A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
When a Russian satellite orbiting the Earth starts to veer off course. It seems like the guidance system in the satellite is of American origin. It's important to try and fix it before it comes into the atmosphere. The NASA man, Bob Gerson tries to find out who designed it and discovers that it was designed by Frank Colvin, an Air Force pilot who 40 years ago was part of the team who was originally suppose to go to space but when NASA was formed and Gerson's influence they were dropped. Gerson asks Frank to help but Frank still holds a grudge. But after some prodding he agrees but only if he and his team can go there so he can fix it. Gerson reluctantly agrees so Frank recruits his former team members, Tank Sullica, Jerry O'Neill and Hawk Hawkins to join him. After some strenuous tests, they're cleared. And they go up with two other astronauts and check out the satellite and discover that they weren't told the whole truth. Written by
NASA offered their "vomit comet" plane that can create weightlessness, for filming (it was previously used in Apollo 13 (1995) for the weightless scenes). Clint Eastwood turned down the offer for fear that the older actors would be made too sick to film. See more »
The shuttle's port wing markings change from "United States" during reentry to the NASA "meatball" logo on landing. See more »
A nice little movie, not too outrageous and the expert acting makes it enjoyable
We own this movie in our home collection and we haven't watched it in a while. Saw it again tonight on TV, and realized that it is still a good movie.
Clint Eastwood produces and directs this movie, and draws some "experienced" actors to help him fill the lead roles. They manage to extol the trials and tribulations of the senior years, while still capturing the exuberance of youth from the past.
the story leads a mildly predictable pattern, but in this case it is not the end of the story that is primarily important, but instead how they get there. Also, all 4 lead actors all come off as really having a good time in the movie, it feels like they really enjoyed making this one and it comes out on the screen in the performances.
The pace is even and smooth, again demonstrating Clint Eastwood's legacy of directing and acting in watchable, enjoyable movies, no matter what the gender.
I should also mention that the special effects and the space sequences are stunning and much better done than most other movies in near-earth space. That would be the industrial Light and Magic team doing it again.
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