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Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.
An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord: a sharp old woman.
Internet love connections and mail-order brides rarely ever work out, and John should have known. Having never been lucky in the game of love and tired of waiting for the perfect woman to come along, John decides to take his chances and orders a mail-order bride from Russia online. At first, things seem perfect: his new bride Nadia is a gorgeous woman, and although she may not speak much English, her skills in the bedroom more than make up for any communication problems. When Nadia's 'cousins' unexpectedly arrive to celebrate her birthday, John is drawn into their web of corruption and crime. Written by
Anna <dimenxia@yahoo.com>
Nicole Kidman went to the Russian Embassy in Australia for help in speaking Russian. She didn't work with any other coach on the set except the woman from the embassy. See more »
Goofs
Sophia lights a cigarette with a disposable lighter in the car as they leave the airport, but the sound is of the lid of a Zippo being flipped open. See more »
Quotes
Nadia:
[in Russian]
Are you a giraffe?
John:
[in Russian]
Yes.
See more »
"Somethin' Stupid"
Written by C. Carson Parks
Performed by Robbie Williams and Nicole Kidman
Courtesy of Chrysalis Records, Ltd.
Under License from EMI-Capitol Music Special Markets
(p) 2001 Chrysalis Records, Ltd. See more »
Roughly one part crime drama to two parts offbeat love story, `Birthday Girl' is a nifty little British film that gives Nicole Kidman a chance to strut her stuff as an actress. Here she gets to play a Russian `mail order bride' (though, of course, in the modern world she is actually ordered off the internet) who's come to England to start a new life with John, a mild-mannered banker unsuccessful in the ways of love. John is one of those bland, utterly undistinguished `good guys' who everyone seems to like but no one seems to notice. Even his boss at the bank gives him one of those noncommittal job evaluations (saying what a swell guy he is and what a great way he has with people) used to fob people off when they are not good enough to merit a raise or a more prestigious position in the corporation. Forced to go the unconventional route in finding himself a wife, John hooks up with the lovely but inscrutable Nadia, a Russian woman who, John is appalled to learn, does not understand a word of English. Then just as John and Nadia seem to be forming a close relationship (literally bonding over bondage), complications arise when two of Nadia's bizarre `friends' from Russia suddenly arrive on the scene.
To reveal more of the plot would be unfair to both the viewer and the makers of this film, since much of the movie's intrigue arises from the frequent turnabouts in the plot itself. Although there is always the threat of violence hammering at the film's edges, writers Tom and Jez Butterworth (the latter serving as the film's director as well), manage to keep the film fairly havoc free while they focus on the developing relationship between the two main characters. Kidman, who speaks nary a word of English in the first half of the film (and only with a heavy accent thereafter), does a beautiful job conveying both the toughness and the vulnerability inherent in this woman. Though innately compassionate, Nadia has had to learn how to survive in a brutal world - even if that means having to exploit naïve, good-natured shmucks like John. As John, Ben Chaplin conveys just the right mixture of shyness, befuddlement and ultimate self-assuredness to make us root for the character. Because of his Everyman characteristics, we want to see John triumph in the end.
`Birthday Girl' doesn't try to push the envelope by indulging in elaborate action scenes or patently theatrical heroics. Its events seem to unravel in a spontaneous, naturalistic manner, which helps the film to remain relatively true to life most of the time. It tells an unusual story, one filled with wry humor, understated suspense and a compassionate recognition of human frailty. Well written and well acted, `Birthday Girl' is an unheralded film that deserves to be seen.
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Roughly one part crime drama to two parts offbeat love story, `Birthday Girl' is a nifty little British film that gives Nicole Kidman a chance to strut her stuff as an actress. Here she gets to play a Russian `mail order bride' (though, of course, in the modern world she is actually ordered off the internet) who's come to England to start a new life with John, a mild-mannered banker unsuccessful in the ways of love. John is one of those bland, utterly undistinguished `good guys' who everyone seems to like but no one seems to notice. Even his boss at the bank gives him one of those noncommittal job evaluations (saying what a swell guy he is and what a great way he has with people) used to fob people off when they are not good enough to merit a raise or a more prestigious position in the corporation. Forced to go the unconventional route in finding himself a wife, John hooks up with the lovely but inscrutable Nadia, a Russian woman who, John is appalled to learn, does not understand a word of English. Then just as John and Nadia seem to be forming a close relationship (literally bonding over bondage), complications arise when two of Nadia's bizarre `friends' from Russia suddenly arrive on the scene.
To reveal more of the plot would be unfair to both the viewer and the makers of this film, since much of the movie's intrigue arises from the frequent turnabouts in the plot itself. Although there is always the threat of violence hammering at the film's edges, writers Tom and Jez Butterworth (the latter serving as the film's director as well), manage to keep the film fairly havoc free while they focus on the developing relationship between the two main characters. Kidman, who speaks nary a word of English in the first half of the film (and only with a heavy accent thereafter), does a beautiful job conveying both the toughness and the vulnerability inherent in this woman. Though innately compassionate, Nadia has had to learn how to survive in a brutal world - even if that means having to exploit naïve, good-natured shmucks like John. As John, Ben Chaplin conveys just the right mixture of shyness, befuddlement and ultimate self-assuredness to make us root for the character. Because of his Everyman characteristics, we want to see John triumph in the end.
`Birthday Girl' doesn't try to push the envelope by indulging in elaborate action scenes or patently theatrical heroics. Its events seem to unravel in a spontaneous, naturalistic manner, which helps the film to remain relatively true to life most of the time. It tells an unusual story, one filled with wry humor, understated suspense and a compassionate recognition of human frailty. Well written and well acted, `Birthday Girl' is an unheralded film that deserves to be seen.