In the aftermath of the terrible Civil War which has devastated the South, Amanda America Dixon returns home to find she has become the sole heir to a vast cotton plantation. But the ... See full summary »
John Kent Harrison
A moving and uplifting drama about the effects of interracial marriage in the 1960s. Friends since childhood, and loved by both families, this couple are exiled after their wedding and have... See full summary »
On the road to Lake Tahoe, a stressed out young executive meets a woman who forever changes his life. Shot in the spectacular Sierra Nevada Mountains, "The Last Place On Earth" is a funny, ... See full summary »
Three months ago, Piper met Mollie online. And Mollie changed everything. Now a knock at the door. John Sharp. Mollie's brother. He was sent to talk Piper out of the thing's she's threatening. But neither may be who they claim to be.
Tales of a group of siblings who are forced to fend for themselves when they are abandoned by their mother in the parking lot of a shopping mall. They eventually meet their grandmother, a ... See full summary »
A racially-charged criminal trial and a heart-rending love story converge in this documentary about Richard and Mildred Loving, set during the turbulent Civil Rights era. Long Way Home: The... See full summary »
Lindsay Almond Jr.,
Edward L. Ayers
An adopted woman decides to find her birth mother. Her search leads her to a shocking discovery that she has to face and why her upbringing was not an easy one. Written by
John Sacksteder <email@example.com>
A working-class Boston, married, white woman is raped by a black thug and has to give up the resulting child for adoption, despite the fact that she loves her. The girl grows up knowing two adoptive mothers -- one black, one white -- but when she becomes a wife and mother herself, finds that her children only know half of their family history, something the girl sets out to rectify.
The only element of this TV-movie that doesn't quite work is the sappy, schmaltzy 'women's music' (keening vocals sung to slightly-ethnic new agey themes) which needlessly well up at virtually every emotional moment. The picture stars four quality actresses in a strong story of interracial adoption; it's really an insult to their powers as thespians to insert wailing cries of sadness or elation as if the audience won't 'get' what is happening. They did this a lot in old Hollywood films, making many of them unwatchable today.
I would have liked to have seen more scenes with Alice Krige as Barbara's mom during her adolescence; not quite sure why it got such short shrift. Otherwise a good film with a similar theme to "A Family Thing", which stars Robert Duval and James Earl Jones as brothers who never knew that they share the same mother.
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