Selene, a beautiful warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
A rare mutation has occurred within the vampire community. The Reaper. A vampire so consumed with an insatiable bloodlust that they prey on vampires as well as humans, transforming victims who are unlucky enough to survive into Reapers themselves. Now their quickly expanding population threatens the existence of vampires, and soon there won't be enough humans in the world to satisfy their bloodlust. Blade, Whistler (Yes, he's back) and an armory expert named Scud are curiously summoned by the Shadow Council. The council reluctantly admits that they are in a dire situation and they require Blade's assistance. Blade then tenuously enters into an alliance with The Bloodpack, an elite team of vampires trained in all modes of combat to defeat the Reaper threat. Blade's team and the Bloodpack are the only line of defense which can prevent the Reaper population from wiping out the vampire and human populations. Written by
Over 30 members of the cast and crew were temporarily blinded by the misuse of UV lights in the vampire autopsy scene. See more »
During the final battle where Whistler throws Blade his sunglasses, Whistler's actions in the background are inconsistent, revealing that it was not a straight throw-and-catch and that some editing trickery was used. See more »
[Chupa notices that the pheromone canister is spraying]
What the hell is this? You tryin' to stink me to death, old man?
See more »
The background of the "New Line Cinema" logo is red instead of the traditional black and blue light background. See more »
This bloody punch-fest lacks the charming antagonists that livened the original movie.Basically, this movie doesn't have the heart the first one did.
Blade 2 takes what works in the original and gives us more. Unfortunately, plot and character development appear to have been left on the cutting room floor.The fight scenes are fun, but it grows tedious. While blade 2 is much more eye-catching than its blood-drenched Stephen Norrington-directed predecessor, the new script by the returning David S. Goyer is much sillier.This bloody punch-fest lacks the charming antagonists that livened the original movie.If only as much time was spent on the script as was spent on the fight choreography.Take away everything that was original about BLADE, add some exploding vampires, and vampire night at the WWF - you get BLADE II, a knock-off, rip-off waste of film, released to suck the blood and money out of audiences everywhere.Just never seems very convinced of itself that a sequel was even necessary.This second instalment in the trilogy tries to crank things up even more than in the action packed original, which makes for an obnoxiously hyper active movie.Isn't as sharp as the original,Despite some visual virtues, Blade II just doesn't cut it.The fast-paced action is unnervingly fast, almost dizzying. The story is thin, the plot is predictable, but Wesley Snipes carries this comic book character off with enough clever humour and self-indulgent pathos to carry it off.There are plot twists and inventive fight scenes galore, but what director Guillermo Del Toro loves most is the gore.Blade II is almost excessively violent OK, it is excessively violent but that's exactly what Snipes and Blade fans want. Believe me, they get it.Everything that was right about Blade is wrong in its sequel.
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