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Jamie Anne Allman,
A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desedmona in Othello. But what will become of the male actor she once worked for and eventually replaced?
A gentle and usually mellow young man, who sometimes knows things before they happen and gets vibes of premonition, tell us his story: how he met Michelle in Iowa in 1971, how he got the name Fuckhead, how she introduced him to heroin and their falling in love, his thieving, his hospital work and their time in Chicago when she gets pregnant, detox, going to Phoenix to live, AA meetings and a dance, working at a care center where he learns to touch the residents, and modifying his daily schedule so that he passes a neighboring Mennonite household at the right time to hear the wife sing Gospel songs in the shower. Slowly, very slowly, FH lets his gifts emerge. Written by
Beautiful, humane film filled with menagerie of "off-the-wall" (sorry) supporting characters. This film succeeds where all other "drug films" fail. It doesn't cram a message down your throat. It's not concerned with retreading the territory of "Trainspotting" or its clones. It has similar scenes, but the tone is completely different. Billy Crudup also delivers his real star-making performance (this came out before "Almost Famous") as a young man whose name begins with an 'F' and ends with an 'uckhead'. His rambling narrative makes this film seem more like a friendly anecdote than a wittier-than-thou voice-over which always seems to do more to flatten out a film than to expand it. This film uses drugs as a vehicle to show how all of us need some sort of redemption, but we have to get it on our own terms.
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