Reclusive Rubin Farr teams up with vocal but unsuccessful multi-level salesman Ed Tuttle on a quest to bury Rubin's dead cat in the "perfect spot." Their trip takes them across Utah's ... See full summary »
On the way to interview a novelist, Lane and Christina are involved in a car crash which leaves literary critic Christina brain-damaged. Lane undertakes the assignment and becomes attracted... See full summary »
Johnny Scardino is working for blackmailers, photographing wealthy guys in seedy motels. One such assignment turns the wrong way and blackmailers die one by one. Is Johnny the next on the ... See full summary »
When a drag-racing, hard-luck parolee moves in with his brother in hopes of that ever-elusive fresh start in life, he's sure to be warm for the form of his brother's bored young wife. ... See full summary »
A gentle and usually mellow young man, who sometimes knows things before they happen and gets vibes of premonition, tell us his story: how he met Michelle in Iowa in 1971, how he got the name Fuckhead, how she introduced him to heroin and their falling in love, his thieving, his hospital work and their time in Chicago when she gets pregnant, detox, going to Phoenix to live, AA meetings and a dance, working at a care center where he learns to touch the residents, and modifying his daily schedule so that he passes a neighboring Mennonite household at the right time to hear the wife sing Gospel songs in the shower. Slowly, very slowly, FH lets his gifts emerge. Written by
The movie's title comes from a line in the Velvet Underground song "Heroin". See more »
The film takes place in the early 1970s. Outside the motel there's a car with an old, battered "D.A.R.E." bumpersticker. But the D.A.R.E. (Drug Abuse Resistance Education) program was not founded until 1982. See more »
Doesn't it make you grateful? Because they were... they were people just like us, only unluckier.
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Beautiful, humane film filled with menagerie of "off-the-wall" (sorry) supporting characters. This film succeeds where all other "drug films" fail. It doesn't cram a message down your throat. It's not concerned with retreading the territory of "Trainspotting" or its clones. It has similar scenes, but the tone is completely different. Billy Crudup also delivers his real star-making performance (this came out before "Almost Famous") as a young man whose name begins with an 'F' and ends with an 'uckhead'. His rambling narrative makes this film seem more like a friendly anecdote than a wittier-than-thou voice-over which always seems to do more to flatten out a film than to expand it. This film uses drugs as a vehicle to show how all of us need some sort of redemption, but we have to get it on our own terms.
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