Medical student Paula Henning wins a place at an exclusive Heidelberg medical school. When the body of a young man she met on the train turns up on her dissection table, she begins to ... See full summary »
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Medical student Paula Henning wins a place at an exclusive Heidelberg medical school. When the body of a young man she met on the train turns up on her dissection table, she begins to investigate the mysterious circumstances surrounding his death, and uncovers a gruesome conspiracy perpetrated by an Antihippocratic secret society operating within the school. Written by
The models used in the film were inspired by Dr. Gunther von Hagens popular exhibition "Body Works" in which real cadavers are plasticized after being dissected. One character even mentions this process when we see the hall for the first time at the beginning of the film, but no real cadavers were used as the director thought it "too macabre". The models were created by a team headed by Joachim Grüninger and Birger Laube. The models were so accurate and detailed that the film's medical advisers thought they could be used as actual teaching specimens. See more »
When Paula goes to the police to report the AAA, she cannot provide David's last name. Right in the previous scene with Hein at the library, he mentions that "she should stop investigating the death of her friend, David Rolof". See more »
[first words - as med student works over cadaver bare-handed]
Gloves Kaminski, gloves. The lady's a study aid, not Sharon Stone.
Yeah, Kaminski instincts are very basic... They're more fun when they're alive.
Alright, pipe down. That's enough for this group. Ever seen a drowning victim? Tomorrow's putrefaction day.
Uh, professor? There seems to be some kind of anomaly in the pelvic region.
A penis per chance? It's not an anomaly, it's that little boys are created differently than little girls. ...
[...] See more »
An entertaining, but unfulfilling, German take on the Scream/'teenhorror' genre.
Anatomie (Anatomy) is an entertaining and engaging film that falls short of delivering the discomfort that should be connected with the films subject matter. The idea of ethical ignorance in the medical science world is one that pushes the viewer towards discomfort, and the realism of the institutions ('Heidelberg') and the special effects make it a not-entirely easy film to watch.
However, the characters, the script, and the gloss of the film all seem too familiar with the Scream movies that repopularised this sort of genre. Sadly, then, whilst the subject is one to care about, the viewer is presented with another movie full of college student characters that we don't really get a chance to care about, unresolved subplots, and hammy stage-killings that have been reinventing themselves since the memorable Drew Barrymore opening scene in Scream several years back.
Steven Ruzowillzky makes a fair effort of the script and the direction, but pushes no boundaries other than the general theme. Whilst we are presented with an entertaining film with some reasonable performances, we are unfortunately left with the old feeling: nothing is wrong with this film, but nothing is extraordinary either.
An entertaining film, and an interesting chance to see how foreign filmmakers have been influenced by the post-scream 'horror' culture. 6 out of 10
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