Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Jakob Windisch has written THE number one bestselling novel. Since he is very shy, no-one has seen him except Uhu Zigeuner who is the designated director of the film adaption. Zigeuner is ... See full summary »
This ironic mini series deals with Baby Schimmerlos, gossip reporter of Munich tabloid "MATZ", and the city's legendary high society circles. As everyone who believes to be important wants ... See full summary »
Tele-C, a private German TV station, is in trouble. The audience rating is going down, and program manager Conny Schiffer is desperate. One evening - his best showmaster is interviewing a goat at the moment - he decides to make some changes. Listening to the radio, he hears Hannes Engel, a very creative and special DJ. Unfortunately, Hannes' wife Maria, an actress, has just been thrown off the cast of a major Tele-C TV pic and therefore Conny does not find him in the most receptive mood when trying to hire him for the exact same station. But with the glamorous future Conny promises, Hannes quickly decides to sign - and gets ground up properly in the mills of the German TV industry, just like his wife had forecast. Written by
Julian Reischl <email@example.com>
"Late Show" is not the piece of art that "Rossini", Dietl's last movie, was. But I'm not sure if we should feel sorry about this. Maybe a topic like cable-TV deserves to be treated in this loud and aggressive way. This is "Kalkhofes Mattscheibe" for the big screen. But although LS is not a masterpiece, it's funny and its satirical arrows mostly hit the point. It's good comedy treating more than relationships, something seldom produced by German moviemakers.
The acting is surprisingly good. Even Gottschalk manages it this time, although it is no challenge to play oneself. The real discovery of this movie is Harald Schmidt if you consider that overacting was the task given to him. Note: If you hate Schmidt, don't watch this movie, but it's a must for everyone who misses "Schmidteinander". Minor roles were casted and played well, especially Pfaff was superb, transporting a sad and desperate tone into the film. Yasmin Tabatabai presents the evilest looking make-up in a movie I've ever seen. Oh- and a law should maybe be passed that hinders directors from casting their girlfriends.
After all, together with "23" a good start into '99 for German cinema.
PS. Enjoy the opening critics, but don't try to read them.
5 of 7 people found this review helpful.
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