When his secret bride is executed for assaulting an English soldier who tried to rape her, William Wallace begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
It is 1776 in colonial South Carolina. Benjamin Martin, a French-Indian war hero who is haunted by his past, now wants nothing more than to live peacefully on his small plantation, and wants no part of a war with the most powerful nation in the world, Great Britain. Meanwhile, his two eldest sons, Gabriel and Thomas, can't wait to enlist in the newly formed "Continental Army." When South Carolina decides to join the rebellion against England, Gabriel immediately signs up to fight...without his father's permission. But when Colonel William Tavington, British dragoon, infamous for his brutal tactics, comes and burns the Martin Plantation to the ground, tragedy strikes. Benjamin quickly finds himself torn between protecting his family, and seeking revenge along with being a part of the birth of a new, young, and ambitious nation. Written by
The Battle of Cowpens, upon which this movie is based, took place on January 17th, 1781. This battle has been commemorated by the U.S. Navy, which named two ships after it. USS Cowpens (CVL 25) was a WWII light aircraft carrier which won 12 battle stars, more than any other light carrier in the war and was the first ship to enter Tokyo Harbor and land Marines on the Japanese mainland. USS Cowpens (CG 63) is an Aegis Guided Missile Cruiser serving in the Pacific fleet from San Diego, CA. See more »
The British really were the masters of the sea during that era - their ships themselves actually seem to run contrary to the natural laws, as demonstrated during the party scene where we see the British ship blown up in the nearby harbor. The laws of physics state that, loosely translated, for every action, there is an equal and opposite reaction. When the ship is destroyed we see the explosion not only spread outwards from the sides of the ship, but also the gigantic plume of fire going straight up in the air. This ship, however, remains firmly in its same position in the water, neither moving from side to side, or being pushed downwards deeper into the harbor, as an explosion of such magnitude would undoubtedly force it. Unless the ship was aground on a sandbar or rock, it should have had at least some movement away from the direction of the blast See more »
I have long feared that my sins would return to visit me, and the cost is more than I can bear.
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It's 1776 South Carolina. Benjamin Martin (Mel Gibson) is a war hero and living in peace on his plantation. His son Gabriel (Heath Ledger) joins the Continental Army without his permission. After a battle, he treats his son Gabriel, and both Regulars and Colonials. The brutal Colonel William Tavington (Jason Isaacs) burns down his plantation and kills his son Thomas (Gregory Smith). This drives him to seek revenge.
Should I ignore the bad history and enjoy the big action? That's the question here. I can ignore demonizing the Brits, or the cartoon villain. Maybe they didn't burn down a church. Maybe the characters are cartoons. Who cares? That's going to happen in any war movie. What I can't stomach is portrayal of slavery. They try to sidestep the issue by proclaiming all the blacks working on the plantation are actually free men. It really rang hollow. I rolled my eyes and tried to move on.
The action is terrific. One thing Roland Emmerich knows is big time action. He doesn't disappoint. I could still side with big action. It's still fun and games. The real Martin be damn. But every time a black person gets a scene, or blacks get a mention, the whole movie grinds up against reality. The movie tries desperately to excuse it away, and it's an awkward attempt every time.
Mel Gibson tries to Braveheart the American revolution. The problem is they run into the problem of slavery. While its good to root for the underdog Scots in Braveheart, the ignored underdog in this movie are actually the slaves. This movie tries to sidestep it and gentrify it up for modern mass consumption. But at some point, the issue cannot be ignored. I've got to say bad history wins out over big action.
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