| Tom Butterworth | (written by) & | |
| Jez Butterworth | (written by) | |
Original Music by | |||
| Stephen Warbeck | |||
Cinematography by | |||
| Oliver Stapleton | |||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Jina Jay | |||
Production Design by | |||
| Hugo Luczyc-Wyhowski | |||
Art Direction by | |||
| Rebecca Holmes | |||
| Diann Wajon | |||
Set Decoration by | |||
| Verity Roberts | |||
| Linda Wilson | |||
Costume Design by | |||
| Phoebe De Gaye | (as Phoebe de Gaye) | ||
Makeup Department | |||
| Robbie Austin | .... | hair stand-by: Australia | |
| Robbie Austin | .... | makeup stand-by: Australia | |
| Adele Durno | .... | hair stand-by: Australia | |
| Adele Durno | .... | makeup stand-by: Australia | |
| Ashley Johnson | .... | hair stand-by: Australia | |
| Ashley Johnson | .... | makeup stand-by: Australia | |
| Carro Knott | .... | hair stand-by: Australia | |
| Carro Knott | .... | makeup stand-by: Australia | |
| Deborah Lester | .... | hair stand-by: Australia | |
| Deborah Lester | .... | makeup stand-by: Australia | |
| Vivien Mepham | .... | key makeup artist | |
| Trish Newton | .... | hair stand-by: Australia | |
| Trish Newton | .... | makeup stand-by: Australia | |
| Peter Owen | .... | wig maker | |
| Simone Wajon | .... | hair stand-by: Australia | |
| Simone Wajon | .... | makeup stand-by: Australia | |
| Noriko Watanabe | .... | hair stylist: Nicole Kidman | |
| Noriko Watanabe | .... | makeup artist: Nicole Kidman | |
| Erica Wells | .... | hair stylist | |
| Paul Williams | .... | hair stand-by: Australia | |
| Paul Williams | .... | makeup stand-by: Australia | |
Second Unit Director or Assistant Director | |||
| Sallie Anne Hard | .... | second assistant director: reshoots | |
| Simon Hinkly | .... | assistant director | |
| Tanya Jackson | .... | additional third assistant director: Australia (as Tanya Jackson Vaughn) | |
| Christopher Newman | .... | assistant director (as Chris Newman) | |
| Janet Nielsen | .... | third assistant director (as Janet Nielson) | |
| Johnny Pacialeo | .... | third assistant director | |
| Adrian Toynton | .... | second assistant director | |
Art Department | |||
| Simon Alderton | .... | stand-by rigger | |
| Bob Arthur | .... | carpenter: Australia | |
| Len Ash | .... | dressing prop/storeman | |
| Wayne Baker | .... | carpenter: Australia | |
| Richard Baldwin | .... | senior set finisher: Australia | |
| Brett Bartlett | .... | carpenter: Australia | |
| Shane Bennett | .... | brush hand: Australia | |
| John-Mal Billington | .... | brush hand: Australia | |
| Adam Brockbank | .... | storyboard artist | |
| Peter Burden | .... | dressing prop (as Peter Byrden) | |
| Julian Caldow | .... | storyboard artist (as Julian Calde) | |
| Will Cann | .... | stand-by prop | |
| Julia Castle | .... | assistant art director | |
| Tony Chance | .... | storyboard artist | |
| Gregory Commerford | .... | set finisher: Australia | |
| Chris Cull | .... | prop master re-shoots | |
| Glyn Dillon | .... | storyboard artist | |
| Jack Elliot | .... | greensman: Australia | |
| Martin Foley | .... | art department assistant | |
| Peter Gillbanks | .... | painter: Australia | |
| Roy Hansford | .... | stand-by carpenter | |
| Rosie Hardwick | .... | assistant art director | |
| Anthea Hodge | .... | art department coordinator: Australia (as Anthia Hodge) | |
| Geoff Howe | .... | construction coordinator | |
| Geoff Howe | .... | construction manager: Australia | |
| Steve Huxtable | .... | carpenter: Australia (as Stephen Huxtable) | |
| Enzo Iaconi | .... | greens assistant: Australia | |
| Kelly Jervis | .... | brush hand: Australia | |
| Gary Jones | .... | props master: Australia | |
| Verena Kahn | .... | art department assistant (as Verena Khan) | |
| Nina Kobiashvili | .... | art department runner | |
| Emmanuel Kostoglou | .... | art department assistant: Australia | |
| Eugene Land | .... | carpenter: Australia | |
| Edmund Levine | .... | art department runner: Australia | |
| Richard Locke | .... | carpenter: Australia | |
| Arabelle Lockhart | .... | props buyer | |
| Arabelle Lockhart | .... | set dresser | |
| John Maher | .... | construction manager: UK | |
| Kevin McCarthy | .... | stand-by painter | |
| Warwick Miller | .... | leading hand: Australia | |
| Campbell Mitchell | .... | stand-by props | |
| Desmond O'Boy | .... | stand-by stagehand (as Des Oboy) | |
| Claudia Parker | .... | props buyer | |
| Beth Pickworth | .... | graphic designer: Australia | |
| Mike Power | .... | property master | |
| Tony Reilly | .... | painter: Australia | |
| Chris Richmond | .... | art department assistant | |
| Alastair Ritchie | .... | art department runner: Australia | |
| Faith Robinson | .... | construction buyer: Australia | |
| David Robson | .... | chargehand: Australia | |
| Stephen Rowles | .... | carpenter: Australia | |
| Steven Sallybanks | .... | scenic artist: Australia | |
| Nigel Salter | .... | dressing prop | |
| Katie Sharrock | .... | property mistress: Australia | |
| Greg Stokes | .... | painter: Australia | |
| Michael Swingle | .... | set finisher: Australia | |
| Angus Tattle | .... | construction department coordinator: Australia | |
| Stephen Tulloch | .... | carpenter: Australia (as Steve Tulloch) | |
| Nick Turnbull | .... | props | |
| George Zammit | .... | stand-by props: Australia | |
Sound Department | |||
| Philip Alton | .... | dialogue editor | |
| John Bateman | .... | foley recordist | |
| Derek Casari | .... | adr engineer | |
| Arnaud Clerici | .... | adr mixer: France | |
| Lucy Fawcett | .... | foley artist | |
| Richard Fordham | .... | assistant sound editor | |
| Ian Fuller | .... | supervising sound editor | |
| Peter Gleaves | .... | adr mixer: London | |
| Pauline Griffiths | .... | foley artist | |
| James Harris | .... | sound trainee | |
| Simon Hayes | .... | production sound mixer | |
| Eddy Joseph | .... | supervising sound editor | |
| Derek Lomas | .... | sound effects editor | |
| Nick Lowe | .... | dialogue editor | |
| David Lucarelli | .... | adr mixer: Los Angeles | |
| Ian Macbeth | .... | assistant sound editor | |
| Garth Marshall | .... | sound mixer | |
| Steve Mayer | .... | assistant sound editor | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Malcolm Rose | .... | sound maintenance | |
| Richard Street | .... | sound re-recording mixer | |
| Dan Edelstein | .... | supervising sound editor: US release (uncredited) | |
| Esther Smith | .... | sound technician (uncredited) | |
Special Effects by | |||
| Graham Hills | .... | special effects technician | |
| Graham Longhurst | .... | special effects supervisor | |
Visual Effects by | |||
| Nick Drew | .... | visual effects producer: Jim Henson's Creature Shop | |
| Simon Hughes | .... | scanning and recording supervisor | |
| Lorraine Johnson | .... | scanning: Cinesite | |
| Simon Johnson | .... | scanning: Cinesite | |
| Jolene McCaffrey | .... | digital compositor: Jim Henson Creature Shop | |
| Karim Sahai | .... | digital compositor: Jim Henson's Creature Shop | |
| Michael Turoff | .... | visual effects producer: Jim Henson's Creature Shop | |
| Val Wardlaw | .... | visual effects supervisor | |
| Dan Ashton | .... | scanning and recording (uncredited) | |
| Sean Danischevsky | .... | digital artist: Jim Henson Creature Shop (uncredited) | |
| Jamie Lochhead | .... | digital artist: Jim Henson Creature Shop (uncredited) | |
| Jolene McCaffrey | .... | digital artist: Jim Henson Creature Shop (uncredited) | |
| Daniel Pettipher | .... | title compositor: Mill Film (uncredited) | |
| Karim Sahai | .... | digital artist: Jim Henson Creature Shop (uncredited) | |
| Val Wardlaw | .... | digital artist: Jim Henson Creature Shop (uncredited) | |
Stunts | |||
| Andy Bennett | .... | stunt double: Mr. Chaplin | |
| Ray De-Haan | .... | stunt double: Mr. Chaplin (as Ray De Haan) | |
| Levan Doran | .... | stunt double: Mr. Kassovitz | |
| Sy Hollands | .... | stunt double: Ms. Kidman | |
| Rowley Irlam | .... | stunt driver | |
| Peter Miles | .... | stunt double: Mr. Chaplin | |
| Jamie Millington | .... | stunt double: Mr. Cassel | |
| Guy Norris | .... | stunt coordinator | |
| Andreas Petrides | .... | stunt coordinator | |
| Nick Powell | .... | stunt coordinator (as Nicholas Powell) | |
| Dominic Preece | .... | stunt double: Mr. Kassovitz (as Dominic Freece) | |
| Annelie Whitfield | .... | stunt double: Ms. Kidman (as Analie Whitfield) | |
Casting Department | |||
| Shaheen Baig | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
| Kelly Marshall | .... | extras casting: Australia | |
Costume and Wardrobe Department | |||
| Robyn Elliot | .... | costume supervisor: Australia (as Robyn Elliott) | |
| Kate Green | .... | stand-by costume: Australia | |
| Fiona Holly | .... | wardrobe stand-by: Australia (as Fiona Hollie) | |
| Elie Kamal | .... | wardrobe stand-by: Australia | |
| Helen Mattocks | .... | dresser: Ms. Kidman | |
| Helen Mattocks | .... | wardrobe assistant | |
| Sunita Mudaliar | .... | wardrobe stand-by: Australia (as Sunita Mudalier) | |
| Fiona Nicolls | .... | wardrobe stand-by: Australia (as Fiona Nicols) | |
| Paula Ryan | .... | wardrobe stand-by: Australia | |
| Allison Wyldeck | .... | wardrobe supervisor | |
Editorial Department | |||
| Ruth Coulson | .... | assistant editor | |
| Paul Elman | .... | assistant film editor | |
| Mike Fraser | .... | negative cutter | |
| Matt Garner | .... | post-production executive: Miramax | |
| Tom Harrison-Read | .... | editor trainee | |
| John Heath | .... | color timer | |
| Adam Hughes | .... | assistant editor: Australia | |
| Darren O'Grady | .... | first assistant editor | |
| Mark Sale | .... | assistant conforming editor | |
| Claire Saunders | .... | assistant editor | |
| Louise Seymour | .... | assistant post-production supervisor | |
| Tim Wellburn | .... | assembly editor: Australia | |
Music Department | |||
| James Bellamy | .... | assistant music editor | |
| Paul Clarvis | .... | musician: drums and percussion | |
| Chris Dibble | .... | music mixer | |
| Chris Dibble | .... | music recordist | |
| Steve Donnelly | .... | musician: guitar | |
| Bibs Ekkel | .... | musician: balalaika (as Bibs Ekkel) | |
| Paul Englishby | .... | music arranger: "The Most Beautiful Girl in the World" | |
| Martin France | .... | musician: drums | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | musicians contractor | |
| Nick Ingman | .... | conductor | |
| Bob Last | .... | music supervisor | |
| Tony Lewis | .... | assistant music editor | |
| Gerard McCann | .... | music editor | |
| Igor Outkine | .... | musician: accordion (as Igor Outkin) | |
| John Parricelli | .... | musician: guitar | |
| Anthony Pleeth | .... | musician: cello | |
| Joe Rangel | .... | music coordinator | |
| Martin Robertson | .... | musician: woodwind | |
| Beth Rosenblatt | .... | music consultant | |
| Steve Watts | .... | musician: double bass | |
| Rolf Wilson | .... | orchestra leader | |
Transportation Department | |||
| Phil Allchin | .... | transportation captain | |
| Derek Boyes | .... | driver | |
| Andy Cantrell | .... | driver: Ms. Kidman, Australia | |
| Del Cardy | .... | driver | |
| Anna Certoma | .... | driver: Australia | |
| Eddie Cook | .... | driver | |
| Nrinder Dhudwar | .... | driver (as Nrinder Dhydwar) | |
| Neil Finnighan | .... | driver | |
| Peter Graovac | .... | driver (as Peter Graovacr) | |
| Mike Harris | .... | driver | |
| Dion Hunt | .... | driver: Mr. Cassel and Mr. Kassovitz, Australia | |
| Dave Jones | .... | driver | |
| Tim Lion | .... | driver: Australia | |
| Jim Magill | .... | driver | |
| Dave Manning | .... | driver: Ms. Kidman | |
| Phil Mathews | .... | driver | |
| Bob McGovern | .... | driver | |
| Jimmy Muir | .... | driver | |
| Gerry O'Connor | .... | driver | |
| Cian O'Leary | .... | driver: Australia | |
| Barry Stone | .... | driver | |
| Tom Teely | .... | driver | |
| Peter White | .... | driver | |
Other crew | |||
| Chris Baker | .... | stand-in: Mr. Chaplin | |
| Adam Barrington | .... | floor runner: re-shoot | |
| Andrew Bonello | .... | production runner: Australia | |
| Michael Brett | .... | security: Ms. Kidman (as Micky Brett) | |
| Claire Brown | .... | assistant: Mr. Chaplin | |
| Felicia Bushman | .... | assistant: Ms. Kidman | |
| Louise Carey | .... | assistant: Mr. Chaplin, Australia | |
| Jamie Centofanti | .... | board operator: Australia | |
| Jamie Chaky | .... | stand-in: Mr. Chaplin | |
| Gavin Charlton | .... | chef | |
| James Chasey | .... | stand-in | |
| Peter Christelis | .... | conforming assistant | |
| Julie Clement | .... | post-production accountant | |
| Robert Cogswell | .... | double: Mr. Cassel | |
| Paul Cotter | .... | stand-in: Mr. Kassovitz | |
| Storm Cox | .... | unit assistant: Australia | |
| Vanessa Critchley | .... | production secretary: Australia | |
| Matt Curtis | .... | title designer | |
| Matt Dalton | .... | post-production accountant | |
| Tim Daukes | .... | production runner | |
| Lucy Davies | .... | assistant: Mr. J. Butterworth | |
| Julie Deakins | .... | nurse: Australia | |
| Belinda Dean | .... | location assistant: Australia | |
| Barry Dobin | .... | trainee: FT2 | |
| Nicola Ebner | .... | accounting assistant | |
| Maria Farmer | .... | unit publicist: Australia | |
| Mike Fraser | .... | rushes transfer | |
| Serena Gattuso | .... | production coordinator | |
| Constantine Gregory | .... | dialect coach: Mr. Cassel & Mr. Kassovitz | |
| Jim Hajicosta | .... | production accountant | |
| Jo Harland | .... | conforming assistant | |
| Ben Harrison | .... | daily floor runner | |
| Maude Heath | .... | location assistant: Australia | |
| John Herbert | .... | stand-in: Mr. Cassel | |
| Jody Hewitson | .... | unit assistant: Australia | |
| Andrew Hill | .... | health and safety officer | |
| Simon Hill | .... | assistant production accountant | |
| Elizabeth Himelstein | .... | dialogue coach: Ms. Kidman | |
| Billy Hinshelwood | .... | production counsel: UK | |
| Dean Hood | .... | assistant accountant: Australia | |
| Paul Hughes | .... | chef | |
| Jeremy Johns | .... | location manager | |
| Ken Jones | .... | armorer: Australia | |
| Claudia Kalindjian | .... | unit publicist: UK | |
| Jerusha Kornner | .... | unit assistant: Australia (as Jerusha Korner) | |
| Tim Lion | .... | production assistant | |
| Andrea Littlewood | .... | assistant: Mr. S. Butterworth and Ms. Phillips | |
| Garry Macan Tanaister | .... | security: Australia | |
| Duncan Manning | .... | head chef | |
| Brec Marson | .... | double: Mr. Chaplin | |
| Peter Matthews | .... | laboratory liaison: DeLuxe | |
| Charles Mcdonald | .... | publicist (as Charles McDonald) | |
| Somoma Message | .... | additional floor runner: Australia (as Sonoma Message) | |
| Reza Mokhtar | .... | caterer | |
| Christine Moran | .... | accountant: Australia | |
| Cian O'Clery | .... | production runner | |
| Brydie O'Neal | .... | stand-in: Ms. Kidman | |
| Dan Palmer | .... | post-production accountant | |
| Luke Parker Bowles | .... | production runner (as Luke Parker-Bowles) | |
| Frances Patterson | .... | assistant: Mr. S. Butterworth and Ms. Phillips | |
| Tonia Pearson | .... | assistant to producer: Australia | |
| Robin Piggott | .... | trade assistant: Australia | |
| Allon Reich | .... | production executive: Miramax | |
| Katia Repekova | .... | language coach: Russian, Ms. Kidman | |
| Ian Russell | .... | laboratory liaison: Atlab | |
| Kevin Sainsbury | .... | trade assistant: Australia | |
| Louise Savage | .... | stand-in: Ms. Kidman | |
| Rick Schwartz | .... | production executive: Miramax | |
| Elizabeth Sharling | .... | double: Ms. Kidman | |
| Robert Simper | .... | safety officer: Australia (as Rob Simpler) | |
| Samantha Smith | .... | floor runner: Australia | |
| Samantha Smith | .... | set production assistant | |
| Nina Stevenson | .... | production counsel: Australia (as Nina Stephenson) | |
| Chris Stoaling | .... | floor runner | |
| Dathi Sveinbjarnarson | .... | floor runner | |
| Katherine Teakle | .... | unit nurse | |
| Piers Thompson | .... | director: John's porn video | |
| Fran Triefus | .... | production coordinator | |
| Lisa Vick | .... | script supervisor | |
| Michael D. Walsh | .... | production runner (as Michael Walsh) | |
| Christian Wheeler | .... | conforming assistant | |
| Adam Williams | .... | double: Mr. Kassovitz | |
| James Wilson | .... | production executive: Film Four | |
| Carl Wood | .... | location manager | |
| Dillon Yeats | .... | trade assistant: Australia | |
| Elton Farla | .... | medic: re-shoots (uncredited) | |
| Dan Huber | .... | assistant: Julie Goldstein (uncredited) | |
Thanks | |||
| Lars MacFarlane | .... | very special thanks | |
| Anthony Minghella | .... | very special thanks | |
| Ed Whitmore | .... | very special thanks | |
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This movie really woke me up, like it wakes up the main male character of this bravely different movie from his life slumber.
This guy John (Ben Chaplin) leads his mediocre safe life of a bank teller in a small provincial English town, until the stunningly gorgeous, wild, girl-to-die-for Nadia (Nicole Kidman), ordered by email from Russia, enters his life to become his beloved wife, by Johns plan. However a glitch turns up - Nadia does not speak a word of Johns language. Although calm and emotionless on the outside, John becomes so interested in beautiful Nadia that instead of using the full refund policy of the matching service, he buys her a dictionary to start the communication process.
What happens henceforth in the plot really shakes poor John from his slumber of a decently-paid safe-feeling clerk into a decision-making decently thinking action figure, giving the viewer a subliminal message "you would have probably acted likewise".
Kidman, Cassel & Kassovitz make a great team acting Russians and they are almost indistinguishable from the real thing, "almost" only due to the slight accent present in their Russian dialogues, however slight enough to amaze a native Russian by the hard work done to get the words sound right. Nicole Kidman proves her talent once again by playing a character quite different from the previous roles, at least from the cultural background.
The pace of the film is fast and captivating, and you certainly are not ready to quit watching when the end titles appear, you rather feel that you're in the middle of the plot, and are left with a desire to see the sequel as soon as it comes out.
My advice is to go out and get this film immediately and watch it and enjoy. To sum it up, it has an unusual plot, great acting, and ideas below the surface. Like the idea of the "rude awakening" from the artificial safe routine life of a wheel in a Society's machine, the life which members of the Fight Club were so keen to quit and the machine of which Pink Floyd sings ("Welcome to the machine!"). I bet that in the end, John was rather off with Sophia on their way to the unknown than not having met her at all.
Thank you, writers, for the great story, and everyone else for this great movie! Please make a sequel! And you can stage it whereever and name the location whatever, because the authenticity of the place is irrelevant to the 99.9999 percent of the potential viewers, I am sure of it.