Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
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A group of legendary Cuban musicians, some as old as their nineties, were brought together by Ry Cooder to record a CD. In this film, we see and hear some of the songs being recorded in Havana. There is also footage from concerts in Amsterdam and New York City's Carnegie Hall. In addition, many of the individual musicians talk about their lives in Cuba and about how they got started in music. Written by
George S. Davis
Unfortunately, all Cuban musicians featured in the movie have passed away. The last one was Ibrahim Ferrer, who died several weeks after performing at the North Sea Jazz Festival in the Netherlands. See more »
It's hard to imagine a better set up for a magical documentary: Wim Wenders, Ry Cooder and a group of ancient and brilliant Cuban musicians. This film tells the story of the reassembling of the Buena Vista Social Club, as a sort of composite house-band including several popular Cuban jazz musicians, most of whom had given up their musical careers long ago. Ry Cooder helped get the players together, played with them, adding his respectfully subtle guitar work to the mix, and got their album released to popular and critical success worldwide.
What I found most impressive about this film is the humility with which it was approached by Ry Cooder. Mr Cooder has done some great work in the world of music, and this must be counted among his triumphs. However, I would have to agree with Mr Cooder, that the credit for the magic of the Buena Vista Social Club was all in the chemistry and performance of its Cuban stars. To see what I mean by all of this, you should see the movie. Whether you buy the CD or see the movie first matters little. You should do BOTH.
Wim Wenders also, intelligently and appropriately, lets this story tell itself. Only occasionally does his artistry (as potent as it is) flare up - such as the scenes with the pianist (who Wenders clearly adores, and understandably so). All in all, the American / German production team on this film takes a back seat to the music, and the stories behind the musicians. I found this a refreshingly honest documentary approach and I thoroughly enjoyed the film.
My enjoyment rating is 10+. I gave the film an 9 because I am sure some will dislike either the music or the proactive approach toward Cuban/American relations. It's definitely not a film for all people. Don't watch it if Cuba brings up strong negative emotions for you.
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