Medical student Paula Henning wins a place at an exclusive Heidelberg medical school. When the body of a young man she met on the train turns up on her dissection table, she begins to ... See full summary »
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Medical student Paula Henning wins a place at an exclusive Heidelberg medical school. When the body of a young man she met on the train turns up on her dissection table, she begins to investigate the mysterious circumstances surrounding his death, and uncovers a gruesome conspiracy perpetrated by an Antihippocratic secret society operating within the school. Written by
The door that leads to the stainless steel morgue room in the movie actually leads to the cafeteria of Technische Universität München. The movie was screened in the big wooden lecture auditorium seen in the movie, leading to a "picture-in-picture"-effect for the audience. See more »
Ischemic myocardiopathy is not a rare disease. In fact, is one of the most frequent heart diseases. See more »
[first words - as med student works over cadaver bare-handed]
Gloves Kaminski, gloves. The lady's a study aid, not Sharon Stone.
Yeah, Kaminski instincts are very basic... They're more fun when they're alive.
Alright, pipe down. That's enough for this group. Ever seen a drowning victim? Tomorrow's putrefaction day.
Uh, professor? There seems to be some kind of anomaly in the pelvic region.
A penis per chance? It's not an anomaly, it's that little boys are created differently than little girls. ...
[...] See more »
Gruesome shocker exploits audience's worst medical fears
Aspect ratio: 2.39:1
Sound formats: Dolby Digital / SDDS
A brilliant med student (Franka Potente) is pitched into a conspiracy at Heidelberg University, where a secret fraternity of medical deviates practice dissection on living subjects...
Stefan Ruzowitzky's superior thriller - the debut feature of Columbia Pictures' European production arm - derives inspiration from similarly-styled US shockers of the period (SCREAM, I KNOW WHAT YOU DID LAST SUMMER, etc.), and exploits the audience's worst fears about invasive medical procedures. Beautifully photographed by STALINGRAD's Peter von Haller, the film contrasts picture-postcard Heidelberg with the silver-grey starkness of the anatomy rooms where German superstar Potente struggles to disentangle herself from an ancient conspiracy of horror. Second-billed Benno Fürmann (THE PRINCESS AND THE WARRIOR) - the film's 'token' beefcake - emerges as a key player around the movie's halfway mark, beginning with a nerve-shredding set-piece recalling the potato truck sequence in Hitchcock's FRENZY (1972). In a happy turnabout from standard practice, all the nudity in the film is male-oriented, including what Ruzowitzky has described as Fürmann's "famous butt shot"!! Who says modern horror movies aren't camp? Great fun, and followed by ANATOMY 2 (2003).
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