| Photos (See all 35 | slideshow) | Videos (see all 3) |
| Dennis Quaid | ... | Frank Sullivan | |
| Jim Caviezel | ... | John Sullivan | |
| Shawn Doyle | ... | Jack Shepard | |
| Elizabeth Mitchell | ... | Julia 'Jules' Sullivan | |
| Andre Braugher | ... | Satch DeLeon | |
| Noah Emmerich | ... | Gordo Hersch | |
| Melissa Errico | ... | Samantha Thomas | |
| Daniel Henson | ... | Johnny Sullivan (6 Years) | |
| Jordan Bridges | ... | Graham 'Gib' Gibson | |
| Stephen Joffe | ... | Gordo Hersch (8 Years) | |
| Jack McCormack | ... | Commander Butch O'Connell | |
| Peter MacNeill | ... | Butch Foster | |
| Michael Cera | ... | Gordy Jr. (10 Years) | |
| Marin Hinkle | ... | Sissy Clark | |
| Richard Sali | ... | Chuck Hayes | |
| Nesbitt Blaisdell | ... | Fred Shepard | |
| Joan Heney | ... | Laura Shepard | |
| Jessica Meyer | ... | Teenage Runaway | |
| Kirsten Bishop | ... | Carrie Reynolds (as Kirsten Bishopric) | |
| Rocco Sisto | ... | Daryl Simpson | |
| Rosemary De Angelis | ... | Mrs. Finelli | |
| Dick Cavett | ... | Himself | |
| Brian Greene | ... | Himself | |
| Melissa Fitzgerald | ... | Linda Hersch | |
| John Di Benedetto | ... | Con Ed Supervisor | |
| Terry Serpico | ... | Con Ed Worker #1 | |
| Nicole Brier | ... | Stoned Teenage Girl | |
| Brantley Bush | ... | Young Intern | |
| David Huband | ... | Lounge Bartender | |
| Timothy Brown | ... | Roof Man Billy | |
| Chuck Margiotta | ... | Pedestal Man Gino | |
| Karen Glave | ... | Lanni DeLeon | |
| Frank McAnulty | ... | Desk Sergeant | |
| Derek Aasland | ... | Stoned Man #1 | |
| Jim McAleese | ... | Cozy Bartender | |
| Catherine Burdon | ... | Young Woman #1 | |
| Jennifer Baxter | ... | Young Woman #2 | |
| Desmond Campbell | ... | Forensic Tech Hector | |
| Danny Johnson | ... | Uniformed Cop #1 | |
| Colm Magner | ... | Uniformed Cop #2 | |
| Brigitte Kingsley | ... | Bar Waitress | |
| Tucker Robin | ... | Frank Jr. | |
| rest of cast listed alphabetically: | |||
| Barney Cheng | ... | Barney the Delivery Man (uncredited) | |
| Curt Gowdy | ... | 1969 World Series Announcer (archive sound) (uncredited) | |
| Cleon Jones | ... | Himself (archive footage) (uncredited) | |
| Robert Nicotra | ... | Softball Player (uncredited) | |
| Richard Nixon | ... | Himself (archive footage) (uncredited) | |
| Brian Smyj | ... | Con Ed Worker #2 (uncredited) | |
| Nancy E.L. Ward | ... | Nosey Neighbour (uncredited) | |
| Al Weis | ... | Himself - 1969 New York Met (archive footage) (uncredited) | |
Directed by | |||
| Gregory Hoblit | |||
Writing credits(WGA) | ||
| Toby Emmerich | (written by) | |
Produced by | |||
| Bill Carraro | .... | producer | |
| Janis Rothbard Chaskin | .... | co-executive producer (as Janis Chaskin) | |
| Toby Emmerich | .... | producer | |
| Patricia Graf | .... | associate producer | |
| Gregory Hoblit | .... | producer | |
| Hawk Koch | .... | producer | |
| Richard Saperstein | .... | executive producer | |
| Robert Shaye | .... | executive producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Alar Kivilo | |||
Film Editing by | |||
| David Rosenbloom | |||
Casting by | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | |||
Production Design by | |||
| Paul Eads | |||
Art Direction by | |||
| Dennis Davenport | |||
| John Kasarda | |||
| Mindy Roffman | |||
Set Decoration by | |||
| Beth Kushnick | |||
| Gordon Sim | |||
Costume Design by | |||
| Elisabetta Beraldo | |||
Makeup Department | |||
| Derek Becker | .... | special makeup effects artist | |
| Michelle Bruno | .... | makeup artist: New York | |
| John Caglione Jr. | .... | special makeup department head | |
| Verne Caruso | .... | hair stylist | |
| Leslie Fuller | .... | makeup artist: New York | |
| Donald Mowat | .... | key makeup artist (as Donald J. Mowat) | |
| Bill Myer | .... | special makeup effects artist | |
| Jennifer Bower O'Halloran | .... | hair department head | |
| Edelgard K. Pfluegl | .... | makeup artist | |
| Mark Schmidt | .... | hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert C. Albertell | .... | first assistant director: New York (as Rob Albertell) | |
| Jeff J.J. Authors | .... | first assistant director (as Jeffrey Steven Authors) | |
| Darrin Brown | .... | third assistant director | |
| Anne Carroll | .... | DGA trainee: New York | |
| Greg Hale | .... | second assistant director: New York (as Gregory G. Hale) | |
| Sarah Jarvis | .... | trainee assistant director | |
| Rick Kush | .... | second assistant director | |
| Janet Zdyb | .... | third assistant director | |
Art Department | |||
| Joseph Alfieri | .... | construction coordinator: New York | |
| Ann Marie Auricchio | .... | scenic artist | |
| Stephen Barth | .... | scenic artist | |
| Deryck Blake | .... | assistant property master | |
| Cameron S. Brooke | .... | key scenic artist | |
| Robert C. Brooke | .... | lead scenic artist | |
| Jim Chad | .... | art department production assistant | |
| Kirk Cheney | .... | construction coordinator | |
| Nigel Churcher | .... | assistant art director | |
| Justin Corbett | .... | construction grip | |
| J.P. Dame | .... | set dresser | |
| Dawn H. Fisher | .... | art department apprentice | |
| Alexander Galant | .... | assistant props | |
| Christopher Geggie | .... | property master | |
| Beth Gilinsky | .... | construction office coordinator | |
| Ron Hobbs | .... | storyboard artist (as Ronald Hobbs) | |
| Timothy Joliat | .... | on-set dresser: New York | |
| Warren Jorgensen | .... | camera scenic | |
| Nora Kasarda | .... | assistant art department coordinator: New York | |
| Elis Lam | .... | set designer | |
| David Maltese | .... | set dresser | |
| Aleksandra Marinkovich | .... | art department apprentice | |
| Kay Michaels | .... | art department coordinator: New York | |
| Neil Morfitt | .... | first assistant art director | |
| Lisa Nilsson | .... | assistant set decorator: New York | |
| H. Nancy Pak | .... | assistant art director | |
| Victor 'Chikko' Quon | .... | assistant head painter | |
| Dave Rosa | .... | head painter | |
| Jonathan Savan | .... | leadman | |
| Michael Shocrylas | .... | first assistant art director | |
| Michael Shocrylas | .... | set designer | |
| Keith Sly | .... | set decoration leadman | |
| Robert S. Smith | .... | carpenter | |
| John Sweeney | .... | property master | |
| Irapaul Turner | .... | construction shop manager | |
| Ross La Terra | .... | set dresser (uncredited) | |
| Michael Marcel | .... | set dresser: New York (uncredited) | |
| Peter Regnier | .... | set dresser (uncredited) | |
| Douglas Slater | .... | third assistant art director (uncredited) | |
Special Effects by | |||
| Jason Board | .... | additional special effects | |
| Jason Board | .... | special effects supervisor | |
| Godin Brothers | .... | additional special effects | |
| Wilfred Caban | .... | special effects foreman: New York | |
| Carmen Campolo | .... | special effects: New York (as Carmen M. Campolo Jr.) | |
| Daniel Gibson | .... | additional special effects (as Daniel S. Gibson) | |
| Nick Houghton | .... | special effects | |
| Steven Kirshoff | .... | special effects coordinator: New York (as Steve Kirshoff) | |
| Gary Kleinsteuber | .... | additional special effects | |
| Kaz Kobielski | .... | head of special effects | |
| Fred Kraemer | .... | special effects: New York (as Fred Kraemer Jr.) | |
| Arthur Langevin | .... | additional special effects | |
| Arthur Langevin | .... | special effects: pyrotechnics | |
| Brad Larkin | .... | special effects technician | |
| Martin Malivoire | .... | special effects supervisor | |
| Jim McGillivary | .... | special effects rigging | |
| Ray McMillan | .... | front projection | |
| Troy Rundle | .... | special effects 1st | |
| Robert J. Scupp | .... | special effects: New York | |
| Peter Sissakis | .... | additional special effects | |
| Dean Stewart | .... | special effects office admistrator | |
| Andrew Mortelliti | .... | special effects (uncredited) | |
| John Stifanich | .... | special effects (uncredited) | |
Visual Effects by | |||
| Mike Borrett | .... | motion control operator | |
| Dawn Bowery | .... | Inferno compositor | |
| Amy Christensen | .... | 3D tracking (as Amy Christiensen) | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Rafael Colon | .... | digital compositor | |
| John D.B. Cox | .... | motion control operator | |
| Brian Dowrick | .... | CG animator | |
| Anders Ericson | .... | digital effects animator | |
| Meg Freeman | .... | 3D painter | |
| Douglas Harsch | .... | digital effects animator | |
| Geoffrey Harvey | .... | 3D digital artist: Rhythm & Hues Studio (as Geoff Harvey) | |
| Phil Holland | .... | scanning & recording operator | |
| Sean Hyunin Lee | .... | digital compositor: Rhythm & Hues | |
| Nancy Klimley | .... | modeler (as Nancy J. Klimley) | |
| Wilmer Lin | .... | 3D tracker | |
| Joe Mancewicz | .... | character rigging | |
| Joel Merritt | .... | 3D tracker | |
| Zeke Morales | .... | visual effects editor: Rhythm & Hues | |
| Eileen Moran | .... | visual effects producer | |
| Alicia G. Powers | .... | visual effects coordinator | |
| David Santiago | .... | digital effects animator | |
| David Santiago | .... | effects technical director | |
| Bradley Sick | .... | modeler (as Brad Sick) | |
| Roberto Smith | .... | animator | |
| Scotty Townsend | .... | digital effects animator (as Scott Townsend) | |
| Carlo Volpati | .... | digital effects animator | |
| Bill Westenhofer | .... | visual effects supervisor | |
| Jonathan Wood | .... | digital lighting | |
| Serkan Zelzele | .... | compositor | |
| Scot Byrd | .... | publicist: Rhythm & Hues (uncredited) | |
| Brandon Craig | .... | render supervisor (uncredited) | |
| Jack Holland | .... | art department assistant: Rhythm & Hues (uncredited) | |
| Kevin Tengan | .... | systems administrator (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Victor Chan | .... | stunts | |
| Bob Colletti | .... | stunts | |
| Blaise Corrigan | .... | stunts | |
| Douglas Crosby | .... | assistant stunt coordinator | |
| Peter Epstein | .... | stunts | |
| Stephanie Finochio | .... | utility stunts | |
| Jeffrey Lee Gibson | .... | stunts (as Jeff Gibson) | |
| Brian Jagersky | .... | stunts | |
| Jamie Jones | .... | stunts | |
| Riley Jones | .... | stunts | |
| Steve Lucescu | .... | stunt coordinator: Canada | |
| Darren McGuire | .... | stunts | |
| Duncan McLeod | .... | stunts | |
| Carl Paoli | .... | stunt double | |
| George A. Sack Jr. | .... | stunt driver | |
| Brian Smyj | .... | stunts | |
| John Stead | .... | stunt performer | |
| Mary Ann Stevens | .... | stunts | |
| Len Wagner | .... | stunts | |
| Beau Holden | .... | stunts precision driver (uncredited) | |
Casting Department | |||
| Robin D. Cook | .... | casting: Canada | |
| Mercedes Kelso | .... | casting associate (as Mercedes Danforth) | |
| Elizabeth Lang | .... | casting associate | |
| Valerie McCaffrey | .... | executive in charge of casting | |
| Jane Rogers | .... | extras casting | |
Costume and Wardrobe Department | |||
| Cori Burchell | .... | costume supervisor | |
| Barrett Hong | .... | wardrobe supervisor: New York | |
| Windy Kerwin | .... | assistant wardrobe | |
| Loreen Lightfoot | .... | costume cutter/stitcher | |
| Susan MacLeod | .... | wardrobe set supervisor | |
| Donna Maloney | .... | costume supervisor: New York | |
| Monica Russell | .... | set costumer | |
| Andre Schulz | .... | costume supervisor | |
Editorial Department | |||
| Matt Boatright-Simon | .... | editorial assistant | |
| Gary Burritt | .... | negative cutter | |
| Russell Langille | .... | first assistant editor: film | |
| Jim Passon | .... | color timer | |
| Gregory Plotkin | .... | first assistant editor | |
| Brigitte Rabazo | .... | assistant editor: Toronto (as Brigitte Rabazo Lopez) | |
| Richmond Riedel | .... | first assistant editor | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| James Seymour Brett | .... | music assistant (as James Brett) | |
| Christopher Brooks | .... | music producer | |
| Robert Elhai | .... | orchestrator (as Bob Elhai) | |
| Robert Fernandez | .... | scoring mixer | |
| Joel Franklin | .... | music preparation | |
| Joel Iwataki | .... | music recordist | |
| Michael Kamen | .... | conductor | |
| Michael Kamen | .... | music producer | |
| Michael Kamen | .... | orchestrator | |
| Tom Kramer | .... | music editor | |
| Stephen McLaughlin | .... | music mixer | |
| Blake Neely | .... | orchestrator | |
| Michael Price | .... | music assistant | |
| J. Peter Robinson | .... | composer: additional music (opening rescue sequence) | |
| John Rodd | .... | orchestral scoring recordist | |
| Jonathan Sacks | .... | orchestrator | |
| James Thatcher | .... | musician: french horn | |
| Peter Tomashek | .... | orchestrator | |
| Brad Warnaar | .... | orchestrator | |
| Paul Wertheimer | .... | score recordist | |
| Randy Kerber | .... | additional orchestrator (uncredited) | |
Transportation Department | |||
| Ron Annabelle | .... | driver | |
| Robert Buckman | .... | driver | |
| Blaise Corrigan | .... | driver: forklift | |
| Douglas Crosby | .... | truck driver | |
| Michael Papa | .... | driver: New York | |
| George A. Sack | .... | driver: gas truck (as George Sack Jr.) | |
| Dave Staples | .... | transportation coordinator | |
| Mitchel Stewart | .... | driver captain | |
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FREQUENCY / (2000) ***1/2
It' 1999. Jim Caviezel stars as John Sullivan, a detective whose life is falling apart. Recently, he has split up from his girlfriend, he and his police partner Satch (Andre Braugher), are unable to solve a serial murder case that has been reopened due to the discovery of skeletal remains of a past victim. The thirty year anniversary of the death of his firefighter father (Dennis Quaid), is also approaching. John is beginning to sink in a pit of despair.
One night John stumbles upon his dad's old ham radio. He makes an effort to get the machine to power up once again. When he does and begins conversations with another operator, however, he realizes the person he is communicating with is his long dead father. Somehow, due to the presence of the Northern Lights, John is able to transmit back in time to 1969 and literally alter the course of his existence.
The concept of time traveling communication may seem far-fetched to some, and "Frequency" is a little hard to grasp at times, especially when the film never directly explains why the father and son are able to talk with each other through time. Notwithstanding, the production works as a science fiction thriller with supernatural overtones. While the filmmakers do succeed in convincingly constructing "Frequency," most audiences might have to leave logic at the theater entrance before viewing it.
"Frequency" is a well-structured motion picture; the movie is focused throughout. Although its story changes pace at different periods, for the most part the audience can follow along with the characters. This is a movie with a complicated and challenging story. Because of the film's complexity, we are enormously involved, if slightly confused. Screenwriter Tobias Emmerich links original and fresh feeling material here. Gregory Hoblit produces the right amount of action and suspense, combined with gentle emotions, to generate a film we have not seen before.
Dennis Quaid and James Caviezel are the perfect choices for the principal characters. Quaid performs with intriguing tension and appropriate receptivity. Caviezel dazzles with intricacy and dexterity. Offering refined supporting roles are Andre Braugher ("City of Angels", "Get on the Bus") and Noah Emmerich ("The Truman Show") who furnishes some light-hearted material as John's best friend.
Director Gregory Hoblit ("Fallen," "Primal Fear") clearly executes topics on screen. This film is overflowing with ideas and contains enough plot for a television series. However, "Frequency" is not without flaws. Sullivan's chaotic life is only vaguely portrayed. Although we do care for the character, more development would increase the relationship between the audience and he. Some of the make-up effects depicting age differences were disgraceful. Andre Braugher appeared as if his make up artists were straight out of junior high, slapping too much pancake cream plaster on him. The film's contrived climax concludes with a formalistic fight instead of continuing its battle of wits.
Despite a few unacceptable external problems, internally this is a very effective production. As a whole, "Frequency" contains a very encompassing story and places interesting characters in engaging circumstances. The movie is definitely worthy of recognition, but do not view it unless you plan on thoroughly discussing it afterwards.