Buddy (Affleck) has just signed an airline in Chicago as a big client, but is ironically delayed at the airport waiting for a flight to LA on that same airline. He meets fellow passenger Greg, who opts to be bumped, even though it means missing an activity with his older son. When the flight gets resumed, Buddy thinks he's doing a good deed by swapping tickets with Greg so he can get home to his son. Sadly, the flight crashes. Buddy conspires with his friend, the ticket agent that night, to take his name off the passenger list and put Greg's on. Once he's back in LA, his new client dictates that the company run a series of feel-good ads about the crash. Buddy feels very hypocritical, and completely loses it when the commercials win a Cleo. After going through re-hab, he decides he needs to check on Greg's widow. But he doesn't plan on falling in love with her. Written by
Ben Affleck explained on "The Actor's Studio" that he and Gwyneth Paltrow were no longer together when they made this film, but Gwyneth thought he should do it as it was a different type of role from anything he had done before. See more »
Buddy's sandwich during the meal after Abby clinches the deal. See more »
You know, I had a baby in the car.
[Buddy looks around the front seat rather shocked]
Not this car. No I had this Datsun, remember those? And we were driving to the hospital, and I KNEW I was going to have this baby, and Greg would NOT pull over. So I got it in my head that I was not going to have the baby in the front seat - like it wasn't safe or something - and I started to crawl into the back, and I got this contraction, and POW! I broke his nose with my foot! And he couldn't drive I mean ...
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Old premise, new film. A reasonable attempt at film making, "Bounce" is fraught with problems not the least of which is casting Affleck opposite a fine actress. This light drama starts okay but fizzles. The chemistry between Affleck and Paltrow is predictably nonexistent. Affleck and Bullock, maybe. Affleck and Paltrow, no way. The drama in all corners of the film, from alcoholism to the Kodak moments to the "can I love the guy who killed my husband" paradox doesn't work because the film builds a weak foundation, develops characters poorly, and just plain unravels in the denouement. Wait for broadcast on this one.
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