To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via short-wave radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by
(at around 1h 30 mins) When Frank is at the police station and uses the aerosol can and lighter to start the fire sprinklers, he directs the flame at the smoke detector which would have only set off the audible alarm, not the sprinklers. Additionally, only the fire sprinkler head(s) that reach a certain temperature due to fire/heat in the area will activate and begin spraying water... not the entire system. See more »
What's going on here, Satch?
Frank says that he talks to Johnny, little Johnny on the radio in the future, and this guy claims to be your son!
Well, I talked to him too, once. He's a cop.
You talked to the guy on the radio?
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the characters make the difference in surprising "Frequency"
Several films have deal with changing the past and the ensuing effects on the future. "Back to the Future", "Timecop", and "The Final Countdown" come immediately to mind. Director Gregory Hoblit (his "Fallen" (1998)and "Primal Fear" (1996) were both excellent) explores that theme again in "Frequency". But writer Toby Emmerich (in his first writing credit), puts a different spin on the theme. In most 'changing the past' films, a character goes back in time. In "Frequency", one main character lives in 1999 while another lives in 1969--and you see the actions in 1969 immediately affecting 1999. Sounds confusing, huh? Well, it is. But it works.
The movie opens with the introduction of the Sullivan family. Frank (Dennis Quaid) is a heroic New York firefighter, and escapes a harrowing situation to return home to his wife and his 6-year-old son John. It's an exciting time in New York, as the 'Miracle Mets' have made the World Series. Frank is a ham radio user, and a strange disturbance in the sky (solar flares, I believe. I never took astronomy) in the sky has really increased the range of his radio. "I'm reaching people I've never reached before", he says. Flash forward to 1999, when young John has grown up into a 36-year-old NY homicide detective (James Caviezel) with relational problems (and possibly a drinking problem as well). We learn his father died several years earlier in a warehouse fire, and it's obvious that John has never really gotten over it. He ends up setting up the old ham radio (did I mention that the solar flares are back?), and contacts a fellow New Yorker named Frank. It certainly won't ruin any big surprise when I tell you that it's his father Frank--in 1969. After recovering from his astonishment and convincing his father who he really is (his knowledge of the 1969 World Series proves quite helpful), they begin a series of nightly conversations. Unfortunately, their conversations change the past--and the future--in very dangerous ways. A serial killer who should only have 3 victims suddenly has more, and John must use his knowledge of the crimes (30 years old to him) to guide his dad in a 1969 pursuit of the killer. And the chase is on. Will they stop the killer? Will the solar flares last long enough for them to finish their plan? Will anyone in 1999 or 1969 believe them?
That lengthy 'plot summary' really didn't ruin any of the suspense--or come close to explaining the whole story. So, it goes without saying that the story is pretty convoluted and involved. But it's not hard to follow, and the movie grabbed me and kept me interested throughout. Granted, you will need to use a serious amount of 'suspension of disbelief'. If you get hung up on "there's no way they could be talking to each other" or "changes in the past wouldn't immediately appear in the future--they would have already happened and would have been there all along", you'll do 2 things: (1) you'll give yourself a headache, and (2) you'll miss out on a very entertaining film. The reason I gave this more stars than last week's "U-571"? I cared about the characters, and I found "Frequency" much more entertaining. Also, the story was quite original--with great use of the Miracle Mets and the 1969 World Series throughout.
Speaking of the characters--Quaid and Caviezel both do great work. Their conversations via radio are very touching and authentic (once you accept the general premise, of course). Although Quaid is a 'movie star', don't let that fool you--he's a very good (and probably underrated) actor. Just watch him as Doc Holliday in "Wyatt Earp" (1994), Remy McSwain in "The Big Easy" (1987), or Gordo Cooper in "The Right Stuff" (1983) if you don't believe me. And Caviezel's a real up-and-comer (1998's "The Thin Red Line"). He does a great job as a grieving son who is reunited (in a way) with his father, but watches his joy dissipate in the face of the mess he's created. He also believably portrays a character who has memories of the way things were, but is now bombarded with 'new' memories of the way things have become. The other characters are definitely secondary, but Elizabeth Mitchell as wife/mom Julia, and Andre Braugher (TV's "Homicide", 1998's "City of Angels", and 1989's "Glory") as Frank's policeman friend Satch are both solid.
This film has some decent action/suspense scenes, and 1999 John's radio conversation with his buddy Gordo (in 1969) is very funny. There have certainly been better action/suspense/serial killer movies (the action scenes weren't amazing, the story has some holes, and I thought the ending was a little cheesy), but the heart of the film is the relationship between Frank and John. I bought into that relationship fully, and that's why I liked this film as much as I did. And that's why I definitely recommend seeing "Frequency".
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